thebrothersthre3

Yeah its most likely poor writing pretty underwhelming if that is the case not sure, though if it did 4k 60p raw full frame, whatever they charge would be a good price haha.

https://***URL not allowed***/sigma-fp-update-cinema-dng-raw-internal-recording-and-more/ UDH/HD up to 120p,

Probably a pretty niche camera. It will do 10/12 bit CDNG 4k up to 60p externally full frame. That is pretty neat for the price. Wondering if the full frame 4k 60p internal is cropped. Also I bet this thing will overheat.

Looks like the internal RAW is 8 bit only in 4k. On the plus side is does to 4k 60p internal H264/8 bit. Kind of a strange camera. No LOG profile currently which is also strange.

Just shot this on the XT30, tighter shots are the XT30. Mix of 1080 and 4k footage. Overall I was happy with the performance in lowish light. 18-55 lens at f4

Really depends on how you shoot events. A7III is the best all arounder, though you may run into overheating problems when shooting in 4k. Getting an external recorder makes it a safer bet. If you are just getting clips here and there with breaks in between you are good to go though. XT3 is great but AF and low light aren't as on point. S1 isn't too bad though you have the blue highlight issue at the moment and AF is unreliable. Plus side is there are no record limits and no overheating issues. Just had my XT30 overheat doing a 1 hour continuous shoot in 4k, getting an external recorder for it now. Have fun flying a Ronin S for 8 hours, I hope they pay you well. I'd get a lighter gimbal.

I don't know you can get some pretty damn good M43 cameras under $500 that do 4k with IBIS

Yeah I don’t have as issue with jumpiness. -1 or -2 speed and +2 tracking works well. I’m honestly considering buying a sigma 18-35 and 50-100 + fringer pro. Seeing people get good results with those.

If you have plug in power you can also get Lowell lights pretty cheap. 500-1000 wat lights can really light up a place You get a certain magic look with old tungsten lights. I am not trying to say you can't get good results with LED's though. If they are more convenient and in the budget go for it.

Are you sure the Z6 120fps is better than the XT3? Big advantage on the Z6 is more glass and low light. The 10bit flog is definitely a much better image than you get out of the Z6. Full frame 10 bit is attractive though if you use an external recorder.

That would be incredible. Thats good to hear. I am really hoping with V4 firmware Fuji will step it up. It doesn't have issue finding focus but it just won't always hold it. Random hunting for long takes is an issue.

I thought the EOS R could do 10 bit 422 1080p to an external recorder. But turns out it only does 4K, which has unacceptable rolling shutter. One of my big reasons for switching would the much wider selection of Canon glass. Also canon DPAF would be super useful. Alas the EOS r is probably too gimped for me.

Stunning shots! The XT3 is a hell of a camera. I keep looking at others but always come back to it.

I've shot with the GH2 at night as well as GH4 in low light. If you can light your scenes it doesn't matter. Its fine under 1000 iso

I doubt they will sort out their auto focus. 4K 60p 8 bit ain't bad though, The Ninja V isn't too expensive to unlock the 10 bit

Seeing as the FX9 is $10,000, I am hoping the FX6 will be more around 5,000. That said I am expecting it to be gimped at 4k 30p internal.

Very nice! I am very tempted to buy one, but will probably just get an atomos recorder for my XT30.

Would be cool if the S1H could do BRAW or the S1

I heard a new 2200 nit video assist 5" and 7" with BRAW for several cameras including the EVA1

It looks like they really hit it out of the park with this one. Really excited to see what the XH2 is going to be

Everyone needs to follow Fuji with 1000 nit screens

Yeah the blackmagic needs a monitor when using in sunlight. I'd not get it for run and gun stuff, or situations where I don't want a rigged up system.

I've been looking to upgrade my camera package and rather than the OG Amira I am thinking of an F35. Even cheaper and honestly I think the sensor is superior. Thats way off topic though. On another note I am really considering an EOS R. Yes 4k is cropped but you can still shoot 1080p up to 60p in full frame. Its got a good codec and Clog is great. The Auto focus is top of the line, you can adapt any EF glass and use their ND adapter. Plus they only cost like $1500-$1600 used. Great battery life and ergonomics. Yes 120p 720 sucks but if you just need 1080p up to 60 its hard to beat IMHO. Auto WB is great on it too unlike on Fuji. The 10bit 422 4k to a ninja is apparently gorgeous, though I can't get around the rolling shutter so I'd probably not use it.

Good signs for the future. That is a bright screen, honestly if it had eterna I might buy one as a B cam.

As far as I know its still there on the Pocket 4k but the Pocket 6k doesn't have the issue. That said it can be fixed in post on the Pocket 4k, while on the Panasonic S1 you are just screwed. I have a feeling he is just used to the excellence from Arri or RED. Would be interesting to see him compare it to the EOS R, Fuji XT3, and Sony A7III I thought the panasonic codec with Vlog is H264 10 bit 150mbps?