gt3rs

A good 4 core i7 machine with a good gpu you can edit in realtime 4k 60p MJPEG in Resolve. Jcs stated the same for premiere. In case of Resolve you gain nothing in converting to prores. If you search the forums you can see in which kind of HD it works...

The main goal of the X7 is to be able to put a S35 sensor on a relatively small bird. Up until now for putting a S35 sized camera even a DSLR you needed a much bigger, heavier and dangerous drone. Also having an integrated camera + drone makes controlling both a much much easier task especially over distance... To have such "small" drone lifting a S35+lens the main design goal was to keep it as light weight as possible especially the lenses. Did you see how small are the motors on the gimbal compared to Ronin MX or soo... One thing I'm disappointed is that any frame rate > 30 fps it is using a crop of the sensor "narrow" and also no mention other than the intro video how the AF works, MF apparently can be done with a follow focus wheel attached to the remote or via touch screen slider. I see the compelling idea of an Osmo solution with this camera but I think the main desing goal was really a drone first camera. Osmo would need to be quite big to accommodate the cpu, cinessd, battery....

I think from the size of the gimbal motors and the size of the camera I doubt that it can hold a "heavy" lens in front, this is why they designed it to be as short as possible and lightweight as possible. I highly doubt at this point that you can us many non "native" lens on it.... but let see

No info yet of AF.... 50 2.8 on APS-C you need AF or FF.... I bet it will be quite expensive but is very cool to have an 24 mpx APS-C camera in such a compact form factor and integrated in a still portable drone.... Looking forward to the first tests

AF is a big question mark and I expect the price to be quite high. I doubt that they can fit it on P4 class size although I agree with you it would be super cool. It is very good if they use CFast card but then it makes the inspire processing unit completely redundant... really curious to see what they came up with....

Can an MFT mount accommodate a Super35 (~APS-C) sensor/lens? I don't think is possible without a speed booster but then is not a Super35 sensor. From the leaked (assuming real) spec it is a Super35 mm sensor. Tomorrow we will know

very interesting curious to see what mount and wich lenses would be compatible and how to balance them.

I agree and the potential is huge and I belive most people have not yet realized the impact that will have in a few years.... having a full sphere stabilized where you can later on reframe and do camera movement in post especially as b cam it is huge. Currently the end quality is way too crappy but with 8k a better sensor and lens and it will become super usefull. I'm curious to see the gopro fusion if it is better althroug I'm not expectin miracle at this time.

It has a fixed aperture at F4. You can dream that it goes to F16 but they forgot to write it anywhere because is not that important;-) Action camera are used also in lowlight and combined with the light needed for hfr a 2.8 lens would be quite usefull. I do a lot of low light sports so for me 2.8 would have been better. DJI manages to put a 24mm 2.8-11 lens on a 1' sensor in a tiny package so Sony should have done it too...

It is not written in any specsheet so I doubt becuse everthing else is very detailed

I'm waiting since years that somebody does a better action camera than gopro and the new Sony it is interesting: https://www.sony.com/electronics/RX0-series But I wish they would have done it similar to the DJI Phantom 4 Pro camera that is also a Sony 1 inch sensor but with F2.8 up to F11, 4k 60p (although DJI in reality is 4k at 30p and at 2.7ish at 60p due to line skipping). I would have accepted that the RX0 is full HD only but at least with an aperture control and starting at 2.8. It can do 4k but only external that it defeats a bit the compactness advantage. Most probably a thermal problem that the Drone does not have having a cooling fan and open vents.

split shoots are quite hard with the ewamarine so you need to try and retry... best would be a dome instead of a flat port I think we tried like 20 dives for getting this one:

What kind of underwater shooting are you doing? Snorkeling? Pool? Diving? For diving buy or rent (if you find a place) a real housing with a port, dome etc.. but is really expensive and you need to change it when you change your camera. You need various ports depending on the lenses that you want to use. On the cheap side you can buy the bag has Inazuma suggested but that one is a pita because you always need to press the port to the lens... I had one and it was a real pain. I now use an ewamarine bag with the lens ring and is much better because the lens stays perfectly aligned with the port. It is still a pain to use but IMO way better: https://www.bhphotovideo.com/c/product/464106-REG/Ewa_Marine_EM_U_BXP100_U_BXP100_Underwater_Housing.html You need to setup all before because changing setting when inside the bag is a real pain... also you should lock the settings because it is so easy to change things by mistake. I even use my 1Dx in there but there is for sure a risk and you should double check every time that there is no leaking. My camera is insured so I take the risk

I'm very familiar with the DJI offer and not the Yuneec ones so I may be wrong but from the incredible poor website it seems that you need both the frame and the camera if you want the new 1inch camera: http://us.yuneec.com/commercial So for something similar in video spec 1 inch sensor 4k 60p as the P4p you would need 1999 + 1299 not really 300 cheaper or I'm missing something? Maybe you are comparing it to the Inspire 2 (the one that lift the legs) but is really another class of drone (58 mph). You can get the same camera on the 1800 usd P4p+ (controller with integrated display) or you can get the same camera spec on the P4 Advanced for 1200 usd. DJI offers integrated controller on the P4p+ and the new CrystalSky monitor/tablet https://store.dji.com/product/crystalsky?from=menu_products. But a lot of people don't like them because you cannot use 3 party apps like lichi, dronedeploy etc... With the CrystalSky you can always remove it and put a phone/tablet but then why not use phone/tablets. The DJI HW is really great the problem is the software quality. At every FW they improve something and break something else... I really hope Yuneec can become a real competitor forcing DJI to rise the software quality bar (right now they always ship beta quality software..).

