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Showing results for tags 'flare'.
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Went out to play with the Trump before sending it off for a few weeks. Tom was nice enough to demonstrate balancing these Rocks by the beach. Nice guy and I got to shoot into the sun for a bit. Nikon D800 DSO Trump 58 with 2X Oval Anamorphic aperture DSO TERRY NORTON’S FLARESEX MODULE
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- Anamorphic
- Aperture
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Hi guys, I'm a bit of an anamorphic noob. I bought an Isco-Gottingen Animex S8/2x. It's supposed to be the same as a rebranded Iscomorphot 8/2x according to this: http://www.eoshd.com/comments/topic/2331-isco-gottingen-animex-s8-2x/ I bought it for 140 euros in perfect condition so I thought I was getting a great deal. I noticed straight that the image was very sharp. I just couldn't really get great anamorphic flares out of it. A least not as in this video: http://vimeo.com/60401188 Here are some test with the helios 58mm holding the Isco in front of it: http://www.youtube.com/watch?v=BvTMM_m2_Gk&feature=youtu.be (little bit of an anamorphic flare) http://www.youtube.com/watch?v=5voYH6GNYDY&feature=youtu.be (using my phone as a flashlight, no anamorphic flares) Is there a way to make the flares more pronounced or could it be that the lens it MC?
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The taking lens was the SLR Magic 35mm T1.4 Cine Mark II for both of these, used at F2.8, the camera was a GH3. A live acoustic video, on this one I've intentionally gone for a look with flares: Some night street footage, at F2.8 it's a bit tricky when there's not much street lighting, I may well re-edit this video, maybe to include more footage.
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Now I realize this probabl isn't the best idea just wondering what everyone's opinion on it was. I was thinking for a better lens flare removing the multicoating on my cheaper canon lens. I found this tutorial although I'm a bit dubious as to how well it would work. http://www.ehow.com/how_7830132_replace-multicoating-camera-lens.html Just using clean wipes? Can it really be that easy?
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- Lens
- multicoating
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http://vimeo.com/68443110 This is my new graphic, in animated form. I created and animated it in PowerPoint (I've been animating in PowerPoint since elementary school). I then played the animation on my Dell 30" monitor and recorded the monitor with my GH2, Kowa anamorphic, Konica AR 40mm and Tokina diopter all on a tripod. Then I moved the monitor out of the scene and recorded various flares with a flashlight. Brought it all together in Final Cut Pro, set the flares as additive layers, and added some grain overlay effect. I think the outcome is something clean-cut but with a dash of organic mojo that is difficult to achieve with an all-digital animation. There's no faking those real flares!
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- Forest Cinema
- Kowa
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