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Showing results for tags '40mm'.
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Hi, All! Just thought I'd share some color grading that I've been fiddling with. I shot a bunch of footage at the local carnival a month back, and now I'm working on grading it for one of my personal music video projects. I've used my own take on a bleach bypass process that simultaneously adds the teeniest touch of blue to the lows, then with a couple more nodes, I've tweaked exposure and of course that nasty red/orange/yellow/green zone of color that seems to always make or break skintones has had some subtle adjustments. Lemme know what you think! http://www.flickr.com/photos/68917223@N05/sets/72157634804640007/with/9375308962/
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Here are some stills from footage I shot this evening. I'll probably use it in the music visual for a song that I am writing. Shot on GH2 with Driftwood's Moon T5 patch, through a Kowa 16-H, Tokina ATX 0.4 diopter and a Konica Hexanon 40mm, mostly wide open at f1.8. http://www.flickr.com/photos/68917223@N05/sets/72157634273204895
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http://vimeo.com/68443110 This is my new graphic, in animated form. I created and animated it in PowerPoint (I've been animating in PowerPoint since elementary school). I then played the animation on my Dell 30" monitor and recorded the monitor with my GH2, Kowa anamorphic, Konica AR 40mm and Tokina diopter all on a tripod. Then I moved the monitor out of the scene and recorded various flares with a flashlight. Brought it all together in Final Cut Pro, set the flares as additive layers, and added some grain overlay effect. I think the outcome is something clean-cut but with a dash of organic mojo that is difficult to achieve with an all-digital animation. There's no faking those real flares!
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- Forest Cinema
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Just thought I'd share this also on the anamorphic forum specifically. Gotta love the Kowa image! http://vimeo.com/56519741
