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Showing results for tags 'low light'.
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How To Film In Natural Light Not enough light: Move the subject closer to the light source, bring the camera closer to the subject, angle the camera to create a silhouette, use a lower f/stop. Try to focus on how the subject is lighted not the background. Possibility: Use a slower shutter speed if there is less movement going on. If you can decrease the frames per second, and maybe try using a time-lapse. Better yet, for wide-shots use a wide angle lens with a low f/stop. Controversial Hint: Despite the criticism on this subject, do not focus on noise/grain. Try to use On-Camera lighting well. Too much light: Move the subject farther away from the light source, bring the camera farther from the subject, angle the camera to create a clean background, use a higher f/stop. Possibility: Use a faster shutter speed if there is less movement going on. If you can increase the frames per second, and maybe even try using slow motion shots where there are lots of fast movement. Better yet, for close-ups use a telephoto lens with a high f/stop. Controversial Hint: Despite the criticism on this subject, do not focus too much on highlight loss. Thoughts on All of This: Do not try to add any reflectors, add more lights, get people to help you out unless you have figured out how to light the scene naturally. It can be expensive.
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- a7s
- atomos shogun
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Screw A7s! Here's my 60D in low light lol. Just a quick test around the city. Tell me what you think. Is this set up working? Pentax 50mm 1.4 mounted with Isco ultra anamorphic lens http://vimeo.com/113132382
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Hi, Let's start this topic with a new high ISO test done by Artbenny.
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Hi everyone, I just wanted to share with you a quick ISO test I did yesterday with a 5d2, a gx7 and the kind owner of the gx7 :). Knowing the gh4 sensor will be similar to the gx7 one I think what follows is promising Before you ask I don't know why there is so much difference in the exposure: maybe different lens transmission or different factory sensitivity calibration. Viewing this test in the monitor surprised me so much I wanted to reshot everything, convinced that I had done something wrong. Please download the original file, I leave you to the judgement https://vimeo.com/90203597
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I've made the switch to M4/3 2 months ago. So far, couldn't be more happy, but then again I have done nothing but well-lit shoots or with plenty of daylight. But, in a few months I'll be shooting a few wedding videos again. Which means I'll be facing the challenges of shooting in low light. My Canon T3i did a decent job, even though going past 1250 ISO meant macroblocking and all kinds of ugly artifacts. The noise on my G6 is much less obnoxious, but it's still a lot less sensitive to light than my T3i. So, I'm looking for a solution to shoot lowlight and still stay within M4/3. Without having to setup lights (strictly ambient light shooting). From the few tests I've done indoors, the G6 seems to lack that extra bit I need. Is the GH3 the camera to pick for low light shooting ? And is it's sensitivity comparable to the Canon TXi series (read : the 7D sensor) ? Or is it the GM1 I need ? To be clear : lenses aren't the problem (shooting with a 25mm 1.4, 35 1.7 and 50 1.4). Anyone else made the switch from a 7D, T2i or T3i to a GH3 or GM ? Couldn't find any direct comparisons online ... Thanks in advance.
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i shot this last night. used the smc takumar m42 55mm/1.8 with a sankor compact anamorphic. all shot at pretty high iso's, mostly 12800, but some shots were at lower. there's 2k mjpeg, 1080p/24fps and 720p/60fps (@24 fps) all in there, i used driftwood's sedna b matrix/patch, because i grabbed my bag on the way to the pier; i would've preferred to use the canis majoris night patch and 2fps mjpeg, but oh well. no color correction/grading https://vimeo.com/57121092
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Just did some lens tests with the GH3 vs GH2 w/ Flow Motion v2.02 hack. Information below: GH2 vs GH3 Night Lens Test Panasonic GH2 w/ Flow Motion v2.02 Hack, Vivid -2,-2,-2,-2 Panasonic GH3, Vivid -3,-5,-4,-5 Lenses used: Panasonic Leica DG Summilux 25mm F1.4 Canon FD 50mm F1.2L Canon FD 85mm F1.2L Canon EF 100mm Macro F2.8 Perspective is different even though I used them on the same tripod. GH2 is 1.86x sensor crop, GH3 is 2x sensor crop. In very dark situations the GH3 is noticeably brighter, about 2/3 of a stop. I tried to compensate by making the GH2 1 stop ISO brighter. But by doing so makes the GH2 have more noise and have "milky" blacks. Color correction is very difficult with the GH2 even with the hack. The GH3 does much better in this regard, although detail might be a little lower. http://youtu.be/KM_6ZKCFuPs http://youtu.be/6pwNZxfa1uM http://youtu.be/_UK0Ck7jQbM
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Just bought a Sony RX100 (two, actually) and have been trying them out in challenging environments. Here's a quick vid that takes a poetic look at the Hollywood party scene. [media]http://vimeo.com/49147544[/media]
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Hey guys, GH2 owner.. I have seen Rokinon's 7.5mm Fisheye they have for m43'rds and then I saw their 85mm F14 telephoto lens made for 4/3rds (on my wish list) for $300!! http://www.bhphotovideo.com/c/product/769411-REG/Rokinon_85M_O_85mm_f_1_4_Aspherical_Lens.html So I decided to take a look at their site and find out they have some also a 24mm F1.4 lens for $800.. I know its not as popular as the Voig F0.95 http://www.rokinon.com/product.php?id=191 Furthermore, they even have CINE lenses coming soon, including a 8mm HD Fisheye T lenses http://www.rokinon.com/product.php?id=206 and 35mm T1.5 CINE lens for Canon (for now hopefully).. http://www.rokinon.com/product.php?id=202 under $600 !!!!!! deal or no deal?? Wanted to get other people feedback about Rokinon and their come up with lens for both photographers and now cinematographers...
