Popular Post Ed_David Posted June 5, 2017 Popular Post Share Posted June 5, 2017 Shot with the Blackmagic MIcro Cinema Camera with the Angeniuex 12-120mm 16mm lens, a cameflex mount modified to micro 4/3rds. For color, I brought into Da Vinci resolve and used Filmconvert with a Fuji Eterna film stock and softened it even more to Super16mm softness. Added a tiny bit of grain and that gave me a great starting point to harken back to a more organic look. I zoomed in digitally mostly around 20% - and it still was too sharp of an image. Why not shoot it anamorphic instead? Well, I am in love with documentaries of the 60s and 70s like Grey Gardens, etc. And they used this lens I think, and it has a certain feel to it that’s pretty beautiful. Let me know what you guys think of this. kidzrevil, Papiskokuji, TheRenaissanceMan and 13 others 16 Quote Link to comment Share on other sites More sharing options...
Tim Sewell Posted June 5, 2017 Share Posted June 5, 2017 Love it. And got caught up and watched Chatterhead and the Reese's thing. All great. What's that, the camera? Forgot about that about 3 seconds in - will go back and watch again. My boss hates you and I think I may get fired. Ed_David 1 Quote Link to comment Share on other sites More sharing options...
DIGICHombre Posted June 5, 2017 Share Posted June 5, 2017 Lovely grade. Fuji film stock looks so vintage. Ed_David 1 Quote Link to comment Share on other sites More sharing options...
Cinegain Posted June 5, 2017 Share Posted June 5, 2017 I might've come across work of you the other day, Charlie Chicken. I carry that experience with me now. I hold on to it dearly. Ed_David 1 Quote Link to comment Share on other sites More sharing options...
Ed_David Posted June 5, 2017 Author Share Posted June 5, 2017 Thank you guys! Kisses from me and Ebrahim! Inazuma, Tim Sewell and Liam 3 Quote Link to comment Share on other sites More sharing options...
PannySVHS Posted June 5, 2017 Share Posted June 5, 2017 Lens looking awesome. The Meteor zoom for the Krasnogorsk is much cheaper but not with that kind of image. kidzrevil and Ed_David 2 Quote Link to comment Share on other sites More sharing options...
kidzrevil Posted June 5, 2017 Share Posted June 5, 2017 I love the softness ! Reminds me of shooting with a tiffen soft fx filter Quote Link to comment Share on other sites More sharing options...
Ed Andrews Posted June 6, 2017 Share Posted June 6, 2017 This looks amazing. Really gets that super16 feel. I've been shooting a series of docs with bmmcc and zeiss 12-120. Here's one. It comes out a bit sharper than the Angeniuex but still love the whole combo with old s16 glass Ed_David, Geoff CB, Snowfun and 3 others 6 Quote Link to comment Share on other sites More sharing options...
freeman Posted June 7, 2017 Share Posted June 7, 2017 Nice Ed and Ed! Liked both of those stories. I use a 12-120 and also the 15-150 by angenieux. I am pretty sure they are the exact same lens, the 15-150 just sits a bit farther away from the mount increasing it's coverage (it's also a 2.8 instead of a 2.2 like the 120 which makes sense) I love shooting with them! Never have to change a lens.. just focus on getting shots. My favorite doc lens. I shot this for RIT with the 15-150. Do you guys use the diopters as well? I had to use them for a couple close ups as the minimum focus was something I had to get used to. I really took modern focusing distances for granted. hyalinejim, Juxx989, Nikkor and 2 others 5 Quote Link to comment Share on other sites More sharing options...
cantsin Posted June 7, 2017 Share Posted June 7, 2017 On 6/5/2017 at 4:00 PM, Ed_David said: Shot with the Blackmagic MIcro Cinema Camera with the Angeniuex 12-120mm 16mm lens, a cameflex mount modified to micro 4/3rds. Isn't the Angenieux only covering 16mm 4:3 and vignetting on the BM Micro Cinema's 1" sensor? Did you fully get around this limitation with the 120% enlargement in post, or did you only use a limited zoom range of the camera? (Since 16mm zooms usually vignette at wide angle settings, but cover larger sensors when zoomed in.) Quote Link to comment Share on other sites More sharing options...
