mirekti

Right, 10ms sounds crazy good. I’ve also read (can’t remember where) that even FF 4k might be recorded 10 bit 4:2:0 internally, but that doesn’t match you chart. Are the specs you posted official ones from Leica source? One more topic, please. How big is the real life difference between pixel binning and regular 4k readout? Would there be a noticeable difference in footage if one combined SL2’s S35 and FF clips or one would only noticed it when pixel peeping? The reason I am asking is that I own M240 and few M lenses, plus S1H. I understand compromises need to be done, but the idea of having a single body to use for both, video and stills is very compelling. I am yet to do a more thorough comparison between M240 and S1H photo modes, but initial shots done by S1H didn’t hit the nail compared to M240 so far.

What about rolling shutter? I’ve read on film 5d an article it is only 16ms in FF and expected under 10ms in S35.

A bit off topic. From your blog: "I had to dial the temperature down to 4100 in Resolve" How do you dial the temp down in Resolve to 4100K. I didn't know one can set the temperature by Kelvin there.

What do you think I am, a sponsor? Get real. BTW

Same here regarding the GH5S. I can understand this is a time consuming project, but it’s been almost two years.

You might be right, and I have posted a wrong link above. ? Check it at 2.20

Did you watch the video? The organic sensor itself is also a built in ND filter i.e. the sensor itself is bringing: more dynamic range, global shutter and ND filter capacities

If you check the end of this video there's a statement this organic sensor will be used in Lumix series too, starting with the end of Olympics 2020. We are talking about built in ND, higher dynamic range and global shutter sensor. This is revolution!!!

@Sage Any update on GH5S profile?

@Sage Any updates on GH5S profile?

I see your Input Color Space is set to Rec.709. Is this for CineD or you use it for vlog-l too? My impression was that input color space should match what the original footage was recorded with. BTW Any updates on GH5S profile? Thanks and cheers!!

Rolling shutter?

This looks nice

@Sage Hi there. Are we close to getting GH5S conversion?

While it looks bad if it doesn’t spread towards the center you should be fine. I was surprised how small the circle is used, I think it was less than 10mm radius from centre point.

How loud is your PD Movie? I have received Live Air and it’s super loud. Not sure if it is faulty it is simply loud. 437308E1-2EEB-46E1-8068-491BCE872646.MOV

Did you register to ask this? Googling could have been faster.

So there’s been an ongoing thread on Z Cam Facebook group related to their Fall to be released S35 camera. The company is really trying to get customers’ input regarding the features. There’s also a rumor it would be presented on NAB. 14+ usable DR, 6k 60 fps, probably EF and M43 mounts will be available. Anyone here excited about it?

I saw in this video that Radeon VII can actually work in crossfire. https://www.youtube.com/watch?v=NFoPwxr-75g&t=1540s (Warning: It is in German). Do you think/know if Resolve could make use of such configuration?

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Should I have HDR monitor for this to be used on timeline? Rec 709 sounds correct to me, but of course I might be wrong.

I am using P4000 in my system. Adding NR and other OFX in Resolve slows down my 1008p timeline. Would it be wiser to sell P4000 and buy Radeon VII or invest in another P4000, and having dual P4000 in the system?

@Sage I was thinking of experimenting with HLG a bit, but didn't find much description in v3.0, only that PRE needs to be used. What about the input Color Space in Resolve, is it supposed to stay Panasonic VLog or something else should be used?