SR Posted April 20, 2017 Share Posted April 20, 2017 1 hour ago, Andrew Reid said: Do you want to be banned? Going the right way about it. Haha God help me some days I come to the forum just for these ban threats. I'm a fan. Someone needs to archive these. Dave Maze 1 Quote Link to comment Share on other sites More sharing options...
Administrators Andrew Reid Posted April 20, 2017 Administrators Share Posted April 20, 2017 I will archive your face if you don't shut up jase, Dave Maze, wolf33d and 3 others 6 Quote Link to comment Share on other sites More sharing options...
SR Posted April 20, 2017 Share Posted April 20, 2017 9 minutes ago, Andrew Reid said: I will archive your face if you don't shut up Haha You don't disappoint. silvertonesx24, Dave Maze, jase and 2 others 5 Quote Link to comment Share on other sites More sharing options...
PannySVHS Posted April 20, 2017 Share Posted April 20, 2017 1 hour ago, Andrew Reid said: I will archive your face if you don't shut up Log is log. Eoshd color is magic! That is much better, hasslefree awesome color! You´re giving Jimmy the Don Rickles all the time. You must love him. Can you gimme some of that too? Edit: Hot darn! Just checked EOSHD Vivid Skintone, looking awesome! Andrew would you like to post the video with that beautiful color and the beautiful talent in front of your camera? Would love to see that in motion! Emanuel 1 Quote Link to comment Share on other sites More sharing options...
docmoore Posted April 22, 2017 Share Posted April 22, 2017 Whole lot of drama ... whole lotta ... I just dropped my GH5 back to the dealer and took delivery of a 5DMk4 and a Zeiss XE 21 .... crap AF and should I mention the build quality is a bit deficient. Many dismiss the 5DMk4 due to the crop but I never shoot really wide ... intro shots but nothing of interest there in video for me ... stills yes but unless I am in the front seat of a bus going over the falls ... Niagra for those of you in the EU ... don't really need 160 degree angle of view Love the crop ... as I shoot a bit of landscape and in Texas that means leaning over a fence ... 1.7 works to keep the dogs, bulls, ranchers at a distance ... really tired of jumping barbed wire ... Will upgrade to the CLog when available ... not so sure about the EOSHD bit ... bought the Sony version ... posed a question in a message that today ... four months later has not been addressed. Call me a bit jaded. Ban me if you must. Just sayin..... Bob Quote Link to comment Share on other sites More sharing options...
docmoore Posted April 23, 2017 Share Posted April 23, 2017 First look at the 5D Mk 4 .... EOSHD CLog and a tiny bit of work in Resolve 12.5 Bob Quote Link to comment Share on other sites More sharing options...
mercer Posted April 23, 2017 Share Posted April 23, 2017 Okay, that's a nice test. What are your first impressions of Mark IV vs GH5? Quote Link to comment Share on other sites More sharing options...
docmoore Posted April 23, 2017 Share Posted April 23, 2017 While it lacks an articulating screen and a few niceties like waveforms ... it seems to be a much more substantial camera from a build standpoint and it is very easy to monitor exposure and focus on the Mark IV. I appreciate the addition mass of the camera ... seems much more stable on Glidecam and video head but I miss the IBIS. Huge files but they edit well in Resolve Studio ... and it seems to have less noise and artifacts. Coming from ML Raw on the 7D it is nice to see Canon's color science in 4K. I miss the V-Log but with EOSHD CLog and true Canon CLog coming in July it is a short time till parity with regards to exposure with wide DR settings. Handling the highlights will be the issue ... I need to profile the camera with my Sekonic meter to assist in this area. I realized that the 1.7 crop is not too much of a detriment as I am usually shooting towards to long side and it uses the sweet spot of the FF lenses. The Zeiss 21 ZE is about as wide as I will need ... With the Mark IV I have returned to MF with Zeiss lenses ... and will look forward to discovering the DPAF tracking at a future date. And you get about the same time as with ML Raw at 800MB/Sec for 4KDCI 23.97 ... about 17 minutes per 64Gb card. So I will need to develop a ProRes HQ encoding workflow to save a bit of disc space as I go forward. I did discover that SD UHS-2 cards are not supported and my old Sandisk Pro 95MB/Sec cards work great ... all the 280/300MB/Sec Type 3 cards will not work. CF cards to UDMA 7 are fine. Really at this point I am trying to get a handle on Resolve ... gave up on the subscription mode of Premiere and hope to learn all the seemingly undocumented shortcuts of Resolve. Bob Quote Link to comment Share on other sites More sharing options...
webrunner5 Posted April 23, 2017 Share Posted April 23, 2017 So was that 1080p, 4k, what? Quote Link to comment Share on other sites More sharing options...
docmoore Posted April 23, 2017 Share Posted April 23, 2017 4K DCI scaled to 2K DCI as Vimeo does not do 4K well ... Quote Link to comment Share on other sites More sharing options...
docmoore Posted April 24, 2017 Share Posted April 24, 2017 I am convinced that the 5DMk4 can make compelling video ... mercer 1 Quote Link to comment Share on other sites More sharing options...
mercer Posted April 24, 2017 Share Posted April 24, 2017 1 hour ago, docmoore said: I am convinced that the 5DMk4 can make compelling video ... Yeah that looks good. The greens look excellent. What picture profile? Quote Link to comment Share on other sites More sharing options...
docmoore Posted April 24, 2017 Share Posted April 24, 2017 Andrew's C-Log to Film Convert .... So much information in the files ... Bob Quote Link to comment Share on other sites More sharing options...
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