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Is the Canon XF 605 not the best quality / size / price compromise of the moment ...? https://www.youtube.com/watch?v=tsbCajW5cmk But the image quality will remain more digital than a C70 for example... which is not a problem in many reports...

You talked about emulation nothing to do with what was filmed ... it's your TV the problem turn it off So a film shot in 24p on Osmo Pocket on your weekend purchases is more cinematic than a film shot with a Full Frame camera in 50 or 60p in Log...?!? I think you should open a new topic on it... and have a good day

You talked about emulation nothing to do with what was filmed ... it's your TV the problem turn it off So a film shot in 24p on Osmo Pocket on your weekend purchases is more cinematic than a film shot with a Full Frame camera in 50 or 60p in Log...?!? I think you should open a new topic on it... and have a good day

There are many factors that make a movie aesthetic Lens / light / sensor / Log or raw / shutter speed / framing / story / good actors / good direction of actors / editing / ... so the 24 p, the aspect ratio is quite negligible for the viewer. Picasso and Monet are not paintings because they are not like Leonardo da Vinci? ....is stupid. You prefer vertical 24p vs 60p wide ...? 😒 The subject is the FX30 ... Peace and love 😄

What is your binaural system ?

Hello Mark To compare the rendered images... what equipment (body and lens) did you use in this great video.. (FHD ? 4K ? Log ?...) https://www.youtube.com/watch?v=_ZdMxFiUf9Q This music is so sweet to my ears

Not impossible that the AF is a bit the cause ? Take a good look, there is a moment when the sharpness changes both on the S5 and S5 II side... look at the freckles

https://www.youtube.com/watch?v=CTFBjaKApV4 Everything is compromised according to our use, our needs, our efficiency in production...and our aesthetic sensitivity. We win on one side, we lose on the other.... which is the best?

What are your settings ? Are you on a tripod with the 18-135 ?

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it could have been shot with anything... and in FHD

Excuse me, the texte of FoxAdriano is

It's ridiculous because it's precisely the concept: the log is no contrast because you want to settle it in post production. If you don't want to work in post production you have to find the Picture Profile closest to the log but more contrasted like the Ciné D II or Flat or .... Make your choice and learn how to use it https://youtu.be/nvoSMMhp1C8?t=193 https://www.youtube.com/watch?v=PttHBa-s_pI

" Test 2 of a7SIII vs S5II. 24-70 GM II vs Sigma 24-70 L Mount. AF settings are set to default on both setups and WB is set to 5600K on both the whole time. The same LUT is applied over both clips with the only a few minor exposure tweaks to get them closer in color. The S5II was shot in VLOG and the a7SIII was shot in S-LOG3.Cine" Testing Sony a7SIII vs Lumix S5II - 24-70 GM II vs Sigma 24-70 L Mount.

EDIT – we reached out to Panasonic to clarify the base ISO’s of the GH6 with or without DR boost mode: DR Boost “ON”: V-Log / HLG: ISO2000 DR Boost “ON”: other picture profiles: ISO800 DR Boost “OFF”: V-Log / HLG ISO250 (initially we thought 800). DR Boost “OFF”: other picture profiles: ISO100 https://www.cined.com/panasonic-lumix-gh6-lab-test-rolling-shutter-dynamic-range-and-latitude/

Not everyone seems able to reproduce it? However for the AF of the GH5 all the Web spoke about it, finally. A comparison in Standard PP mode with an R6 II or an A7IV would make it possible to better assess this less organic smoothing

https://www.cined.com/panasonic-lumix-s5-ii-lab-test-rolling-shutter-dynamic-range-and-latitude/

Ok with you ... Subject to deepen by changing the settings but not so alarming .. the GH5 could also offer waxy faces With the more solid codecs of the S5X will we have the same thing ?

Quelques comparaisons Vous pouvez également récupérer des fichiers https://www.youtube.com/watch?v=oBv28suvRP8

Neither back-illuminated nor stacked,

https://helpx.adobe.com/premiere-pro/using/color-management.html

To benefit from the metadata options of image stabilization and lens variation compensation of the XF30 you need use Catalyst Prepare Plugin for Premiere Pro ($100/year) or exit in Sony Catalyze Prepare An example of stabilization without post production https://www.youtube.com/watch?v=WMdY0UpLU8Y

Exact....

I hope it's not a problem here