Jump to content

Red One MX - Under exposure and Slowmo Test


Mattias Burling
 Share

Recommended Posts

  • Super Members

This is a test of underexposing the Red One MX and pushing it in post. And some footage from the 100fps Over Crank Slowmotion.

kamera_resized.md.jpg

Today it was really cold (-20ºC/-4ºF). Therefor I stayed inside and played with the R1MX.
Firstly I finally read the manual and learned the different exposure and focus aids that are available in the EVF and viewfinder.
And there was a lot of them. 

While calibrating my Zebra settings to show the same as one of the false color modes I got a bit curious about underexposure and did a series of tests.
The conclusion I drew was that the Red Raw is very pushable.
Like all cameras it introduces noise when starved from light, but the noise isn't to shabby looking.

Its nice to see that even the darkest one, f22, can be used in documentary purposes. Meaning you can shoot something and show what it looks like. We are not not talking about looking pretty, just identifying an object.

The frames

All of them are shot at ISO 800 with a Nikon 35-70mm f2.8.
The cameras is at its highest compression, in other words, its worst image in 4.5K.
In the camera the Zebras are set to indicate over exposure and shadows that are at risk to be to noisy.

The frames have first been exported in their default Red Gamma 3.
Then I have used the f2.8 as bench mark and pushed all the others to match its lift, gama and gain.

(sorry about the photos of the monitor, smartphone.)

f2.8
Here I had Zebras indicating clipping on the table next above the remote.
The stop light indicates that its a red channel clip. Meter is also on red.

28_resized.md.jpg

Straight from camera.
ORGf28_1.1.1.md.jpg

Balanced.
f28_1.1.1.md.jpg

f4
No Zebras for clipping nor underexposure.

f4_resized.md.jpg

Straight from camera.
ORGf4_1.2.1.md.jpg

Balanced
f4_1.2.1.md.jpg

f5.6
No Zebras but exposed to the left.

f56_resized.md.jpg

Straight from camera.
ORGf56_1.3.1.md.jpg

Obviously I slipped in and made the red channel blow, but Im to lazy to redo it :)
f56_1.3.1.md.jpg

f8
Starting to get dark.

f8_resized.md.jpg

Still sharp and not to noisy.
ORGf8_1.4.1.md.jpg

Colors back to normal.
f8_1.4.1.md.jpg

f11
Some Zebras warning for under exposure on the remote and parts of the blanket.

f11_resized.md.jpg

Straight from camera.
ORGf11_1.5.1.md.jpg

Some noise but under control.
f11_1.5.1.md.jpg

f16
Night time.

f16_resized.md.jpg

This might get noisy.
ORGf16_1.6.1.md.jpg

Should clean up in a pinch.
f16_1.6.1.md.jpg

f22
Green Zebras all over the place.

f22_resized.md.jpg

Yeah right....
ORGf22_1.7.1.md.jpg

Still usable in documentary situation where the goal is to identify and not to look pretty. 
f22_1.7.1.md.jpg

Slowmo

So for reading through that boring stuff, here is some slow of birds :)

 

Link to comment
Share on other sites

EOSHD Pro Color 5 for Sony cameras EOSHD Z LOG for Nikon CamerasEOSHD C-LOG and Film Profiles for All Canon DSLRs
  • Administrators

What ISO would you have to set on a DSLR to get the exposure you did at F22 with the push in post?

It doesn't look at all bad! I bet it is like having usable ISO 25,600 in post.

MX sensor definitely not a ISO 800 max like the Blackmagic Production Cam.

Link to comment
Share on other sites

  • Super Members

What ISO would you have to set on a DSLR to get the exposure you did at F22 with the push in post?

It doesn't look at all bad! I bet it is like having usable ISO 25,600 in post.

MX sensor definitely not a ISO 800 max like the Blackmagic Production Cam.

I don't know really. Im a bit curious to do a side by side with the BMCC and push both to match the same exposure and compare. I can throw in a GM1 as well as an example of a smaller and low cost option.

Yeah, definitely more usable for this type of stuff than the production camera. 

Link to comment
Share on other sites

  • Super Members

BTW, if anybody in Europe wants a good price on a Red MX I would drop this guy a line,
http://www.reduser.net/forum/showthread.php?140229-Redone-MX-%804250-Europe-Ireland

- REDONE MX (Serial Number 0582) with side SSD 1.8" and PL MOUNT and NIKON MOUNT with Heavy Duty Case.
- ELEMENT TECHNICA BREAKOUT
- RED BOMB EVF
- RED MONITOR 5"
- LCD / EVF Cable (Right to Straight) 7in
- LCD / EVF Cable (Right to Straight) 7in
- BEBOP HOT SWAP RED CRADLE 
- REDSTATION REDMAG 1.8” SATA-F800, USB-TO-DC Power cable , AC Power Adaptor 
- RED HANDHELD HANDLES 
- ELEMENT TECHNICA BRIDGE PLATE 19mm (Like an ARRI BP6)
- 4 x REDMAG 1.8” SSD 64 GB
- 1 x RED DRIVE 320GB WITH CABLES 
- 6 x RED BRICKS V MOUNT
- 2 x RED CHARGERS (one of the sides in one of them is not working) 
- Heavy Duty case for RED BRICKS and RED CHARGERS

The camera is located in Ireland and has the latest firmware. 

Price is €4250 including worldwide shipping with FEDEX / DHL / ETC

 

 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.

Guest
Reply to this topic...

×   Pasted as rich text.   Restore formatting

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

 Share

  • EOSHD Pro Color 5 for All Sony cameras
    EOSHD C-LOG and Film Profiles for All Canon DSLRs
    EOSHD Dynamic Range Enhancer for H.264/H.265
×
×
  • Create New...