True. But I am not only looking at specs. It all comes down to subjective needs -
My reason is simple I have a g80/81/85 and I was between buying an external 4k prores recorder or upgrade my camera to another with more robust internal codec and data rate. Preferably 10bit. And not unimportant (to me) reducing the rig size.
In the beginning of the year there were 2 (in my reach) - gh5 and gh5s. The low light performance of the gh5 kept me hesitating (not a big enough upgrade for me) and the gh5s pricing well ( in sony FF space )
Then shortly after this lovely (on paper) BMPCC4k got announced which checked all my (important) boxes. Similar ( pure speculation ) low light performance to the gh5s included.
And now the Fuji Xt3 is making an entrance. (and im sure many other will follow...well...probably not canon)
But I will not cancel my preorder (no. 3 on the list from my vendor ). The DNG raw is not a must for me. The prores is.
However with the release of BRAW that might change. It kinda set a new milestone to me. Datarates are presumably in prores space. And the fact that it is multiplatform and open to all to integrate into their software is big in my opinion. Not like prores that is mac first. If BRAW is prores smooth to work with then it is so much more interesting for me. The other camera producers are at least one generation behind now (if it work outside the press release ?)
I guess for my use, whatever the AS73 may offer, I probably will be fine with pocket4K (if it delivers)
Sure, like i.e the Red Scarlett etc. Would have been nice to avoid that big a crop. But for me not a dealbreaker.
Since the glass I have is m43, 43 and omd the mft sensor plays nice with me.
I would love a sony FF. But for my use and needs for the moment this will make more sense to me.
I remember your article some 5 years back ago comparing h265 10bit and prores444 the latter having 100x bigger file sizes with perceptually no difference in quality (great article btw)
I know it is not that simple since licensing and silicon and heat dispersion power consumption etc has to be taking into account. But options has been on the market for a while. Makes you wonder why basically only Samsung in the day embraced that codec.
I do find prores much smoother to work with than h264 in 4k/uhd. H265 without hardware acc decoding must quite challenging.