1299 usd only the camera without the drone.... P4p seems a much better buy

Hi Oli, I really like your hyperlapses, I'm not a fan of the t/s effect so I would have preferred without it like the others in your channel but it is pure personal preference and it takes nothing away of the great job you did. I also read your article on fstopper and it is great with many insides. I have experimented a bit with my P4p for drone lapse and I'm not yet sure what is the best approach. The p4p can do 1 jpg every 2 seconds so with ND you can have between 1/2 to 1 second exposure and it gives really the sense of speed but is a pita to get a stable footage even after post stabilization and you need to fly super slow so it takes time and multiple takes as you mention in your article. Alternatively you can take a video and speed it up with the advantage that is more stable, you can decide later on the speed and do speed ramping effect and it takes less time. I did play around adding motion blur with Resolve Studio and you get a good effect but clearly not the same as a true hyperlapse. Best would be that the p4p could do a frame every 0.5 second at least in jpg or having vfr from 1 to 24 in video mode. Using litchi for mission planning I'm always scared about the altitude because I live in the mountains and I don't trust too much how you set the altitude. At sea altitude is easier:-) What is you opinion?

Apparntely according to the canon slide in the newsshooter review: http://www.newsshooter.com/2017/08/14/canon-c200-production-camera-review/ MXF intermediate codec will save to CFast only this sounds more 400 Mbits 10 bit than 8bit with less bitrate. But with Canon you never know.

I believe the 13'' MBP is dual core and I'm pretty sure that is not able to handle 4k 60p MJPEG in real-time in Resolve you need a quad core i7 notebook and good GPU... For 4k 60p RAW Light probably you need a 6 core desktop machine... If you use the 1DC with the EOSHD Log you will not see the difference with the 1DX II so you will gain DPAF, 4k 60p, 1080p 120fps, better rolling shutter and lose S35 and unlimited recording. So you know what you will get. For the C200 renting would probably be the best. For the C200B unfortunately you cannot retrofit the viewfinder so if you want to resell it in the future it may be harder to do... Here the C200 on a Ronin M: Hopefully they will sell a longer LCD-Camera cable because like this is not good

150 Mbits LGOP only at the moment, not really the perfect codec... The title of the post is C200 or 1Dx II for 4k 60p ....on paper both ar better than EVA1 for the OP. Real life could be different

Did you read my post? Do you know that Canon has announced a firmware? Do you know that your reccomended EVA1 also need a firmware update for the middle codec and that is only up to 30p, 60p will be 4:2:0 8bit LGOP only? I agree that the firmware is not out yet for protecting the C300 II.

Not sure where the C200 it fall short on important areas? Dave is interested according to his question to 4k 60p and there the difference between 1Dx II and C200 is 20% so the cost in file size is well worth for RAW. Worst case scenario after the firmware you get 4k RAWLight at 1 GBits, 4:2:2 8bit 300 Mbits, 4:2:0 150 Mbits and all up to 4k 60p not like the EVA1 that is only 4:2:0 at 60p. Best case you get 4:2:2 10 bits 400 MBits instead of the 8 bits. The DPAF could be better but is still the best on any dedicated video camera. I agree that the 1DX does not look like a cinema camera so it is more discrete.

With a decent hw (4 core i7 notebook) MJPEG is no problem at all to edit. On my gaming notebook there is no difference in speed between mjpg and DNxHR in resolove at 4k 60p. RAWlight needs more HW I guess especially over 30p... but I would need to test it again once I find a 4k 60p RAWlight file: Is not yet sure if it will be 8 bit or 10bit.... a guy from Canon USA stated that it will be 8bit, a guy from Canon Japan stated that it will not be 8bit..(so 6bit:-) or 10bit). First question to ask is what percentage of photo vs. video you do with your 1DC? In my case is 60% photos 40% video... best would be to have both the 1Dx II and add the C200 but it becomes expensive... Rent is good idea looking forward to your opinion

I have the 1Dx II and I love it. Great for action photo and also great for video and for me is very good to be able to do both with a single camera. But as video camera there is really no contest at least on paper: C200 + NDs!! + RAWLight (at 60p no big difference in file size 1000 Mbits vs 800 Mbits 1Dx) + h264 150 Mbits for long recording + audio + no recording limit + mp4 proxy (can be used also as backup too) + DR in RAWLight + Log and lut monitoring + Viewfinder + integrated WiFi + zebra, waveforms, etc…. - 1.5 crop - no photos - a bit bigger - DPAF not as good as the 1Dx II - more expensive especially if buying a used 1Dx II - For RAWLight better Computer needed as MJPEG Same weight Not sure about the 120 fps quality which is better and if the C200 can AF at 120fps If you plan to keep the 1Dc I would not buy a 1Dx II but a C200. Anyway I would wait a bit to see how the C200 fares on the real world… now that the first units are delivered we should see more videos and experience sharing.

Thx for the test and after using quite a bit the 1Dx II in 120 fps I agree with you that is definitely not the strong point of the camera... usable but not great. The difference in quality between 4k 60p and 1080p 120fps is huge.

Seems to be a new trend to announce future codecs...... 10bit 4:2:2 ALL-I coming later as firmware update?!?... at the beginning only LGOP 150 mbits. 4k 60p will be only 8bit 4:2:0... Curious to see the image quality