MurtlandPhoto

+1 for CineMatch. I use it on every multicam shoot.

No mention of external raw, but hints that maybe it's PDAF. Interesting tradeoff versus the BS1H.

I use MediaInfo. It will do exactly what you need. It's been super useful for me identifying random video clips from other videographers at my day job.

I'm game to compare it to the Phantom luts if anyone is interested. Those have been marketed as "Alexa-like"

Dead to rights with me, too.

The BMPCC was already soooo cheap for its time that the fire sale made it an absolute no-brainer 🙂

I bought one. I couldn’t resist at this price, which I’m sure was Blackmagics hope for many people. I’ve been completely out of the BM ecosystem for a few years but the Pyxis got me starting to reconsider. Now this has pushed me into the deep end 😂

I love the way Blaine constructs his videos. Zero fluff. Just tips and tricks the whole time.

My big light is the Smallrig 450D. I love it. It's well-built and super bright when I need it. That said, most of the time the brightest lights I need are 300w.

Anddddd there's the box camera!

This might be the single largest release lineup Blackmagic has ever done. There's like a dozen new pieces of hardware plus DR and firmware updates. Craziness.

It's interesting to see the minuscule amount of hype around this Blackmagic livestream compared to the BMPCC4K in 2018. It's a ghost town here today.

Good catch! New EVF too. The body design is looking very similar to the existing Ursa Mini?

Looks like a user changeable lens mount as well

B&H and Adorama are my most trusted vendors for used stuff. Fun thing about Adorama is that almost all their used stuff on their site is also listed in their eBay store with a “Make offer” option so you’re able to buy things under list price. They’re pretty good about actually accepting offers, too. I’ve had very good luck buying and selling with MPB in the past, but you need to reallyyyy stress test stuff from them IMO. I’ve returned a couple items that I didn’t feel were listed correctly. Like, things I bought at “Excellent” that I would characterize as “Poor” or “Acceptable”. Still, there are some great deals there.

Aside from launch day preorders like the BMPCC4K, I buy almost all my cameras used from major retailers. You’d be amazed how many cameras get returned just a couple weeks after launch. Like new condition for 10-15% off. I stress test them quickly just to make sure there isn’t some defect. Typically, anything rated 9 or higher from B&H is indistinguishable from brand new.

I had the 18-135mm for a bit. It's a very compact and lightweight lens. Good range. Great AF. The weakness is obviously the f/5.6 aperture on the long end. It's fine for outdoors stuff, but I found myself really wishing I had an extra stop of light pretty consistently indoors. On my full frame cams, the 24-105mm f/4 is my workhorse. It strikes the right balance of range, aperture, and performance. I'd imagine the 18-105mm would be a similar experience on APS-C.

100% agree. And, this is further makes a subscription model unlikely IMO. How could they possibly hold back enough features to make a subscription worthwhile, but also not piss of the users? No wayyyyy.

Kinda, sorta, but not really. Those are examples of one-off costs to unlock features permanently within the product, whether it stays with the original owner is sold off. Imagine having to pay monthly to have V-log in your GH5. Or pay Sony monthly to have shutter angle in your FX3. I'm actually OK sometimes paying for a firmware update past a certain point in the development cycle. It's logically how some manufacturers can recoup development costs on older tech they've moved on from. But, a subscription??? No way for me.

I legitimately think that the consumers will eventually abandon any manufacturer that tries this. And, if they all try it together, I see a mass revolt against new models and perhaps even a movement to “older” cameras.

I 100% agree with you. There will always be a place for authentic video and photo capture no matter how good AI gets. Things are about to get disrupted certainly, but it’s not all doom and gloom. Actually, I suspect there to be a bit of a counter-movement to AI shortly after it gets to the levels people are worried about. I see authenticity almost becoming a brand all on its own.

Higher education marketing and communications. Innately human-centric marketing that doesn't have the same corporate hellscape culture of tech, finance, or most consumer goods companies. Colleges and universities are trending towards hiring content teams full-time versus outsourcing work for cost savings, consistency, and efficiency. Even schools that outsource usually have project managers and communications leads internally that maintain the brand message. I've worked in this space my whole career. It's nice here.

FWIW, I found the 50Mbps HD from the GH3 to be far better than the GH4 with the same settings. In general, I found the GH4's HD modes to be very poor compared to its own 4K or the GH3's HD.

I think the Hollywood machine will largely remain the same. However, this will inspire many, many indie or lower budget productions. I really hope Edwards/Fraser detail how using such small camera package impacted the overall production. I imagine the time savings were immense. And, I imagine the FX3's low light abilities affected how they lit the picture.

Right but that barrel connection makes using another third party solution like NPF or even V Mount wayyyy easier than before