Fritz Pierre Posted April 27, 2017 Share Posted April 27, 2017 2 hours ago, Julien416 said: Motion cadence, tonality... And it probably wasn't shot with the latest 4:3 10 bits firmware. With proper glass and a competent operator the GH5 just shines. I could mix that kind of footage easily with an alexa and people would hardly notice the difference, even after being told. Excellent point about motion....and I can guarantee you with a professional colorist and the same 3 guys that are filming on an Alexa, films on a GH5...properly lit scenes as you have to have with the Arri....you could cut together so that in a blind test you could not tell them apart...the GH2 did it in the Zacuto test over the Alexa and the Sony F65...it turned out as the image Directors chose in the last test in that competition including Francis Ford Coppola...I still own a GH2 and I would say in the right hands, the GH5 blows completely past it JamesAllenVisual 1 Quote Link to comment Share on other sites More sharing options...
Emanuel Posted May 2, 2017 Share Posted May 2, 2017 shooter and mercer 2 Quote Link to comment Share on other sites More sharing options...
Hanriverprod Posted May 3, 2017 Share Posted May 3, 2017 What settings and luts do you think this shooter is using? Quote Link to comment Share on other sites More sharing options...
Emanuel Posted May 4, 2017 Share Posted May 4, 2017 Nothing of extraordinary. Nice colors for the last one shot on 1080p, though. shooter 1 Quote Link to comment Share on other sites More sharing options...
Emanuel Posted May 7, 2017 Share Posted May 7, 2017 @Neumann Films... compliments for your LUT (last clip), Luke! (E :-) shooter 1 Quote Link to comment Share on other sites More sharing options...
Stab Posted May 8, 2017 Share Posted May 8, 2017 shooter, Phil A, nahua and 1 other 4 Quote Link to comment Share on other sites More sharing options...
Emanuel Posted May 9, 2017 Share Posted May 9, 2017 shooter 1 Quote Link to comment Share on other sites More sharing options...
Hanriverprod Posted May 10, 2017 Share Posted May 10, 2017 Facebook post... Nikon Speedbooster .71x -> Nippon Kogaku h auto 50mm f2 -> Kowa 8z -> CineD 4k 4:3 50p 8bit kidzrevil and funkyou86 2 Quote Link to comment Share on other sites More sharing options...
Hanriverprod Posted May 11, 2017 Share Posted May 11, 2017 Some direct sun with shade showing how it handles daylight dynamic range. Not sure if this is v-log. Quote Link to comment Share on other sites More sharing options...
Emanuel Posted May 12, 2017 Share Posted May 12, 2017 Quote Link to comment Share on other sites More sharing options...
Rand Thompson Posted May 12, 2017 Share Posted May 12, 2017 Quote Link to comment Share on other sites More sharing options...
Emanuel Posted May 12, 2017 Share Posted May 12, 2017 Not possible to embed, here's another link from Luke's LUT factory @Neumann Films: https://vimeo.com/216930644 Don't pay attention to the content, but cinematography is pretty on the spot :-) Neumann Films 1 Quote Link to comment Share on other sites More sharing options...
Dave Maze Posted May 12, 2017 Share Posted May 12, 2017 On 5/10/2017 at 10:38 AM, Hanriverprod said: Facebook post... Nikon Speedbooster .71x -> Nippon Kogaku h auto 50mm f2 -> Kowa 8z -> CineD 4k 4:3 50p 8bit DANG! I love how cinematic this is. Quote Link to comment Share on other sites More sharing options...
Fritz Pierre Posted May 12, 2017 Share Posted May 12, 2017 1 hour ago, DaveAltizer said: DANG! I love how cinematic this is. Yes!....agreed...I don't have mine yet, but I have the 8z and an old 50 mm canon FD to pair with it when it arrives...simply hard to beat the Anamorphic look, if you want to get closer to the look of film!...really curious about whether the IBIS will work for handheld with the Kowa 8z or whether it has to be on a gimbal or sticks? Quote Link to comment Share on other sites More sharing options...
Thpriest Posted May 12, 2017 Share Posted May 12, 2017 On 08/05/2017 at 10:49 PM, Stab said: Very nice but isn't she a bit young to be getting married??? Seriously, nice images. Can I ask what lenses and settings you are using for your weddings? Fritz Pierre 1 Quote Link to comment Share on other sites More sharing options...
Hanriverprod Posted May 13, 2017 Share Posted May 13, 2017 17 hours ago, DaveAltizer said: DANG! I love how cinematic this is. I would like to shoot a narrative piece with this look, but since I'm not a dp, I'm unsure about too many things. Quote Link to comment Share on other sites More sharing options...
Fredrik Lyhne Posted May 15, 2017 Share Posted May 15, 2017 I made close up skin tone ISO test in V-log. It seems to hold up a better in the noise department than the GX85 and G85. I see that I should used soft lights instead of window light, maybe next time. Quote Link to comment Share on other sites More sharing options...
Fritz Pierre Posted May 15, 2017 Share Posted May 15, 2017 3 hours ago, Fredrik Lyhne said: I made close up skin tone ISO test in V-log. It seems to hold up a better in the noise department than the GX85 and G85. I see that I should used soft lights instead of window light, maybe next time. 3 hours ago, Fredrik Lyhne said: Your test looks good Fredrick...I notice at 3200 the wall color behind you than 400....which is the true color of the wall? Quote Link to comment Share on other sites More sharing options...
jgharding Posted May 15, 2017 Share Posted May 15, 2017 3 hours ago, Fredrik Lyhne said: I made close up skin tone ISO test in V-log. It seems to hold up a better in the noise department than the GX85 and G85. I see that I should used soft lights instead of window light, maybe next time. No post noise reduction on any of these? If so I'd happily use any ISO listed. Quote Link to comment Share on other sites More sharing options...
hyalinejim Posted May 15, 2017 Share Posted May 15, 2017 Youtube conversion denoises the video. Quote Link to comment Share on other sites More sharing options...
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