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Showing results for tags 'Nikkor'.
Found 8 results
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which type of vintage lens is better for a cinema-like image on a g6? would like to stay on one system, thanks!
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Hello Guys! Just a small example how good this combo is. Really happy with the results ;) D5200 used here because I'm waiting for my Nikon F to mft adapter. (Tilt and swivel lcd was very usefull in this situation to focus.) This will be my setup with the pocket in a few days, I will use a 28mm, 35mm and this 50mm all from Nikkor. https://vimeo.com/77586987 Best, JDS -
Hi guys! I just wanted to give the heads up in case there's anyone interested in this (and I believe there is, considering how big the GH2 user base is here at EOSHD, the site that got me started!) Here's the link: vimeo.com/ondemand/3737 At $2.99 it's very affordable, I think you should all give it a chance. I've already bought it but haven't watched it yet. "Musgo", in case you happen to be one of those who don't know, is a Spanish feature film shot entirely on the Panasonic GH2 with an early 44Mbps hack and three lenses (Tokina 11-16mm, Nikkor 28mm f2.8 and Nikkor 50mm f1.4 if I remember correctly) over the course of one week. It has awesome cinematography. Gami Orbegoso (director, cameraman, editor, color timer, etc.) is very kind in sharing all the gear he used and other info on the shoot. There are a couple of behind the scenes that can be seen here, with several answers to many possible questions you might have on the making of the movie: https://vimeo.com/33456753 https://vimeo.com/57277710
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http://vimeo.com/64229408 ...my niece, Kinley, is not quite 2.5yrs and my nephew Connor is 7 months. They were pretty fascinated by the big(gish) lens when they saw it, their extensive experience being photographed so far being mostly camera phones. Kinley got over it pretty quickly though and was able to ham it up with perfect abandon. GH2 (patch: Flowmotion) Nikkor 24mm f/2 Century Optics anamorphic 5DtoRGB CS6: PPro + AE ColorGHear
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The Iscomorphot 8/1.5x doesn't seem to have a really good taking lens. I thought I'd take a stab at finding one. I recently picked up a Nikkor-O 35mm f/2 lens that I heard worked wonders with the Baby Bolex on a GH2. I assumed that it would have similar vignetteing characteristics as they have the same screw size on the back. Turns out that serious vignetting kicks in below f/4 on a GH2 (probably won't set in on a GH3 until 5.6) but this combo has the least smearing I have seen with the Iscomorphot. This combo smears a hell of a lot less than when it's on the Helios 44-2. Here's the comparison I did between the Nikkor-O and Helios with a Voigtlander Nokton 25/0.95 (all Voigtlander shots are the same picture, put next to the others for easier reference). https://benwabbott.minus.com/lFF8XQjURfUTx Tomorrow I'll do a better comparison by rolling through the apertures on each in video form.
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http://vimeo.com/57817375 (password: baller) ...I put the password on it so that the seriously, seriously boring footage wouldn't be cluttering up my vimeo. It's just that I was surprised that a stop this big worked at all with the Century Optics adapter.
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In the Tim Burton tradition, here's some Halloween fun at Christmas time... [url="http://vimeo.com/55190441"]http://vimeo.com/55190441[/url] Stuff used: GH2 + Century Optics + Nikkor 24mm F2 + FilmConvert
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Fair warning, there's some lens flaring in here but that wasn't the reason I shot this. Honest ;) http://vimeo.com/52214451 [color=#71767A][font=sans-serif][size=4][background=rgb(244, 245, 247)]I was about to pack it in because I just didn't find anything interesting to shoot this night, testing out the Century Precision Optics anamorphic adapter with my F2 Nikkor 24mm taking lens, the widest, fastest prime I currently own. I was looking for suitable "horror movie" settings. Then I heard a noise by the front door.[/background][/size][/font][/color] [color=#71767A][font=sans-serif][size=4][background=rgb(244, 245, 247)]Originally I thought it was a bat, since they're all over the Austin area at night. Well, that seemed interesting, though it took me a few moments to decide if getting a rare shot was worth the risk of getting bit and/or dropping my GH2. Just as I worked up the nerve to creep up to where I thought it was at I realized it was a bird.[/background][/size][/font][/color] [color=#71767A][font=sans-serif][size=4][background=rgb(244, 245, 247)]No post enhancement besides aspect ratio correction. Shot at F2.8 so I didn't have to also equip the Tokina.[/background][/size][/font][/color]
