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Showing results for tags 'CANON'.
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Hi there, I just purchased Canon's EOS C70 and would like to complement it with Canon's RF 28-70mm F2L USM lens. Since that lens has no IS and I mostly film handheld and a lot of times in low light conditions, I am just wondering how well it performs together with the C70. Do the shots turn out to be very/too shaky? Of course the camera has electronic Image Stabiliser. Is that getting rid of shaky footage? Otherwise I'll (have to) go for the RF 24-70mm F/2.8 L IS USM lens. Best, Maurits -
I'm really considering making a big upgrade to the URSA, but I've already invested in a fleet of Canon FDs. I've been doing some research on FD to PL mounts without a lot of luck. I know ARRI make an FD adapter to the ARRI mount (PL??) but besides that seems there's zilch out there. Some talk about machining the lenses to fit the new flange but I was hoping someone here knows of something...
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I have 1 canon c100 mark I . the first version not the Mark II. I need an easy go to solution besides a clapper board to sync up the audio and video. I am aware of the Free Run setting and the time code setting to get both the cameras to have the same time while shooting but it is still also of prep and setting to get that to work. There has to be an easier way to lock in the audio and video from 2 CV's . if it is a cinema line EOS camera there should be a simple way of doing it with a 100% fail proof method to make sure the 24,29 or 23 Fps MXF,AVI and so forth can sync up. I would like to know if there is a trick to this without having to spend money on an ATOMAS NINJA or pro res external recorder and even that I don't think can do what I need. I am aware of plural eyes plugin for various video editing software but i would like to have it all synced up so no work is needed in post in order to keep 2 camera multi shoot interview in audio video sync all the way to the very end . Also is there a very precise method more so than a clapper board to sync up the audio and video in a multi camera shoot with the CANON C100 mark I? because even with a clapper board you have to pay close attention to the video clips in post cause they can get out of sync by seconds i am hearing. Please someone does anybody have a solution? I realize a canon c300 or above will allow me an easy precise automated audio video sync however I am wondering only about having another Canon C100 along the 1 Single Canon C100 Mark, I currently own Any advice would be somewhat of a relief.
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Now I know it's not a popular camera body for many valid reasons, and that it may be away from the budget of many casual film-makers, but I've been using the C100 a lot recently, and wondered if anyone had any tips to swap. I've also been programming some custom picture styles for this and C300 based on highly gradable modern film stocks. If anyone is interested in such a discussion let's get stuck in! Let me know how you use it and find it...
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Hello! Here is a short film I shot and directed called "It's My Party" (if you couldn't tell from the big pink letters). I just posted it online Monday and I'm looking for feedback. After my last film which was 20 minutes long and about 10 different locations, I wanted to get back to something more simple that focused on character rather than plot. Anyway, if you have a few minutes check it out and let me know what you think. I hope you enjoy it! Mike
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Had a blast making this today! All shot and edited today, then showed to the live audience on the stage. REALLY fun to witness and create.
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Hello, I am new to this forum (first post) and beginner filmaker and I will need advice ... Last June I started shooting for my documentary project on the local natural heritage, for now with my own money, so my gear is rather light... I'm shooting with a Canon Eos 70D DSLR, outdoor, and i'm shooting the natural spaces of a valley (along a river). At the start I wanted to film in RAW with Magic Lantern, but with my 70D i'm stuck in 720p (for a continuous recording), so finally i've shot in a compressed way, Mpeg-4 All-I 8bit 4:2:0 @1080p 29.97fps with a picture style (EOSHD C-LOG (0,-4,-4,2)) + Vari ND Filter, hoping to get myself out of it even in post-prod ... But here the quality of the images, in a context of shooting outdoors in shaded places very contrasted (...), do not satisfy me ! So I would like to have advice to achieve a higher quality outdoor shots (natural light)? To illustrate my purpose you can see these few shots that I graded in Resolve + corrections in After Effects: https://vimeo.com/alexandrewebercom/riviereardeche The third shot is particularly ugly ... - Have I "pushed" the mpeg-4 too far by color grading it or is it simply the limitations of this compression? - How do I do with hyper contrast scenes (it was about 14h when shooting)? - Am I condemned to film in RAW whatever the chosen camera (to be able to uncork the blacks or to recover in the whites in post-prod)? - Is it better that I under-expose or over-expose this type of scene? - Can you suggest gear/ configuration more suitable for my use: Camera, Raw / Prores, Log, external recording ... ? Thanks a lot !
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Music (and poor vocals) will certainly not be to everybody's taste. And to be honest I did rush the mix and edit to make the deadline for a youtube competition... But other than that I hope you guys find it amusing nevertheless!
