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Showing results for tags 'magic lantern'.
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Shot this promo back in August on a 5D3. Using a Tamron 24-70 f/2.8 and a Canon 70-200 f/2.8 It was professionally graded in Baselight Studio, the colorist was very surprised when he found out what it was shot on. Let me know what you think or shoot a question!
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Hello! Here is a short film I shot and directed called "It's My Party" (if you couldn't tell from the big pink letters). I just posted it online Monday and I'm looking for feedback. After my last film which was 20 minutes long and about 10 different locations, I wanted to get back to something more simple that focused on character rather than plot. Anyway, if you have a few minutes check it out and let me know what you think. I hope you enjoy it! Mike
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Hello, I am new to this forum (first post) and beginner filmaker and I will need advice ... Last June I started shooting for my documentary project on the local natural heritage, for now with my own money, so my gear is rather light... I'm shooting with a Canon Eos 70D DSLR, outdoor, and i'm shooting the natural spaces of a valley (along a river). At the start I wanted to film in RAW with Magic Lantern, but with my 70D i'm stuck in 720p (for a continuous recording), so finally i've shot in a compressed way, Mpeg-4 All-I 8bit 4:2:0 @1080p 29.97fps with a picture style (EOSHD C-LOG (0,-4,-4,2)) + Vari ND Filter, hoping to get myself out of it even in post-prod ... But here the quality of the images, in a context of shooting outdoors in shaded places very contrasted (...), do not satisfy me ! So I would like to have advice to achieve a higher quality outdoor shots (natural light)? To illustrate my purpose you can see these few shots that I graded in Resolve + corrections in After Effects: https://vimeo.com/alexandrewebercom/riviereardeche The third shot is particularly ugly ... - Have I "pushed" the mpeg-4 too far by color grading it or is it simply the limitations of this compression? - How do I do with hyper contrast scenes (it was about 14h when shooting)? - Am I condemned to film in RAW whatever the chosen camera (to be able to uncork the blacks or to recover in the whites in post-prod)? - Is it better that I under-expose or over-expose this type of scene? - Can you suggest gear/ configuration more suitable for my use: Camera, Raw / Prores, Log, external recording ... ? Thanks a lot !
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Hey guys, just finished this one we shot in 2014 (yeah, that's a long way back). This was my second time using 5dmarkIII and RAW except this time we shot way more material. It's not very good but we got it finished so I guess that counts for something ay? Sorry about the accents, we are from Finland so our english ain't the most natural. Learned a shit ton while doing this. If you have any questions about 5dmarkIII raw, just shoot away. Everything is upscaled to 4k here.
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Vimeo allows only SD quality for embeded video. Direct link for HD quality: vimeo.com/146028401 37th Istanbul Marathon (Open public fun run, not the marathon race) Canon EOS M Magic lantern raw, 3x zoom mode, 1536x642, 24 fps 12mm f/1.4 Mieka C Mount Lens Sandisk Extreme 60mb/s Handheld MLV to RAW with MlvMystic RAW to DNGs with raw2dng_cs2x2 DNGs to 4:2:2 Uncompressed V210 AVI with After Effects (ACR,visionlog,colorista) MOV to H264 MKV with x264 1536x642 to 1280x536 (2.39:1) (Downscaled to 720p because of 500mb video limit of vimeo, otherwise bitrate wasn't enough for 1536x642)
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This summer as well I get opportunity to visit my friends back home in Lithuania. I got very nice memories from my previous visit last year and I was happy to visit them again at Gelgaudis, at south of Neman (Nemunas) River, Lithuania. Despite bad weather we spend a wonderful time. Got some shorts memories from there. Thank you for watching Little bit about technical site. First time I used completely only hacked software from my Canon 5D mark III, called Magic Lantern. All videos were captured at RAW (MLV files transfered to DNG) and time-lapses were done using Silent Pictures mode from Magic Lantern. Also first time I used new transfer method. 1) MLV video files 2) transfer to Cinema DNG 3) Open with Davinci Resolve 4) change color settings decode using: clip and Color space: BMD film. (to get flat picture look) 5) Transfer to DNxHD 444 6) Import and Edit and color correction done with Adobe Premiere CC 2015 using new LUMETRI color correction update. Summary: results are fabulous and saved me a lot of time. New adobe update: LUMETRI color correction is lifesaver. Music by: Jon Hopkins - The River Cheers
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Hi all, New here! I'm a student hoping to get some feedbacks from the community here! Would like to share with you a video I made in Cambodia. The video is about the dreams of a Khmer. Hope I can get some feedbacks on improving it! Thank you!
