Ed_David Posted July 7, 2016 Share Posted July 7, 2016 graded some stills from CML to me c300 has the best skin tones - this is from the sony f55 - fs7's big brother but now it's a question of how does the motion feel? That's the big thing for me - does it feel choppy even at 24fps 180 shutter? and finally, is the Ursa mini 4.6k ready for prime time yet? Quote Link to comment Share on other sites More sharing options...
Inazuma Posted July 7, 2016 Share Posted July 7, 2016 Two questions: 1) What is CML? 2) How long have you held motion cadence in such high regard? I remember you used to be quite fond of the NX1 despite its poor readout time Quote Link to comment Share on other sites More sharing options...
Kurtisso Posted July 8, 2016 Share Posted July 8, 2016 The feel of motion on the DB16 is pretty hard to beat. That true global shutter really opens doors for how you can shoot. It's incredibly liberating to shoot handheld with the DB16 and really "get in there" and be immersed in the action. Even when I was a kid I wasn't a big fan of jello. Isn't beautiful motion whether big or small, fast or slow paramount to film? Motion picture vs. Photography? Quote Link to comment Share on other sites More sharing options...
Ed_David Posted July 8, 2016 Author Share Posted July 8, 2016 1 hour ago, Inazuma said: Two questions: 1) What is CML? 2) How long have you held motion cadence in such high regard? I remember you used to be quite fond of the NX1 despite its poor readout time Cinematography Mailing LIst - the OG of cameras. They are an important part of the internet cinematography community. check it out - http://www.cinematography.net/ 2. always loved motion cadence - that's why I owned 3 f35s! NX1 was cool to me because it was a meaty image in such a small camera, before I got the a7s ii - - was a really nice interesting camera. workflow was heavy gigs though! Inazuma 1 Quote Link to comment Share on other sites More sharing options...
Ed_David Posted July 13, 2016 Author Share Posted July 13, 2016 also readout time is different than how each camera interpolates shutter - unless it's a mechnical shutter, it is electronically recreating a spinning shutter with exposure and darkness. That's, I think, were each camera interprets motion differently. But I think I'm probably wrong about that, too. Quote Link to comment Share on other sites More sharing options...
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