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Showing results for tags 'final cut pro'.
Found 3 results
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Hi all, Hoping someone can help with this edit workflow question: I currently shoot video on Canon DSLRs (in H264 MOV format), and edit on a late 2009 iMac (2.8ghz i7 processor, 16gb memory). The films I make are mainly for web rather than TV broadcast, and beyond basic colour grade / tidying up, have minimal effects added (no CGI). Until recently, I used Final Cut Pro 7, using FCP's Log & Transfer function to import and edit footage in Pro Res 422 format. Having just moved to Premiere Pro CC 2017, I'm trying to figure out the most efficient workflow with the best resulting image. Should I import and edit in native H264 MOV? Or ingest and edit as either Pro Res or DNxHD? If Pro Res or DNxHD, what's the best way to ingest (or import / transcode)? I've been reading mixed things via Google; mainly Adobe-related articles explaining a native workflow, vs various articles sponsored by transcoding software companies, saying that transcoding will have a better result. Any thoughts would be much appreciated. Thanks! Elliot
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Demo Reel This video will mainly showcase my editing, cinematography, and grading skills. Please share your thoughts.
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Hey guys, So I'm running into a problem when trying to conform my 60p, 50Mbps footage, to 24p in Cinema Tools 4.5.1. Might be because of my version of the software, but has anyone else run into this issue? I have a shoot coming up and I really don't want to use AVCHD. Thanks. Any help is appreciated. Also, Cinema Tools keeps saying that my files have temporal compression. Not sure what that is. I ran the .mov files through 5DtoRGB first before importing into Cinema Tools.
