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Showing results for tags 'Raw'.
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I single-handedly shot an entire narrative short film during the first lockdown, using the original BMPCC. The camera performed magnificently but I did have it fully rigged out. Shot using two SLR Magic primes - 10mm T2.1 and the 17mm T1.6. A one-person crew and one-mother cast, this is a film featuring my poor mum, who’s never acted, and a very, very unlikely hero… Jean-Luc Godard once said “All you need for a movie is a gun and a girl.” My mum doesn’t speak very good English, so I had to do without dialogue. I didn’t have a gun so we had to do without that too. We couldn’t leave the house, so I shot it all there. And I had no crew to help me, so I did everything myself. If anyone has any feedback or questions I'm always happy to hear! https://youtu.be/SBwje8EDl84
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Went to Pinpoint Muay Thai and shot some test footage with the Kinefinity Terra 6K. Shot in 4K with a helios44-2 modified by vidatlantic to have oval bokeh. Hope you like it...
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Shot this promo back in August on a 5D3. Using a Tamron 24-70 f/2.8 and a Canon 70-200 f/2.8 It was professionally graded in Baselight Studio, the colorist was very surprised when he found out what it was shot on. Let me know what you think or shoot a question!
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Hello! Here is a short film I shot and directed called "It's My Party" (if you couldn't tell from the big pink letters). I just posted it online Monday and I'm looking for feedback. After my last film which was 20 minutes long and about 10 different locations, I wanted to get back to something more simple that focused on character rather than plot. Anyway, if you have a few minutes check it out and let me know what you think. I hope you enjoy it! Mike
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We went out to test a DIY rainmachine on top of a tractor. Learned a ton of shit, like backlighting is a must for rain and that the 5d mark III can indeed get waterdamaged (cost me 380 euros to repair it). Also that igniters for explosions can also freak out when they are under water.
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Hello, I am new to this forum (first post) and beginner filmaker and I will need advice ... Last June I started shooting for my documentary project on the local natural heritage, for now with my own money, so my gear is rather light... I'm shooting with a Canon Eos 70D DSLR, outdoor, and i'm shooting the natural spaces of a valley (along a river). At the start I wanted to film in RAW with Magic Lantern, but with my 70D i'm stuck in 720p (for a continuous recording), so finally i've shot in a compressed way, Mpeg-4 All-I 8bit 4:2:0 @1080p 29.97fps with a picture style (EOSHD C-LOG (0,-4,-4,2)) + Vari ND Filter, hoping to get myself out of it even in post-prod ... But here the quality of the images, in a context of shooting outdoors in shaded places very contrasted (...), do not satisfy me ! So I would like to have advice to achieve a higher quality outdoor shots (natural light)? To illustrate my purpose you can see these few shots that I graded in Resolve + corrections in After Effects: https://vimeo.com/alexandrewebercom/riviereardeche The third shot is particularly ugly ... - Have I "pushed" the mpeg-4 too far by color grading it or is it simply the limitations of this compression? - How do I do with hyper contrast scenes (it was about 14h when shooting)? - Am I condemned to film in RAW whatever the chosen camera (to be able to uncork the blacks or to recover in the whites in post-prod)? - Is it better that I under-expose or over-expose this type of scene? - Can you suggest gear/ configuration more suitable for my use: Camera, Raw / Prores, Log, external recording ... ? Thanks a lot !
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Excuse me for being a hopeless pixel-romantic. This dilemma has kept me awake for a quite some time now and I am hoping your subjective experience, reflection, input, opinions and/or advice potentially could give me some guidance (or potentially more confusion, which I will take full responsibility for). My interest for Raw started when I played with the thought of replacing my a7s for a Digital Bolex D16. While I am usually very trigger happy, I managed to hold my horses when the chance to have a go on it complicated my relationship with it. I realized that, without a second camera (for budget reasons), the 20 minute boot-up and the sacrifice of photography would not make me happy in the long run. While I still want to be a Bolex-owner as I am a sucker for the CCD and its awesome audio features, it is not my time just yet. Nevertheless, the Raw fanboy is still in me and I think the 5D is the (next) best thing (?) and might be a good investment. Maybe I just answered myself, haha. However I specify that I am asking for your subjective experience/opinions. Maybe some of you have been in the same boat or the other way around. I did quick and shamelessly dirty test today, if you find it interesting. The exposure is all over the place (unfair), more info on that in the videos description. Thank you!
