androidlad

Neither Nikon nor Apple makes image sensors, they all go to Sony Semicon.

OP is talking about the nature demo footage shot in Kenya.

Cinematographer Mark Toia has confirmed that it was shot on RED Monstro 8K. Case closed.

That 8K camera head has been around for years, see that big box on the table beside the Macbook Pro, that's the brain of the camera.

Nikon does have a 60MP FF camera using IMX455 in the works.

Frankein rig from ALPA:

Looks like the LUT has a bit earlier/harsher highlight clipping compared to native film simulations? (Judging from the highlight patch around the lady's collarbone)

Overall I do prefer HLG, but in this case I was mainly testing the GHalex LUT and it works better with F-log material in terms of skintone.

More datarate per group of frame to minimise F-log blocking/banding.

120P is recorded in 200Mbps bitrate, conformed to 24P it's 40Mbps, for LongGOP it's an acceptable bitrate. The perceived softness comes from the readout modes, it's a hybrid of pixel-binning and line-skipping, so definitely won't be as detailed as 4K oversampling. But still, it's the most detailed, relatively artifacts-free FHD 120P out there.

Shot a water sports festival with X-T3, hugely empowered by the enhanced face detection in the latest firmware, face select also came in handy when switching subject. F-log, HEVC 400Mbps LongGOP, sharpness and NR -4, custom WB. Graded with GHalex LUT, simple contrast/saturation adjustments A couple observations: 1. Face detection does not work at all with sunglasses, would be great if it could. 2. To get the purest colours from X-T3, custom WB is the way to go! Use a proper white/neutral grey card to set a custom WB to the key light.

Neither OIS nor IBIS give you stable images while walking handheld. You'd need a gimbal for that. While linear mode helps, focus-by-wire lenses can't match true mechanical focusing lenses for manual focusing.

GFX100 F-log sample (original file downloadable): ISO1600, 1/50, f/4 with sharpness and NR at default "0". Other than very noise blacks, image looks quite pleasing.

X-Trans RGB X-Trans Bright 0.61um 1/2" mobile sensor and more

I know lots of things that haven't been announced.

4:2:2 internal will be H.264. H.265 remains 10bit 4:2:0.

~76MP@30fps definitely sounds like alien technology..

Strictly speaking it's full range 0-1023. But Fuji encodes nothing between 0-95.

The readout drive mode they use for 4K video actually derives 3884 x 2912 from the full width and height of the sensor, so it would be very easy to implement, it would also be perfect for 65mm anamorphic lenses.

To be compatible with Cineon log workflow. Yes. But we are talking about efficient use of code values of encoding in-camera.

PDAF mask arrangement on GFX100, a whole 3.76 million

Note that 4K on GFX100 has no supersampling, it's derived from weighted binning + some line-skipping from the full width of the sensor, using a 11bit lower precision ADC. In terms of pure image quality, it won't be as good as X-T3 4K, but you get the "MF" look.

Samsung will present a 100MP 1/2" sensor at IISW 2019.

The HDR mode is achieved using DOL-HDR, a feature seen on numerous Sony sensors including the ones in X-T3 and GFX100. Basically using 2 ADCs to generate 2 frames of different gain settings almost concurrently. However rolling shutter will double and max frame rate will be halved.

They were edited in SDR. Then the digital source was/will be remastered in HDR.