Alt Shoo

Gerald’s review of the fp is based off his usage, which is a personal thing and since he’s influential, his personal tastes are passed on to the sheep of the earth. For my personal needs, this camera exceeds plenty! I had the chance to purchase a BMD12K, Komodo, a GFX100 and a FX9, but decided on a pair of Sigma cameras. A fp and fpL kitted out with some lenses from Irix and Dulens. I also paired them with two Atomos Ninja Vs. I really watch these YouTubers just to get perspective. I make up my mind by simply testing and knowing what fits the workflow I want to use.

I agree wholeheartedly with a lot of ideas and thoughts in this thread, but is it really a surprise with how Panasonic treats its customers? I do believe that Panasonic needs to get with the times and become more transparent with their customers. That goes for all companies from the old guard. We can look at a company like Z-Cam to understand the benefits of accessibility through social media with almost instant interactions. This is where I think bigger companies will fail in the future if they don’t integrate this type of communication. Still regarding the GH6, wouldn’t it be downright ridiculous for Panasonic to disregard the demand for this product? They have seen continuous success with the GH series. I can’t believe they will stop producing the line because it’s too profitable. Yea they have FF cameras, but it’s still a new market for them. In the camera world their bread and butter are the Lumix line and it’s MFT ecosystem. It would be disastrous for them if they neglected this fact.

Yup, we are all speculating. Some are more extreme than others.

This whole topic is pretty much super speculative. The mft format isn’t going anywhere. There’s a whole eco system that’s been built and maintained for too long. As I said earlier, Panasonic isn’t abandoning it. They just released a MFT cinema camera last year with incredible specs. Most of the contributors here are missing that fact. I’m quite sure the GH6 is soon to be announced. This mark ii business is most likely a streamlined version.

Panasonic is committed to the MFT mount system. They wouldn’t have released the BGH1. That’s a brand new camera, which was released last year. Netflix approved too.

That’s sad and disheartening to hear, but I’m still going to buy their gear because a lot of the tools I have and I’m expected to purchase are literally approved by the camera manufacturer I use. My career depends on these products, which allows me to have a cohesive and efficient workflow. Regarding the YouTube personalities experiencing this type of behavior from companies, if my future depended on income from being a “creator” and not actually creating content for “real world” clients, I would be gung ho behind this. Still, I hope that it was just a rogue employee and not the company’s culture because SmallRig doesn’t come across like this. Hopefully his video will bring attention to this issue.

I remember a few weeks back I was talking with Takuma Wakamatsu and I made a suggestion about this very same thing we are looking at. I suggested that he should use the hot shoe accessory input and create an attachment that basically does this, yet have a full hdmi input. He quickly responded with “I can't say anything about future development but I'm considering something. Please looking forward it.” My instincts kicked in and I knew this was happening! In genuinely excited about this announcement. I actually haven’t felt this excited since JVC released their cinema camera. I’m a really big supporter of underrated yet powerful organizations.

If I wasn’t such a stickler for only PL lenses, this would be a no brainer. However, I’m still very interested and may pick it up!

Here is my preliminary setup. This little setup here is amazingly powerful.

Even though i use them, I can not stand gimbals 🤮

For the very short time I’ve had it, I must say the fp is really fun to work with!

Honestly idk how I would feel if it’s a whole new fp. I literally purchased the Sigma fp a week ago with the pl adapter, SmallRig cage, handle, ninja v, the whole shebang! I also have some pl lenses coming in too! Lol. I’m very interested to see what is in store.

I agree. I am also hoping that they decide to step into the cinema market and offer something similar to the box cameras that are starting to proliferate the market. It would be an added bonus to include some of the technology that they are known for into these devices. And although different companies, maybe even continue with and improve on the MFT/S35 sensor system JVC introduced with its LS300.

In regards to BM’s new tech, and this not being a Bayer sensor, the numbers aren’t the same thing anymore. I believe we are in the presence of a major disruption to come. It’s obvious this is going to trickle down into BM’s new devices and will most likely force major players in the game to reassess the price of admission for quality cinematic images. Sorta reminds me of how one can create Grammy winning music on their laptop/tablet/phone.

Here is a good read on the myths of this technology. http://image-sensors-world.blogspot.com/2020/07/image-algorithmics-on-rgbw-color-filter.html

Definitely a great read! I honestly didn’t want it to end.

That’s some of the best footage I’ve seen out of any camera.

That’s in all the groups I’ve visited. Each group has a set of “patriotic” members who bash other cameras, make tree and backyard videos with their small tilta wooden rig , theorize on what if’s and no real footage. I agree that the body should be a bit more durable and maybe they should have made it more sensor in a box, but the camcorder body is a proven design conducive to out of the box filming. In addition Grant said that this release is for the high end and all we can do now is watch what happens with this camera.

I agree with the brand name problem, but you can say that about any of the brands not Arri or RED and regarding the image quality comparison, that’s highly subjective.

Y’all should read johnbrawley.wordpress.com it answers a lot of the assumptions in this thread.

🙋🏾‍♂️

Yes for the regular black, but the stormtrooper is 7 then cfast cards (certified approved) and then the tax. Also people are going to buy other parts to build a proper rig, which the average comes to over a G. While the BM comes with their “award winning” shoulder style design and camcorder body ideal for hand held work. With the order I’m doing for the Komodo it comes out to the same price as the BM12K with taxes.

I’m a prospective StormTrooper buyer and to say that this announcement doesn’t throw a kink or doesn’t spill over into RED’s Komodo market is probably a mistake. Yes I agree with the Komodo being a perfect B/C cam and a entryway into RED, but with $2k more you have a future proof (5-6 years) of high quality A cam capability! I’m quite sure there are plenty Komodo line standers thinking about investing into this ecosystem.

When can we expect a full frame or bigger Varicam?

Man oh man I am more confused than ever. I just received the final email back to confirm my purchase for the Komodo, but this news comes out. Smfh. I’m usually very confident with my camera purchasing decisions, but this has me going through a constant loop of what ifs. Please can someone help me make sense of this decision. Should I go with the Komodo or get this GFX100 now with Pro Res Raw capability. Smfh.