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Please have a look at a music video I made for the musician Carla Bozulich, for her song Gonna Stop Killing. I used a Canon 5D Mark III, with Magic Lantern for RAW shooting. Zeiss lenses used: 35/1.4, 50/2, 100/2. http://vimeo.com/116440492 Enjoy! -
Hi, Recently completed a new film 'A Hackney Notebook'. A big thanks to the guys at ML for creating a brilliant raw option with the Canon :-) http://www.benjamindcooper.co.uk/ahackneynotebook.html Thanks In the east end of London there’s a secret village, a place that defies convention and opens the mind. Where you’ll find pirates chopping wood alongside the canals, and Jazz players leading funeral processions through the streets. Where you’ll find voodoo grooms marrying queen of heart brides and pop up vintage stores selling yesterdays clothes. Where old meets new and new meets old, where white meets black and black meets white. In this village boundaries are pushed and comforts zones expanded. Somewhere in between the artists studios, cruzing grounds and 3 am rowing junkies, in between the dodgy deals, summer BBQ’S and late night lock-ins, you’ll discover something about yourself that you would never discover living anywhere else. Underneath the police helicopters, in the isles of the organic shops and in the latest pubs, trendiest bars, and cutting edge clubs, you’ll meet new faces and make new friends. You’ll find your other family. Hackney. Technical Specs Camera: Canon 5D3 (Magic Lantern Raw) - 1000x Komputerbay - 16GB . Lenses: Ashai Takumar 50mm 1.4, Nikon 50mm 1.8, MC Jupiter-9 80mm 2, MIR-1 37mm 2.8, Sound: Zoom H4N
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Here is a short we did recently. We hop you enjoy it!
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Hi, I shot this video in Dolomites, Italy, in Marmolada mountain area during 8 days vacations. Filmed on a Canon 5D Mark III entirely in Magic Lantern raw format (mlv) 1920x1080. I used Komputerbay 64GB 1000x and Sandisk extreme pro 32GB memory cards. Nexto DI ND2730 500GB photo storage device was super helpful with archiving those lots amount of data in the field. Most of the shots were made with canon 16-35mm f2.8 L II but canon 100mm f2.8 L Macro was also used. Smooth shots were made with Glidecam HD2000. Regarding Magic Lantern - i had absolutely no problem with it in the field. It worked brilliantly, had some few minor crashes but nothing to worry about. Huge amount of data is no problem when you have a device like nextodi or similar with you. Copying 64GB card takes about 8-10 minutes so if you have two cards (i had 64 and 32GB) you can shoot almost continuosly. Please tell me what you think.
