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A trailer for an upcoming feature film I wrote and co-directed. We shot the movie on a C300 using the 16/32/1.5x Bolex Moller anamorphic adapter lens. Many thanks to the people on this forum for helping me figure out the logistics of this during pre-production! YouTube Link
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I am selling one of my compact Moeller rigs. See photos below (right click for big sizes) - Moeller 32/2x CinemaScope Anamorphot - Custom Lens Support for 15mm Rods/Rails - Sigma Achromat Diopter 52mm - Coupling Ring for52mm This is a professionally serviced lens and has NATO MIL SPEC Helicoid grease assuring you of smooth focussing whether you are shooting in the Alps or Cococabana beach. The lens is free of internal dust, fungus and haze. There is some paint loss on the high ridges of the focus ring and the usual "cleaning marks" which don't show in the footage. You can use any type of lens with this rig - classic manual, auto focus, rotating front element lenses and even plastic kit lenses. The support, once set up, will guarantee no slanted videos. The aluminium locking clamps are spring loaded, solid brass retention ring and heavy duty marine grade stainless steel cap hex bolt offers you the best quality. Price is £465.00 plus shipping. Returns are 14 days at buyers shipping cost. Contact me at the website below for a shipping quote to your area.
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- cinemascope
- achromat
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Hi, Hope someone can help with these issue. I shot in JPG MOV 30p 4:3 with anamorphic Moller 2X in Black and white. Now I want to convert 29.97 to 23.97 . I used compressor to do that task, but the blacks get crushed. To fix that I set in compressor a gamma correction. The original setting is 1,0 and I drop it to 0,86. On that way the picture stay very similar to original. Does anyone else know how to handle in a better way these issue? Best regards. Francisco.
- 9 replies
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- Moller
- anamorphic
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