Davide DB

On Gitub a page with features and model compatibilty: https://github.com/gopro/labs

I don't know. I experimented with labs in the past with a GP8. Now I have a GP 11 and i would like to test these mod. I'll try later. Reading that page it seems that a GP11 balck shoud have all options. Did you load the latest labs fw?

Latest lab codes are here but it's really a mess https://gopro.github.io/labs/control/extensions/ I guess BITR LOGB NR01 all used together

Couldn't it all be much simpler (Occam's razor)? Nikon's Raw implementation is crap. The test would need the raw of a Red or Canon.

We'll never know except.... In his S5II review, Gerald mentions an upcoming video of Josh Yeo about a more "artistic" review of the camera. Josh has done several jobs with DJI gear... Just my speculation

Hence, going back to the initial Tokio rumors.. Was the whole Lidar and DJI thing a fake? 🙂

IIRC he said the there's 6K 60P FF. Buy he mentioned specs briefly.

6K60p no crop?

I got a headache, Could you explain in laynman terms why a Canon RAW LT doesn't infringe Red patent?

New year New Phase: 4th january

I'm not trying to beat a dead horse here but what's wrong with 4K@60p being APSC? Full of S35 cinema camera out there.

I don't understand why the Prores option is not a FW upgrade like the Vlog is for the GH5. What is the point of having a different machine? Maybe Apple doesn't allow it. Also, what is meant by Prores? RAW?

Here we are...

Here of underwater videos are hardly ever seen but as they say: never say never. The trailer for a new YT channel about diving melts in the Mediterranean Sea. All shot with a GH5 and a GH5S with several wide angle and macro lenses plus wet lenses and CRI 95 Keldan lights. Enjoy

https://www.43rumors.com/the-panasonic-s5ii-might-got-leaked-and-it-will-use-a-completely-new-af-system/

As i understand, you changed several recording devices but the mic is always the same? That noise seems to me like a bad electrical ground or impedance problem.

Panasonic announced the S1H in 2019 followed by the S5 in 2020. Then for the S5 it made updates that transformed the camera. But they are now old cameras considering that Canon and Nikon have since migrated to mirrorless cameras. Canon that has been sleeping for years has been the most aggressive one with cinema cameras like the R5C and C70 that also have internal RAW. IMHO it's to be expected that Panasonic in 2023 will make a new iteration for their models and who knows there might be the RAW innovation for them as well and certainly PDAF which for the market, right or wrong, is their achilles heel. We shall see...

Unless there is some further leak, whatever it is, we probably won't have official news until the new year.

I'm viewing it at 4K on a 4k display. Clip @14" doesn't have a "pleasant grain" and even at 1'. That's noise. Tropical water in 10 ft of water means low ISO, high fstop and maybe a ND filter. This clip too has noise on the blue i.e. @57"

@gt3rs did you clean those clips? All reviews said that RAW is very noisy but you clips seems perfect. This clip is very noisy with several artefact on blue and black

Yes but it would not explain why the event is with Panasonic

It is impressive how the AF chases the animals and is not distracted by the bushes in the foreground. At one point it seems to focus on the logs but then follows the cheetahs into the bushes naturally.

I shot 99% underwater and I saw this test/comparison of R5 vs R5C. Demo reels contains artifacts and are incredibly noisy on blue and black. I would never buy a camera seeing those clips. https://www.backscatter.com/reviews/post/Canon-EOS-R5-vs-R5C-Underwater-Review I know for sure these camera are better than that. Maybe they were misconfiguration somehow.

Do you have a small clip of the cheetah with AF?