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Hi! I'm new to the forum, and a recent purchaser of the EOSHD 5D3 RAW video ebook which has been great thank you very much! I learned about Cineform from the book, and at first glance it seems like a huge boon: smaller file sizes, fewer post production steps etc. But today after converting my first full 5D3 RAW video shoot with Cineform, I noticed it didn't seem to be as sharp as I expected. Let me briefly explain my old and new workflow and perhaps someone can tell me if I'm doing anything wrong: Old workflow: - Copy ML RAW video files to HDD - Point Rawanizer to the folder and batch convert all clips into a DNG sequence using the dcraw option - Import the DNG sequence into Adobe After Effects, using Adobe Camera Raw to apply some general grading, colour correction, sharpness etc - Drop the import into a composition and scale the composition to suit the length of the clip - Export to a DNxHD "DNX 120 1080p 25" encoded .mxf file - Import all .mxf files into Premiere for editing New workflow: - Copy ML RAW video files to HDD - Point Rawanizer to the folder and batch convert all clips into .avi files with the Cineform option (-422 parameter for the free version) - Import all .avi files into Premiere for editing - Apply grading and sharpening in Premiere As you can see, the new workflow has fewer steps, and I end up with much smaller files, which is great. But even before I apply sharpening to the DNGs in the old workflow, those images are FAR sharper than the ungraded Cineform files. It almost looks like the files are 720p not 1080p. I've attached a photo illustrating the dramatic difference. The Cineform is on the left, and the DNG is on the right. The DNG has had no processing done to it, this is how it looks with all ACR sliders set to their defaults. Can anyone help? Thank you! -
5dmkIII raw (converted to LOG-C and then rec709): Sony a7s (cine 4 - color, saturation and contrast dialed down -1, then gamma lowered and shadows raised a bit in FCP X): My thoughts are that the a7s can give you some nice skin tones and balanced color if you don't try to do S-LOG 2. I consider midday sun to be a challenging environment for 8-bit cameras, as the color can easily become washed out and desaturated. I find that I need as much saturation from the camera as possible (without clipping) before processing. Then I lower the gamma a bit in post and lift the shadows in order to give it more of a filmic shadow response. What you can't do with the a7s in my experience is extreme shadow recovery like this backlit shot:
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The official topic for discussion of Magic Lantern raw video recording on Canon DSLRs.
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Shot this earlier this week during the Feast of St Joan. I think it came out pretty cool.
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I've been out in Dubai for commercial work, and in my spare time I used the 5dmkIII + raw to shoot a travelogue. Tried to capture some of the lesser-known parts of Dubai and the surrounding region. Enjoy!
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Hey guys, Just wanted to share with you a trailer for the short documentary I've been working on, about the amazing journey that our everyday object travel on in order to get to us. All the footage was shot in China this winter on my 5d mark III with Magic Lantern. I'd love to hear what you think, and if you are interested in supporting this project through it's next phase, (landscapes!) then please also check out the kickstarter below, I hope you enjoy the teaser! https://www.kickstarter.com/projects/1487414135/made-in-china
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http://youtu.be/--umjPBUqFU I'm still holding out on buying a new camera body so until then I'm still trying to pump the best image I can out of my trusty mark 2.
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Here's some vacation footage that I turned into a semi-narrative. My friend composed an original score.
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I've spent the last several months in Dubai doing work for Etihad Airways. Directed/shot/edited these pieces, plus several more coming up soon. RawRec --> Rawmagic --> Resolve, export flat (BMDFilm) --> FCP X (Apply LUT + EOSHD 5dMKIII LUT) Rokinon 14mm, 24mm, 35mm Zeiss 50mm f/1.4 Canon 16-35mm Canon 24-105mm Lighting: 2.5k HMI 1k HMI Litepanels 1x1 LED Panels Titles were done by the agency. Music by my friend Steve Davis at Trevor Morris Music. Cabin Showcases: Launch video for "brand ambassador" Martin Kaymer:
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http://www.magiclantern.fm/forum/index.php?topic=7122.900 Audio recording while shooting in raw (MLV) has now been enabled by g3ggo. It seems like they are still working out some bugs, but it's good news. It has been out for a few days now, but I have not seen anyone else talking about it so I figured that it warranted its own thread.
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Hey gang, noob here. I am trying to install ML on my 5D Mark III using the RAW Shooting Guide from EOSHD. I'm following the instructions, but when I get to step 2 of the ML install (installing the nightly build), I get the message that the update file cannot be found. I've tried different cards, and same thing. If there is another thread on this, I apologize. Just point the way. Otherwise, anyone have any advice?
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Hi there, i have finished a Ducati Spec Commercial i have been working on. We shot it with a small crew of 3 people in two days. The whole promo spot was shot on the canon 5D Mark III with Magic Lantern Raw! I am really excited by what the magic lantern guys did. The raw is really great to work with and grading is a blast. Take a look and tell me what you think: Here the Vimeo link:
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My first trial with slow motion at the pier, going for a hyper-real technicolor grade. Continuous recording at 1600x500. Also shot some regular 24p stuff.
