Marcel Zyskind Posted December 22, 2015 Share Posted December 22, 2015 Hello there.Thought you might find this interesting here since this (very expensive commercial) was shot predominantly with the Blackmagic Production 4K camera. A few shots (in the pool and the waterskiing) was shot with the Sony A7s in an underwater housing. The reflection shot and the very last shot was shot with the Alexa Mini. My main lens on the BM was a rehoused Canon 14mm f2.8 and a 16mm 2.1 Zeiss Standard Speed.The POV helmet rig was built for me by a grip in southern France. It clocked in at 13.5kg! My decision for the BM 4k was weight and global shutter as we had a lot of strobes and flashes going off. Definitely not the same dynamic range as I'm used to with the Alexa so required a bit of iris pulling in the scenes and also not the fastest camera coupled with a f2.8 lens. But I had great fun with this camera. There is going to be a directors cut later on. Quote Link to comment Share on other sites More sharing options...
Marcel Zyskind Posted December 22, 2015 Author Share Posted December 22, 2015 The ext. driving shots of the car were also shot on the Alexa. Quote Link to comment Share on other sites More sharing options...
The Chris Posted December 23, 2015 Share Posted December 23, 2015 That was awesome. I love the crazy day commercials for the outlandish stuff that always happens to the subject. The boxer made me laugh, nice. Quote Link to comment Share on other sites More sharing options...
Santiago de la Rosa Posted December 30, 2015 Share Posted December 30, 2015 Excellent work, love the idea, the image, the rythim... all.It had to be very fun to record with that helmet Quote Link to comment Share on other sites More sharing options...
KarlonCromwell Posted January 4, 2016 Share Posted January 4, 2016 What lens do you have mounted to the black magic? Actually I just read above... what did you cut and grade this with if you know? Quote Link to comment Share on other sites More sharing options...
Marcel Zyskind Posted January 5, 2016 Author Share Posted January 5, 2016 Thank you for your interest guys. Karlon I'm not sure which system it was edited on, I'm not part of that. Not sure about the grading system either but I think Davinci Resolve or Baselight. I used film converter on set for my dailies and for editorial. But like with a lot these big commercials, the director and I can agree upon a look, but then the client comes in and has completely different opinion on how their product should be presented... Quote Link to comment Share on other sites More sharing options...
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