thebrothersthre3

A C300 mk2 then

If you are doing something for Netflix I don't know why in the world you want to use a Nikon Z6 in the first place. Renting a C200 isn't really a big cost.

Having all its internal log and HLG profiles with internal 10 bit 422 at decent data rate will probably happen. Of course you get that with Panasonic just after a paid upgrade. The Sony will probably cost more off the bat so there is that as well.

I like that image, nice grain. Funny I didn't even notice in on my phone.

It has a great image btw. Pretty much no moire or aliasing which can't be said for a lot of more expensive cameras. Also internal 10 bit 422

I don't consider color part of image quality usually. But yeah, if you factor that in Pana is nice, though I don't think particularly better than Nikon.

The Z cam E2, no internal ND's though. The FS5, is a pretty good choice if you can throw on an external recorder. The URSA mini 4.6k G2 is pretty darn good. Yeah I used a $25 monopod with a 250mm lens, lots of shots at the long end and got great shots. The lens had stabilization though. Still, was great for run and gun at a wedding.

Monopods work pretty well or a shoulder rig. If you are just getting quick shots, which is pretty much what IBIS is useful for, stabilized lenses pretty much accomplish the same thing.

Its gonna yield similar image quality to a A73 and Nikon Z7. Full frame frame 6k downsampled

I don't really think its necessary. 1.4 is very fast on full frame especially since you can crank the iso up pretty high.

I like my Fuji XT3 a lot and will be sticking to it. When I spend $2500 on a camera it'll be for a used Ursa Mini or something. That said its a nice piece of gear, especially when it gets the Vlog and 10 bit update.

Lots of people complain about the GH5 and GH5S colors as well though? The FS5 is really tempting to me. With the atomos recorders it can do 12 bit prores RAW now up to 120fps. The FS700 is really nice too although I like the FS5 form factor.

I didn't quite realize how small Prores RAW files can be. I think being able to do 12bit 4k on a full frame camera is really amazing. Just realized the Prores RAW also works with the old FS5, which are going for like $2000ish on ebay. Those can do up to 4k 120 in Prores RAW?

Is camera A the GH5? The Sony cinema cameras are really interesting for the price some can be had at. Everyone always complains about Sony color so its a hard sell for me.

Is the GH5S any better?

I didn't quite understand it but it made sense without thinking about it. If that makes any sense? Really good piece, going to share with some friends.

I haven't used the Pocket 4k only the OG pocket. With Highlight recovery in resolve it gets more dynamic range.

Ah ok, well nothing wrong with that. Also sorry to accuse you of that, didn't really have the info to say that.

If you don't need auto focus, a speedbooster is a cheap easy fix to the crop issue. Although I am not sure why a 1.8 crop is a big issue in the first place. I'd imagine its noisy if you come from the DSLR full frame world. If you are used to shooting with cinema cameras or M43 I doubt it though. The big dynamic range advantage seems to be when shooting in RAW, especially CDNG. There seems to be a lot of highlight information that something like the GH5 doesn't have.

The issue is you sold that video to a client and used music that isn't your own. Which I am sure probably breaks some law.

I'll use copyrighted songs that were playing during the reception as I think its part of the documenting and capturing the feel of the event. Wouldn't use it to promote what I do though.

pretty cool, though impractical for run and gun if you need to change it out.

The GH5S sensor was nice tbh, I have no need of 8k. Its capable of 4k 120p at least according to what Z cam did with it. But I guess higher res is the future.

There excuse was that its a stills camera, even though that doesn't even completely convince me. They should have no excuse with the GH line. I think the GH6 will have to be something really incredible. (6k 24 fps and 4k up to 120fps) with IBIS, and hopefully a new auto focus system, though I somehow doubt it. Maybe they'll put in a non handicapped Vlog as well.

Definitely depends. I know a company that hires like 4-5 shooters for weddings just to look more "big scale". Decided not to work with them as I think they are full of BS lol