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My first time playing around with a Canon 5d mark IV. Had the a6300 shooting behind the scenes: Couple of things I learned: 1. Ewww, how did my jpeg become so ugly in the youtube cover view. 2. DPAF works great, but you may need to fiddle in the menus to stop it from seeking new focus after a face disappears (fast moving action isn't the best use for DPAF). Forwards / backwards moving objects + dpaf is awesome. 3. I was surprised by how much fun taking photos with it was. 7 fps (eventhough it's just one more than the 5d III) seems to increase responsiveness alot. 4. I'm still gonna stick with the 5dmarkIII + RAW video. 4k isn't really that interesting to me. Atleast not yet.
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Hello! I've referenced this website for trouble-shooting as any other lurker for the last few years, but finally set up an account and logged in recently. Figured I'd introduce myself and start joining the conversations, starting with posting my first camera reel. Except for shooting speaker events and conferences, all footage was shot exclusively with my Sony PMW-F3, and much of that was recorded via my Convergent Design Gemini 444 with S-Log. For this project, I did the colour in Premiere CC's Lumetri Panel, using Tangent's Element-Vs app for fine-tuning. (for more detailed work, I often print in Resolve free). The conferences are typically the resulting file from live-editing jobs, where we record with Canon XA30s into a Roland V-1HD and recorded on an Atomos recorder. We're still waiting on our automated pan/tilt heads before we can kick that business into high gear.
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I shot this a few months ago. Looking to get some feedback on it before I start filming a bigger project in the next few weeks. Hope you enjoy it. Let me know whats up. mike
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Hello all! I would like to preface this post by saying that this is actually my first time on these forums, so thanks in advance for this awesome community. Also, I'm somewhat of an intermediate filmmaker, and you can check out my YouTube channel to see where I'm at (youtube.com/thisisrmm). As with the title of this post, I'm trying to figure out where my money would be better spent, upgrading to a 70D or buying more lenses? I have my own personal pros and cons for both, but first, here is what I currently shoot with: Canon t3i w/ Magic Lantern Canon 18-55mm (kit lens) Canon 50mm 1.8 I've set aside a budget of $1000 to make upgrades, so I'm not sure where my money is better spent. Reasons for upgrading to the 70D: - I eventually plan on upgrading to full frame in the future; not sure if buying desired lenses made for APS-C's like my t3i (Tokina 11-16mm) is worth the money if I'm upgrading - I can stick with this camera for longer, with it being a full frame (not having to worry about crop factors and what not) - From my own research, a better camera overall Reasons for buying lenses: - I'm pretty run-and-gun with my setup, so I've been somewhat relying a lot on the kit lens, which definitely helped me learn a lot about DSLR video, but I'm looking to take a step up in the category - Lenses definitely outlast cameras, so I figured that might be a better investment considering that I have this kind of budget set aside Cons for 70D: - If I buy this camera (body-only), the only compatible lens I'll have is the 50mm f/1.8 until I can afford to buy my desired lens of choice (Tamron 24-70mm f/2.8) Cons for buying lenses: - If I buy the Tamron 24-70mm, it'll be in somewhat of a weird crop for me to use with my t3i - If I don't settle with the Tamron, I'm somewhat lost on what lenses to buy within my budget that would work well on APS-C and eventually full frame whenever I make the upgrade I'm sorry for the lengthiness of this post, but just looking to provide as much detail as possible. Thanks to anyone willing to help a new guy out! Best, thisisrmm
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Hello there ! We had the opportunity and luck to be part of the "Dominica Film Challenge" this year, here is the result of our week in this tiny and lovely island from the Carribeans ! Hope you'll like it. We mainly shot with a Red epic, but there is also some 5d III raw footage as we had troubles with our luggage (4 days to arrive..). There are also a few drone shots made with a phantom 2 and a gopro 4.
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- Sony a6000 (auto ISO, auto WB, OSS on) - Lens 16-50mm FilmPower Nebula 4000 - Stabilizer FilmPower Nebula 4000 - Rollerblade New Jack 4 Music: Ki:Theory - The Man I Left Behind (Instrumental)
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Hi all, New here! I'm a student hoping to get some feedbacks from the community here! Would like to share with you a video I made in Cambodia. The video is about the dreams of a Khmer. Hope I can get some feedbacks on improving it! Thank you!
