androidlad

I was wrong about the readout methods on GFX100. In 4K, it supersamples the full width of 11604 pixels, and vertically line-skips 2/3 from 6527 pixels, resulting in a final bayer of 11604 x 4352 pixels at 11bit, then it's downscaled to 4K UHD/DCI. 4K rolling shutter is around 30ms. Stills mode electronic shutter scan rate is 1/6s.

I believe one of the first Exmor GS sensors is 42MP FF IMX651, DR is similar to A9.

If you want reliable continuous video AF, forget adapters. Go with Fuji's f/2 primes or f/2.8 zooms.

Funny that they shoot film simulations at DR100 and complain about the limited dynamic range.

100MP 44 x 33 IMX461 is the latest one. We might see a 170MP one in 2021.

IMX555 is a FF sensor and won't be out till 2020.

No. It's a speed-oriented sensor line-up with the elimination of mechanical shutter mechanism in mind. And it'll likely to be Sony exclusive for a while. I'm fairly sure X-H2 will move onto the 2.91um gen 43MP Exmor R.

This is exactly what happens when pan axis is locked, instead of follow.

Apparently @MaxYuryev just joined, welcome ?

A leaked slide, relevant?

Sounds like the pan axis is locked.

That press release was from 2015. A hint: Exmor sensors are used in smartphone cameras, consumer/prosumer DSLR/mirrorless cameras, and cinema cameras.

Sony's new line of professional imaging sensors, Exmor GS, has entered mass production: This is a new additional to Sony Semicon's current sensor line-up for consumer/professional imaging: Exmor R (Reverse/BSI) Exmor RS (BSI + Stacking)

Nice work. Are you sure the crushed blacks wasn't caused by this? Did you edit the GFX100 footage on Mac?

Cropped 2.39:1 just doesn't look as authentic and visceral as true anamorphic cinemascope. X-T3 is capable of full open gate 6240x4160 12bit readout at 30fps, with 31ms rolling shutter, if combined with 1.5x anamorphic lenses it'd be a dream setup.

ProRes RAW can be 14bit, DJI Zenmuse X7 records certain resolution/framerates in 14bit ProRes RAW. It's no higher than 24P. But for the sensor Z6 is using, it cannot achieve video frame rate using 14bit ADC.

sRAW is not true RAW, it’s debayered.

If it's true RAW then it's impossible to do 4K from 6K sensor without crop.

Sony Semicon ain't gonna allow that to happen.

In stills mode the camera uses 14bit ADC readout and has a DR of 13.45EV at base gain. Video mode switches to 12bit ADC readout so DR can't be over 12EV unless there's some additional on-chip NR.

There's a cable for Moza Air 2 to trigger X-T3 via E3 port on the right side of the camera: https://item.taobao.com/item.htm?spm=a1z09.2.0.0.13262e8dxtuDsn&id=584060126529&_u=5nl7sp1f68f

In case you haven't noticed, the "XT" in IMX461XTK-C stands for "X-Trans".

The prototype of a video-centric variant - GFX100V is currently being tested in Austria. It uses a speed optimised model of the 100MP MF sensor IMX461XTK with advanced readout methods (including no crop 4:3 output for 2x anamorphic lenses). IBIS is absent.

240fps is not the only thing that's coming ?

With newer generation sensors capable of more on-chip capabilities such as on-chip binning, on-chip oversampling and so on, the sheer power of processors is starting to become irrelevant. And no, Sony design the sensors, Nikon and Apple buy them off-the-shelf, they do make minor customisations. Fujifilm swapped the standard Bayer mask to X-Trans and that's the biggest customisation Sony ever allowed. If you buy a car and do a custom paint, can you say you designed the car?