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Hey guys. We did this revenge story with a bunch of different cameras but mostly it is 5d raw (80%). Most of the slowmos are RX10 ii and one with a7s ii 120fps. A lot of 5d raw 60p too. Hope you enjoy and warning, it is a bit brutal and there is blood flying around.
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Vimeo allows only SD quality for embeded video. Direct link for HD quality: vimeo.com/146028401 37th Istanbul Marathon (Open public fun run, not the marathon race) Canon EOS M Magic lantern raw, 3x zoom mode, 1536x642, 24 fps 12mm f/1.4 Mieka C Mount Lens Sandisk Extreme 60mb/s Handheld MLV to RAW with MlvMystic RAW to DNGs with raw2dng_cs2x2 DNGs to 4:2:2 Uncompressed V210 AVI with After Effects (ACR,visionlog,colorista) MOV to H264 MKV with x264 1536x642 to 1280x536 (2.39:1) (Downscaled to 720p because of 500mb video limit of vimeo, otherwise bitrate wasn't enough for 1536x642)
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Hi all, New here! I'm a student hoping to get some feedbacks from the community here! Would like to share with you a video I made in Cambodia. The video is about the dreams of a Khmer. Hope I can get some feedbacks on improving it! Thank you!
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Please have a look at a music video I made for the musician Carla Bozulich, for her song Gonna Stop Killing. I used a Canon 5D Mark III, with Magic Lantern for RAW shooting. Zeiss lenses used: 35/1.4, 50/2, 100/2. http://vimeo.com/116440492 Enjoy! -
I've been playing with the GH4 today in RAW stills burst mode. My workflow needs some refinement to get the motion blur looking more regular, but I actually quite like the filmic staccato of 12fps. The image quality is insanely nice though: Note: Plus members can download the original Prores LT file on Vimeo. I REALLY RECOMMEND DOING THIS - motion looks much worse when streamed. Vimeo blurb below: First test of using GH4 in RAW stills burst mode to make video. RAW stills converted to ProRes 444HQ and slowed to 50% in 24p FCPX timeline. Graded in FCPX and some grain applied. Also used REVisionEffects' RSMB to add motion blur as most of this was shot with a very high shutter speed. This has caused some unpleasant motion artefacts here and there. The final shot in the video (of blowing leaves and cars) used a 180 degree shutter in-camera (1/25s) and looks better I think. I will try using that setting for my next attempt. Rolling shutter looks quite severe. The GH4 buffer can only do about 40 frames in raw burst mode, so you can't really get longer than a 3 second clip. My card is a Sandisk 95MB/s U1 - I don't know if a faster card would do better. I actually really like the 12fps look, particularly when used with film grain and the really bold colours you can get from raw. I like the excessive motion blur. I think if you avoid severe camera movement so as not to draw attention to the rolling shutter and low frame rate, it can look very filmic. Obviously this can't be used for everything but with some refinement I think I will be using it a fair bit. If you like the 12fps look (12fps is right on the border of human perception of individual frames - I think this makes it rather interesting) and can live with the short burst times, there are a lot of good reasons to try this out. Yet another great thing about the awesome GH4. Check our blog for further testing of this mode: lintelfilms.co.uk/blog/ Note: I tried using 'optical flow' (FCPX's version of Twixtor) to create 'real' 24fps, but it was a mess, with lots of the usual warping around movement (even though I used a very fast shutter speed). Music by Chris Zabriskie.