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Hello everyone ! This is my new movie. It's entitled « eet Gourmandise ». This is a film about the preparation of cake, a "entremets", specially created for the film. You can see it there : It was shot with : Canon 5D MarkII with Canon 24-70mm f/2.8 L + 70-200mm f/2.8 L + 100mm Macro. It was editing with Avid and color graded with DaVinci Resolve. I wanted to show you and to have your feedbacks. So if you like it, do not hesitate to share the link of the video on social networks, with your community (Facebook, Twitter ...) Thank you. Have a nice day. ...and "Bon Appétit" !! Florent. -
I'm starting to set myself up a small videography business: just a one-man-band doing local stuff - community group promos, weddings, etc. I'm still working on the website (www.lintelfilms.co.uk) and have just finished the 2nd draft of my promotional film. I'd really appreciate your feedback on the film. I don't mind at all if you are brutal!
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Wanted to share: I just recently shot this new music video by Bay Area musician Jeff Campbell, "Save Me," shot on the Canon 70D with only the help of tripods and a monopod. Black and white, flares galore. The camera was great, through and through. Had much tighter focus than my 7D. Have a watch:
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Im a novice filmmaker and I've been following websites like EOSHD, reading blogs like Philip Blooms and generally for the last 6-8 months researching camera gear while I have been saving up enough to buy my own gear and not just borrow friends. I am looking to spend about $1500 at first. I love video and intend to shoot more, but I also shoot a lot of stills as well and that is obviously where my problems start. I would be very happy to buy a G6 or a used GH3 for video as I know these will outclass almost anything at that price range for video. Add a bunch of old nikkor primes and id be set. But I know stills and the DOF id get with the mft mount is nothing like that of a APS-C or FF nikon or canon. THE SONY A7s is amazing and if i could afford one I'd get it in a heartbeat, it retails at 3300 NZD here in NZ so its ridiculously out of my price range. Im looking to go second hand as it'll mean i can buy more lenses and such. Ive been looking at used 7D and D7100 bodies as both sit between 700-800 used meaning i could easily pick up a 50mm 1.8 prime, a 17-50 sigma or tamron 2.8 and maybe a telephoto lens for stills. Any suggestions or help I don't know what else to read or look at but I know what I buy now will influence my decisions and I'm not sure what to invest in. Also side note; if I purchase a 7D i will be shooting near exclusively with ML.
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Testing out lenses with the Iscorama 36 wide open. I really want that separation from the background. It's easy now with the Metabones Speedbooster EF. There is something to be said about full frame lenses used with the Speedbooster vs micro 4/3rds native lenses. Also the Iscorama is the sharpest of the anamorphic adapters, although there are still some lenses that don't do well wide open. Shot on a GH4 4K (before v2.0 firmware, 16:9). Iscorama minimum distance is around 6 feet, half that with the Tokina +0.4 diopter.
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It's the last day of summer in rural Illinois, 1967. A boy lays alone in the dirt. Trying to catch his breath, sweat rolling down his face, he remembers a recent encounter with two other boys. As the conversation unfolds we slowly realize who we are seeing and why he's alone.
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Promo reel made using various cameras that all cost under $700 (shots tagged)
Guest posted a topic in Cameras
This is a promotional reel I've just made for the small videography business I'm currently setting up (one-man-band doing local community organisations, weddings etc). Everything in it was shot on low-end/cheap cameras, several of which have been discussed and compared extensively on this forum over the last year or two. To boot, other than the Tokina 11-16mm all of the lenses were each bought for under $300. After a couple of enquiries about the gear I used for this reel, I've decided to add subtitles to show each camera (and lens) each shot was taken with. Just click the 'CC' button in the Vimeo play bar to turn the subtitles on. I'd welcome feedback on my reel, but this is mainly posted here in the hope it might be of use to others: Sorry the subtitles aren't synched perfectly to each edit (it's not easy with Amara). You'll work it out though I hope ... -
Hello! I'm a student hoping to get some feedbacks from the community here! Would like to share with you a video I made in Myanmar. I am trying to highlight the happiness within the people despite the rapid development of Myanmar through this video. Hope you like it!
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5dmkIII raw (converted to LOG-C and then rec709): Sony a7s (cine 4 - color, saturation and contrast dialed down -1, then gamma lowered and shadows raised a bit in FCP X): My thoughts are that the a7s can give you some nice skin tones and balanced color if you don't try to do S-LOG 2. I consider midday sun to be a challenging environment for 8-bit cameras, as the color can easily become washed out and desaturated. I find that I need as much saturation from the camera as possible (without clipping) before processing. Then I lower the gamma a bit in post and lift the shadows in order to give it more of a filmic shadow response. What you can't do with the a7s in my experience is extreme shadow recovery like this backlit shot:
