Zak Forsman Posted January 5, 2017 Share Posted January 5, 2017 Thanks for posting these clips. They're fun to play with. TheRenaissanceMan and a_reynolds 2 Quote Link to comment Share on other sites More sharing options...
etidona Posted January 5, 2017 Share Posted January 5, 2017 Thank you for the clips! Best gh5 footage out there! Man, those skin tones are a joy to me! fcpx + Panasonic Vlog Log processing + contrast and saturation Footages plays smoothly on mid2014 mbp Quote Link to comment Share on other sites More sharing options...
toxotis70 Posted January 5, 2017 Share Posted January 5, 2017 can you edit the 4k 24p 10bit clips in fcpx without proxy-transcoding smoothly ? Quote Link to comment Share on other sites More sharing options...
jonpais Posted January 5, 2017 Share Posted January 5, 2017 1 hour ago, André Eriksson said: Pushed some of the clips quite hard. Noise will of course appear, but I do not see any compression artefacts at all in the 10 bit clips (first image). Not sure yet what I think about the color science.. its not effortlessly beautiful. I'm not by any means criticizing the filmmaking here, which is of a high calibre, but the the color of the original graded footage is lusterless, the skin tones flat and washed out. Quote Link to comment Share on other sites More sharing options...
Neumann Films Posted January 5, 2017 Author Share Posted January 5, 2017 26 minutes ago, jonpais said: I'm not by any means criticizing the filmmaking here, which is of a high calibre, but the the color of the original graded footage is lusterless, the skin tones flat and washed out. Do you mean the original ungraded? That would be the VLog/flat image profile. 4 hours ago, funkyou86 said: @Neumann Films God bless you, thanks for the footages, looks freaking awesome. Can you check the VFR bitrates for us please? Also, is there an anamorphic liveview/stretch on the LCD? So how should we upgrade our PCs? I have i7 4core, 16gb ram, 3GB graph card and my computer had hard time to play the footages even on 1/8th of the original quality. VFR isn't enabled just yet, wish I could test. No anamorphic stretch yet either, but I believe it's supposed to be added. I would start utilizing Premiere Pro and their proxy system...it truly is awesome. Quote Link to comment Share on other sites More sharing options...
Administrators Andrew Reid Posted January 5, 2017 Administrators Share Posted January 5, 2017 Quality is mind-boggling. V-LOG looking a lot less noisy. Do you have anything shot on Standard though? Neumann Films and Axel 2 Quote Link to comment Share on other sites More sharing options...
André Eriksson Posted January 5, 2017 Share Posted January 5, 2017 Just a disclaimer, my grade was mostly ment to showcase the breaking point of the file, and is pushed too far. Note the artifacting in the skin in the second image (8 bit 60p). But I think it would have held up if it were shot in 10 bit! Quote Link to comment Share on other sites More sharing options...
Neumann Films Posted January 5, 2017 Author Share Posted January 5, 2017 3 minutes ago, Andrew Reid said: Quality is mind-boggling. V-LOG looking a lot less noisy. Do you have anything shot on Standard though? Not really. What do you want to see? What type of shot. Quote Link to comment Share on other sites More sharing options...
etidona Posted January 5, 2017 Share Posted January 5, 2017 55 minutes ago, toxotis70 said: can you edit the 4k 24p 10bit clips in fcpx without proxy-transcoding smoothly ? Nope, i can just play smoothly. If i color correct i have to render. Maybe you can in the new mbp... someone here? Quote Link to comment Share on other sites More sharing options...
Don Kotlos Posted January 5, 2017 Share Posted January 5, 2017 14 minutes ago, etidona said: Nope, i can just play smoothly. If i color correct i have to render. Maybe you can in the new mbp... someone here? The 10bit files are with an H265 codec, correct? Quote Link to comment Share on other sites More sharing options...
MaxAperture Films Posted January 5, 2017 Share Posted January 5, 2017 Luke, I'd really like to see a GH5 shot through the Passion-Aggression chassis... I want to find out if the picture will look bigger through that mattebox. BTW, what ever happened to Terron and Clayton? Will they ever re-enter the market with a new product release? I really hope they didn't end up like the Duke Brothers. Also, I like that the GH5 is 10% bigger and heavier. Thanks. Quote Link to comment Share on other sites More sharing options...
Neumann Films Posted January 5, 2017 Author Share Posted January 5, 2017 3 minutes ago, MaxAperture Films said: Luke, I'd really like to see a GH5 shot through the Passion-Aggression chassis... I want to find out if the picture will look bigger through that mattebox. BTW, what ever happened to Terron and Clayton? Will they ever re-enter the market with a new product release? I really hope they didn't end up like the Duke Brothers. Also, I like that the GH5 is 10% bigger and heavier. Thanks. Hahaha. We always considered going to NAB and setting up a booth as Clayton and Terron, just making a mockery of the whole thing. Figured that wouldn't go over too well though... Quote Link to comment Share on other sites More sharing options...
MaxAperture Films Posted January 5, 2017 Share Posted January 5, 2017 Haha, that would've been the greatest NAB trolling of all time. Seriously though, a sequel is well overdue... funniest damn parody I ever saw. Crowd-fund it and make it bigger than before. Quote Link to comment Share on other sites More sharing options...
Neumann Films Posted January 5, 2017 Author Share Posted January 5, 2017 4 minutes ago, MaxAperture Films said: Haha, that would've been the greatest NAB trolling of all time. Seriously though, a sequel is well overdue... funniest damn parody I ever saw. Crowd-fund it and make it bigger than before. We were going to do one making fun of RED at one point. GREEN Digital Cinema. Created a fake Facebook page and everything: https://www.facebook.com/greenshredder/?fref=ts Quote Link to comment Share on other sites More sharing options...
Emanuel Posted January 5, 2017 Share Posted January 5, 2017 1 hour ago, Neumann Films said: Do you mean the original ungraded? That would be the VLog/flat image profile. Funny reply. Seriously : ) 2 hours ago, jonpais said: I'm not by any means criticizing the filmmaking here, which is of a high calibre, but the the color of the original graded footage is lusterless, the skin tones flat and washed out. What's wrong there...? Maybe the snow(-like/look)?! : D Nice grading too, jonpais, season aside, I concur they should have announced this camera six months ago, even though, in the same northern hemisphere :-) Copacabana, Rio, Yesterday morning... Quote Link to comment Share on other sites More sharing options...
MaxAperture Films Posted January 5, 2017 Share Posted January 5, 2017 44 minutes ago, Neumann Films said: We were going to do one making fun of RED at one point. GREEN Digital Cinema. Created a fake Facebook page and everything: https://www.facebook.com/greenshredder/?fref=ts Clayton returns!! I had a feeling he was going places in the industry . Neumann Films 1 Quote Link to comment Share on other sites More sharing options...
Zak Forsman Posted January 5, 2017 Share Posted January 5, 2017 in motion... mercer, funkyou86, a_reynolds and 1 other 4 Quote Link to comment Share on other sites More sharing options...
Brother Posted January 5, 2017 Share Posted January 5, 2017 Thank you Luke for the chance to do some testing this early on! Did a quick grade in Premiere, very pleasing files to work with! mercer 1 Quote Link to comment Share on other sites More sharing options...
Antonis Posted January 5, 2017 Share Posted January 5, 2017 I love what I'm seeing from the GH5. 4K 60FPS <3 Thanks for sharing these awesome images with us Luke! Quote Link to comment Share on other sites More sharing options...
Taranis Posted January 5, 2017 Share Posted January 5, 2017 In case anyone is interested, this is what the noise looks like when shadows are pushed: Quote Link to comment Share on other sites More sharing options...
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