PPNS

hey, not sure where else to post this, but I'm trying to sell my Meike/Veydra MFT cine lens set to anyone who's interested in the EU. I like them a lot, but have been using them less and less lately. You also get an E-mount adapter, since all of them but the 8 and 12 cover aps-c, and you can buy Meike's 10mm to as a super-wide supplement for aps-c, as well as a X-mount adapter from Rafcamera if you're interested in using them on Fuji cameras. send me a DM if you're interested shot most of these pieces with these lenses: Waves stills Magnolia stills Jamais Adulte stills Asina stills Lejania stills The You project stills

im in belgium and also affected. This makes the site mostly useless imo

luminance mapping and saturation compression in the color space transform in resolve will fix your ugly clipping and make it look slightly nicer.

all of these cameras look like shit with their stock r709 luts applied, just slightly differently. trying to shoot anamorphic without an external monitor seems insane to me

why wouldn’t you want to work in the correct way?

you post the dumbest shit in the world. if you can only make an image look nice on a shitty 1st gen red and not on anything better you are straight up not talented. in the grand scheme of things, if we’re talking pure image quality, when composing your shot, the color of the walls and curtains are variables that are a lot more important than camera choice.

I am the words in your thread title are mutually exclusive. Thats ok, you’re just going to have to accept that for the convenience of vari-nds.

serious question, what is your background zlfan? you keep making the same comparison threads and theyre all pointless. if you’re good at making moving images, all you need is a camera with at least a decent codec (10 bit 4:2:2, and ideally with a log profile). Once that threshold is met, you can start thinking about the actual important facets of the job. maybe documentary based dps will go towards newer hybrids for their assisting features, but other ones will probably never care. If you’re shooting in a context where you get to call yourself the dp, the implication is there already: you’re the head of a department. You already have an assistant delegated to getting the focus right. Ibis will never be as good as a dedicated means to have certain camera movements

stop posting brotha

its almost as if everything other than the camera is more important than the camera itself… (which makes this 90% of this forum’s topics basically entirely pointless)

huge fan, i own a set of formatt hitechs black supermists. shot a whole short on the 1 strength filter.

Not very imo

I know that this music vid was shot on the 6k FF. It looks good, but it would’ve looked good on most other cameras, because of the talented crew i’m going to go against the grain and say that most of stuff online i’ve seen that was shot on the og (as well as the 4k and 6k) looks like shit tbh

1. learn the color temps of things irl 2. set the camera wb based on what looks good and vibes 👍

and if you’ve ever worked with arriraw you would know how stupid and useless uncompressed raw is if if the camera also has a good codec built in.