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A bit of sport, summer! The second life of an old Mark2 (transcend 1000x, Samyang 14, tamron 25-75)
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Hi, Recently completed a new film 'A Hackney Notebook'. A big thanks to the guys at ML for creating a brilliant raw option with the Canon :-) http://www.benjamindcooper.co.uk/ahackneynotebook.html Thanks In the east end of London there’s a secret village, a place that defies convention and opens the mind. Where you’ll find pirates chopping wood alongside the canals, and Jazz players leading funeral processions through the streets. Where you’ll find voodoo grooms marrying queen of heart brides and pop up vintage stores selling yesterdays clothes. Where old meets new and new meets old, where white meets black and black meets white. In this village boundaries are pushed and comforts zones expanded. Somewhere in between the artists studios, cruzing grounds and 3 am rowing junkies, in between the dodgy deals, summer BBQ’S and late night lock-ins, you’ll discover something about yourself that you would never discover living anywhere else. Underneath the police helicopters, in the isles of the organic shops and in the latest pubs, trendiest bars, and cutting edge clubs, you’ll meet new faces and make new friends. You’ll find your other family. Hackney. Technical Specs Camera: Canon 5D3 (Magic Lantern Raw) - 1000x Komputerbay - 16GB . Lenses: Ashai Takumar 50mm 1.4, Nikon 50mm 1.8, MC Jupiter-9 80mm 2, MIR-1 37mm 2.8, Sound: Zoom H4N
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Shot on the Canon 5D with Magic Lantern hack - a travel trip of Johannesburg, through the richest...the poorest and the wild life.
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5dmkIII raw (converted to LOG-C and then rec709): Sony a7s (cine 4 - color, saturation and contrast dialed down -1, then gamma lowered and shadows raised a bit in FCP X): My thoughts are that the a7s can give you some nice skin tones and balanced color if you don't try to do S-LOG 2. I consider midday sun to be a challenging environment for 8-bit cameras, as the color can easily become washed out and desaturated. I find that I need as much saturation from the camera as possible (without clipping) before processing. Then I lower the gamma a bit in post and lift the shadows in order to give it more of a filmic shadow response. What you can't do with the a7s in my experience is extreme shadow recovery like this backlit shot:
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The official topic for discussion of Magic Lantern raw video recording on Canon DSLRs.
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Shot this earlier this week during the Feast of St Joan. I think it came out pretty cool.
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Would like to need your help for shooting video with my Canon 6D? 1) I need to use my live view LCD of 6D active while using a field monitor connect with my 6D using mini HDMI cable active. Basically I need to keep both the screen active so that during my shooting my clients can see the shooting with the external monitor. Kindly help me, how can I do that? 2) how can I shoot raw video with magic lantern in 6D? Kindly help me with the step by step tutorial if possible.? Thanks. Best regards. Apon
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HUNTER shot on BMCC 2,5K edited on FCPX, Resolve and AE Directed, Shot & Edited by Marc Linnhoff Music by Broad Rush Label : Dub All Or Nothing With : Clarisse Hagenmuller, Denis Jelly, Pierre Riff, Joffrey Schmidt, Sandrine Pirès, Marine Gardeux, Sylvain Clauser Routier, Anne Sophie Gole, Jonathan Lagrave Sponsored by Frank Linnhoff DP : Dom Pichard aka P-mod p-mod.com DP Assistant : Ludovic Haas Camera Assistant : Vladimir Lutz lutzvladimir.fr Make-Up & Hair : Anne-Ka Lejeal, Sophie Renier, Elsa Parmentier Costume : Adèle Wucher Barbecue Spit made by Christophe Fruh Skull made by Jean Linnhoff jeanlinnhoff.com Special thanks to Brigitte Desforges, Kevin Linnhoff, Frank Linnhoff, Jean-Marie Hagenmuller, Elodie Heitz aka Mnémo, Jacques Roth, Bouna, Jo, Delphine Lagrave, Famille Lejeal, Ross Middleton, La Clairière - Longemer Backstage photos by P-mod : flickr.com/photos/p-mod/sets/72157646215719879/ -
I've been out in Dubai for commercial work, and in my spare time I used the 5dmkIII + raw to shoot a travelogue. Tried to capture some of the lesser-known parts of Dubai and the surrounding region. Enjoy!
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Hey guys, Just wanted to share with you a trailer for the short documentary I've been working on, about the amazing journey that our everyday object travel on in order to get to us. All the footage was shot in China this winter on my 5d mark III with Magic Lantern. I'd love to hear what you think, and if you are interested in supporting this project through it's next phase, (landscapes!) then please also check out the kickstarter below, I hope you enjoy the teaser! https://www.kickstarter.com/projects/1487414135/made-in-china
