Devon

Thank you for clearing that up

@JCS "Since the A7S gamma in Slog2 isn't full range, using the included Slog2+SGamut to Slog2+Rec709 3D LUT is a good starting point." What do you mean by "Slog2 isn't full range?"

Log profiles are still technically rec 709 correct? Its just a response curve within rec 709 that remaps values?

Thank you! You all have helped very much!

Thanks! To be extra clear... I previously understood that if I choose ie: Fujicolor200_CIN, then I would then apply fujicolor200_FPE (all under the same "slog2" folder) to emulate that film stock. From your replies, I would choose a _CIN lut inside the slog2 folder...then navigate out of the Slog2 folder into the "Cineon Conversion" folder to then choose one of those luts? So I have many _CIN choices, but only 5 or 6 Conversion choices? I've looked through the website and couldn't find what I was looking for. I'll take another look. Thanks for your help!

I'm having trouble finding an answer online on how exactly to use Vision Color's Film Emulation luts. I'm filming with a Sony A7s. I most often film in S-log-2. My question is; Do I apply a _CIN lut first, then an _FPE lut after corrections? Or do you apply _CIN, then _FC, then _FPE to properly emulate a DI workflow? Do you still use a _CIN lut if the footage was encoded in S-log-2? Thanks everybody!