Ed_David Posted June 9, 2017 Author Share Posted June 9, 2017 On 6/6/2017 at 11:28 PM, freeman said: Nice Ed and Ed! Liked both of those stories. I use a 12-120 and also the 15-150 by angenieux. I am pretty sure they are the exact same lens, the 15-150 just sits a bit farther away from the mount increasing it's coverage (it's also a 2.8 instead of a 2.2 like the 120 which makes sense) I love shooting with them! Never have to change a lens.. just focus on getting shots. My favorite doc lens. I shot this for RIT with the 15-150. Do you guys use the diopters as well? I had to use them for a couple close ups as the minimum focus was something I had to get used to. I really took modern focusing distances for granted. that looks great- yup used a canon 550d 77mm diopter for macro stuff - close focus is 5' which kind of sucks - but you get that long zoom range and low t stop as a tradeoff! On 6/7/2017 at 6:42 AM, cantsin said: Isn't the Angenieux only covering 16mm 4:3 and vignetting on the BM Micro Cinema's 1" sensor? Did you fully get around this limitation with the 120% enlargement in post, or did you only use a limited zoom range of the camera? (Since 16mm zooms usually vignette at wide angle settings, but cover larger sensors when zoomed in.) Yes only covers 4:3 so I do zoom in post about 20%. I softened the image so much even after that it doesn't matter to me. It vignettes more at the wider end. Overall the lens has less vingnetting at usable wider focal lengths than the 9.5-55mm angenieux zoom that's more popular. But the tradeoff is the f stop and the close focus isn't as good. On 6/6/2017 at 4:46 AM, Ed Andrews said: This looks amazing. Really gets that super16 feel. I've been shooting a series of docs with bmmcc and zeiss 12-120. Here's one. It comes out a bit sharper than the Angeniuex but still love the whole combo with old s16 glass that looks gorgeous man - love the natural skintones on the micro and pocket cameras. Really nice lens. I am really looking forward to the next version of the micro - praying for internal 5-axis stabilization. That's the only thing that's really missing from it for me that I would find more useful. 4k would probably lower the amount of usuable dynamic range Quote Link to comment Share on other sites More sharing options...
Aussie Ash Posted June 10, 2017 Share Posted June 10, 2017 Hi Ed, I love both your short films on "Charlie Chicken".Are you still developing the choreography from 1.37 onward in Charlie Chicken Canine Artist ?? cracks me up every time I watch it. Quote Link to comment Share on other sites More sharing options...
graphicnatured Posted June 10, 2017 Share Posted June 10, 2017 It's about time God lent a hand in something! Love it. Quote Link to comment Share on other sites More sharing options...
AaronChicago Posted June 10, 2017 Share Posted June 10, 2017 There is just something about that BM Super 16 sensor that is magical. I look back at stuff that I shot with the Pocket and think "Damn that was one of my favorite looking videos." Lintelfilm, PannySVHS, Ed Andrews and 2 others 5 Quote Link to comment Share on other sites More sharing options...
PannySVHS Posted June 10, 2017 Share Posted June 10, 2017 3 hours ago, AaronChicago said: There is just something about that BM Super 16 sensor that is magical. I look back at stuff that I shot with the Pocket and think "Damn that was one of my favorite looking videos." Would you mind to post it? I love beautifully shot BMPCC stuff. Quote Link to comment Share on other sites More sharing options...
cantsin Posted June 11, 2017 Share Posted June 11, 2017 Here's a video shot with the Canon EOS-M in Magic Lantern raw sensor crop mode and an adapted Fujinon 14-84mm/f1.6 c-mount zoom lens. Graded and edited in Resolve, with grain added via Filmconvert. The inspiration were Jonas Mekas' 1960s experimental diary films shot handheld with a Bolex H16 - so, no apologies for the shaky handcamera, jump cuts, out-of-sync sound etc: Quote Link to comment Share on other sites More sharing options...
mercer Posted June 12, 2017 Share Posted June 12, 2017 6 hours ago, cantsin said: Here's a video shot with the Canon EOS-M in Magic Lantern raw sensor crop mode and an adapted Fujinon 14-84mm/f1.6 c-mount zoom lens. Graded and edited in Resolve, with grain added via Filmconvert. The inspiration were Jonas Mekas' 1960s experimental diary films shot handheld with a Bolex H16 - so, no apologies for the shaky handcamera, jump cuts, out-of-sync sound etc: Looks so cool! What did you use to get rid of the pink dots? I've tried pink dot remover, but it didn't work. The only thing I could get to work was chroma smoothing but it softened the image way too much. Quote Link to comment Share on other sites More sharing options...
cantsin Posted June 12, 2017 Share Posted June 12, 2017 7 hours ago, mercer said: Looks so cool! What did you use to get rid of the pink dots? I've tried pink dot remover, but it didn't work. The only thing I could get to work was chroma smoothing but it softened the image way too much. Used chroma smoothing via raw2cdng. Quote Link to comment Share on other sites More sharing options...
mercer Posted June 12, 2017 Share Posted June 12, 2017 Thanks, I'll give it a try on raw2cdng, I used it with a different app. Quote Link to comment Share on other sites More sharing options...
AaronChicago Posted June 12, 2017 Share Posted June 12, 2017 On 6/10/2017 at 4:27 PM, PannySVHS said: Would you mind to post it? I love beautifully shot BMPCC stuff. I DP'd for this tech companies Christmas video. It's pretty cheesy, but I really like how the images turned out. Quote Link to comment Share on other sites More sharing options...
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