tellure Posted March 7, 2016 Share Posted March 7, 2016 Imaging Resource A6300 first impressions: http://www.imaging-resource.com/news/2016/03/04/sony-a6300-first-impressions-from-miami-sunny-skies-ahead Short A6300 daytime video sample: Quote Link to comment Share on other sites More sharing options...
Jpr Posted March 7, 2016 Share Posted March 7, 2016 Am I the only one seeing a fair bit of moire and aliasing? Maybe its the resolution im viewing it at.. Quote Link to comment Share on other sites More sharing options...
Gianluca Posted March 7, 2016 Share Posted March 7, 2016 I don't know if there's aliasing with this video from imaging resource that is shot at 30p.... But what stand out really well it's the totally absence of aliasing at 25p, nothing less that ideal line.... I'm watching files with my 4k tv If I scale down to 1080p the results are gorgeus but a bit of aliasing it's always visibile even using different scaler like lanczos, area, bucubic etc etc.. Quote Link to comment Share on other sites More sharing options...
DayRaven Posted March 7, 2016 Share Posted March 7, 2016 Just now, Jpr said: Am I the only one seeing a fair bit of moire and aliasing? Maybe its the resolution im viewing it at.. There was a bit at 4k, but you know, youtube. I would be shocked if there was none in the railings in between the garages though, I wonder if the garage door is present in the origional. Quote Link to comment Share on other sites More sharing options...
BrorSvensson Posted March 7, 2016 Share Posted March 7, 2016 3 hours ago, DayRaven said: There was a bit at 4k, but you know, youtube. I would be shocked if there was none in the railings in between the garages though, I wonder if the garage door is present in the origional. youtube 4k footage on 1080p = moire on all cameras. watching the 1080p on a 1080p will be alot less moire. Quote Link to comment Share on other sites More sharing options...
Gianluca Posted March 7, 2016 Share Posted March 7, 2016 A6300 4k on 4k display = no aliasing or moiree at all Quote Link to comment Share on other sites More sharing options...
Super Members Mattias Burling Posted March 7, 2016 Super Members Share Posted March 7, 2016 Just now, Gianluca said: A6300 4k on 4k display = no aliasing or moiree at all Doubt it. Would be a first for Sony mirrorless. BrorSvensson 1 Quote Link to comment Share on other sites More sharing options...
Gianluca Posted March 7, 2016 Share Posted March 7, 2016 Aliasing for sure, moiree I have to watch it better again.... Try yourself grab a 8 megapixel picture from original a6300 footage Quote Link to comment Share on other sites More sharing options...
Administrators Andrew Reid Posted March 7, 2016 Administrators Share Posted March 7, 2016 Doesn't it crop the sensor at 4K 30p? Only 24/25p is full sensor readout from the 6K Quote Link to comment Share on other sites More sharing options...
Gianluca Posted March 7, 2016 Share Posted March 7, 2016 Yes, there is a tiny crop as 1080 120p Quote Link to comment Share on other sites More sharing options...
bunk Posted March 7, 2016 Share Posted March 7, 2016 On 6/3/2016 at 4:34 AM, markr041 said: In the sky in the second clip that is "graded" clip there is an absolutely horrible band of colored noise in the sky (upper left). I got the same result when I used the official Sony REC709 LUT from Sony Catalyst (which automatically recognizes the clip as S log 3). This is totally unacceptable. The clip on vimeo shows that the clip on vimeo shows some banding. More interesting is, that your own grade with the original footage showed the same banding. Can you you share a screenshot of the histogram or waveform monitor when this is happening as I really like to see how you were able to do that. I too am able to get banding, but only when I let the waves on the waveform monitor leave the assigned space within the diagram. Quote Link to comment Share on other sites More sharing options...
Eno Posted March 7, 2016 Share Posted March 7, 2016 "Samsung NX1 does not use a crop of the sensor – it pixel bins from the full area of the chip, although it does have a bit of aliasing and moire" You get aliasing and moire from line skipping, not pixel binning. Those are two distinct ways of reading out a sensor. Quote Link to comment Share on other sites More sharing options...
The Chris Posted March 7, 2016 Share Posted March 7, 2016 5 hours ago, Jpr said: Am I the only one seeing a fair bit of moire and aliasing? Maybe its the resolution im viewing it at.. What are you guys watching these clips on? I'm watching on a 4k monitor and the only moire in that clip is a tiny bit in the fence on the left between the buildings that's behind the palm trees and the big rock. The door is clean. And I'm not seeing any aliasing at all. For those that don't have a 4k monitor and keep talking about all the aliasing and moire, here are a few screen caps from youtube and vimeo, feel free to view them at full rez. http://s1081.photobucket.com/user/xchrisjoy/a6300%20frames/story Quote Link to comment Share on other sites More sharing options...
ectobuilder Posted March 7, 2016 Share Posted March 7, 2016 Yes Andrew, some of us do see 30p as a viable creative option. If you are not considering 30p as a creative tool, then you are missing out. For all those who have tested the A6300, are there any overheating issues in 4K, HD and 120fps mode? Quote Link to comment Share on other sites More sharing options...
aldolega Posted March 7, 2016 Share Posted March 7, 2016 Rolling shutter test in all modes plz Quote Link to comment Share on other sites More sharing options...
iamoui Posted March 7, 2016 Share Posted March 7, 2016 https://***URL not allowed***/sony-a6300-low-light-test-video-a-mini-a7s-ii-for-much-less/ Quote Link to comment Share on other sites More sharing options...
jagnje Posted March 7, 2016 Share Posted March 7, 2016 does anyone know if it`s possible to shoot in a log profile and have the display set to rec.709? Quote Link to comment Share on other sites More sharing options...
benymypony Posted March 7, 2016 Share Posted March 7, 2016 3 minutes ago, jagnje said: does anyone know if it`s possible to shoot in a log profile and have the display set to rec.709? Directly in-camera I don't think so. But if you use an external monitor like those by SmallHD you can load a LUT and display a Rec.709 version of what you are shooting. Quote Link to comment Share on other sites More sharing options...
Milton Lopes Posted March 7, 2016 Share Posted March 7, 2016 18 minutes ago, jagnje said: does anyone know if it`s possible to shoot in a log profile and have the display set to rec.709? If i'm not wrong, i think the Gamma Display Assist is in the a6300 specs list, which may be what you're asking for. Quote Link to comment Share on other sites More sharing options...
Guest Ebrahim Saadawi Posted March 7, 2016 Share Posted March 7, 2016 I doubt many use 29.97p as a ''creative'' option but it's VERY VERY important for every other video production than films, all broadcast, TV, shows, episodics, news, documentaries are shot & delivered in 29.97p in a large portion of the world. 30p is pretty damn important for a LOT. For creativity? not so much. I only shoot 30p when shooting beauty shots/Streets/Landscapes for conforming to 24p. It's a beautiful effect, not quite slowmotion and not quite realtime. I don't think there are many of me though that do this. 37 minutes ago, jagnje said: does anyone know if it`s possible to shoot in a log profile and have the display set to rec.709? Yes you can shoot in S-Log and get a contrast/saturated LCD?/EVF, but from my experience on the a7sii the feature is useless as it's simply impossible to set desired exposure due to the rec709 limited DR which makes you underexpose to avoid clipping. View in S-log better. But yes the feature exists. Quote Link to comment Share on other sites More sharing options...
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