HockeyFan12 Posted November 5, 2020 Share Posted November 5, 2020 Does your LUT convert V Log to Log C or V Log to Log C converted to rec709 with the default Arri LUT? I have some Arri Log C Luts I want to use on Panasonic S1 footage. How different are there results from LutCalc: http://cameramanben.github.io/LUTCalc/ Quote Link to comment Share on other sites More sharing options...
TomTheDP Posted November 5, 2020 Share Posted November 5, 2020 6 hours ago, HockeyFan12 said: Does your LUT convert V Log to Log C or V Log to Log C converted to rec709 with the default Arri LUT? I have some Arri Log C Luts I want to use on Panasonic S1 footage. How different are there results from LutCalc: http://cameramanben.github.io/LUTCalc/ He has a direct to 709 conversion as well as Log-C. Ive personally used lut Calc and GHalex. They definitely produce different results. He also has a specific version for Premiere as well as under and overexposure LUTs. I highly recommend. HockeyFan12 1 Quote Link to comment Share on other sites More sharing options...
hypp Posted November 9, 2020 Share Posted November 9, 2020 @Sage Have you thought about making Emotive Color for the new iPhones given that they record in 10-bit now? I understand that the footage is limited by other factors but I think some sort of Emotive Color even if it would be limited, would be really welcomed by iPhone users that use it for content creation. Adept and mercer 1 1 Quote Link to comment Share on other sites More sharing options...
Sage Posted November 10, 2020 Author Share Posted November 10, 2020 16 hours ago, hypp said: @Sage Have you thought about making Emotive Color for the new iPhones given that they record in 10-bit now? I understand that the footage is limited by other factors but I think some sort of Emotive Color even if it would be limited, would be really welcomed by iPhone users that use it for content creation. My sister may be getting one, so I'll give it a look. The ideal would be an app to record directly to LogC sans sharpening/processing etc. I've only dabbled in Xcode though. I've also got some neat experiments I am going to delve into this winter. Quote Link to comment Share on other sites More sharing options...
hypp Posted November 10, 2020 Share Posted November 10, 2020 5 hours ago, Sage said: My sister may be getting one, so I'll give it a look. The ideal would be an app to record directly to LogC sans sharpening/processing etc. I've only dabbled in Xcode though. I've also got some neat experiments I am going to delve into this winter. Filmic pro has a log format and Moment has something similar but not sure if that's a true log format or if it's just a flat profile. Hopefully it comes to fruition, I will buy it immediately! Quote Link to comment Share on other sites More sharing options...
TomTheDP Posted November 10, 2020 Share Posted November 10, 2020 @Sage I'd pay a pretty penny if you did a LUT for the Z-cam. Quote Link to comment Share on other sites More sharing options...
Victor Posted November 13, 2020 Share Posted November 13, 2020 @Sage I bought it for fuji, but these folders are empty, is that ok? There is only this: Quote Link to comment Share on other sites More sharing options...
Sage Posted November 13, 2020 Author Share Posted November 13, 2020 Looks like a failure at the encryption stage (this rarely happens, a lot of heavy lifting on the back end). Download it once more and all the files should be present. Let me know how it goes! Quote Link to comment Share on other sites More sharing options...
Victor Posted November 13, 2020 Share Posted November 13, 2020 I wrote to you on gmail... Quote Link to comment Share on other sites More sharing options...
Simon Young Posted December 7, 2020 Share Posted December 7, 2020 Would be interesting to know how Emotive Color stacks up against the new Cinematch plugin from the guys behind Filmconvert. From what I've seen it looks pretty promising... Quote Link to comment Share on other sites More sharing options...
Attila Bakos Posted December 7, 2020 Share Posted December 7, 2020 1 hour ago, Simon Young said: Would be interesting to know how Emotive Color stacks up against the new Cinematch plugin from the guys behind Filmconvert. From what I've seen it looks pretty promising... I just tested it on some Sony A6300 S-Log2/S-Gamut3.cine and Fuji X-T3 F-Log/F-Gamut clips and if you're after a precise conversion, the results are far from great. It can still be a timesaver though. Simon Young 1 Quote Link to comment Share on other sites More sharing options...
Simon Young Posted December 7, 2020 Share Posted December 7, 2020 @Attila Bakos I imagine the results aren't as accurate as the Ghalex lut, but really cool if it speeds up multicam workflow in a meaningful way. Quote Link to comment Share on other sites More sharing options...
seku Posted December 7, 2020 Share Posted December 7, 2020 @Sage: i'm a happy user of your conversion for the GH5 and A7s3. I remember you talking about the releasing the same color science you used in A7s3 for the GH5 too, is it out yet? thanks 🙂 Quote Link to comment Share on other sites More sharing options...
TomTheDP Posted December 7, 2020 Share Posted December 7, 2020 7 hours ago, Simon Young said: Would be interesting to know how Emotive Color stacks up against the new Cinematch plugin from the guys behind Filmconvert. From what I've seen it looks pretty promising... Yeah definitely didn't seem the most accurate. Take into account Sage's lut gives you a tungsten, daylight, and 4200k lut options, as well as over, under, and black balance luts. You get none of that precision with cinematch. Quote Link to comment Share on other sites More sharing options...
Sage Posted December 7, 2020 Author Share Posted December 7, 2020 5 hours ago, seku said: @Sage: i'm a happy user of your conversion for the GH5 and A7s3. I remember you talking about the releasing the same color science you used in A7s3 for the GH5 too, is it out yet? thanks 🙂 Not yet - I've been on an experimental binge for the last month (not pertaining to the Alex conversions), and I've had a major breakthrough there. But that update will be releasing for sure! Quote Link to comment Share on other sites More sharing options...
Sage Posted December 7, 2020 Author Share Posted December 7, 2020 I gave it a spin a few weeks ago; sometimes it works decently, and sometimes less so. Here's a comparison of GH5 and Arri, as well as their gradient charts: Simon Young, greenscreen and Victor 3 Quote Link to comment Share on other sites More sharing options...
Attila Bakos Posted December 8, 2020 Share Posted December 8, 2020 13 hours ago, Sage said: I gave it a spin a few weeks ago; sometimes it works decently, and sometimes less so. Here's a comparison of GH5 and Arri, as well as their gradient charts: Yeah, it's pretty far from being accurate. I wonder how they do their conversions on the fly, and what precision they use. When I build my camera matching LUTs it takes 1-2 minutes with all cores used to the maximum to build a size 65 LUT, they do it in a second or so. Quote Link to comment Share on other sites More sharing options...
Simon Young Posted December 8, 2020 Share Posted December 8, 2020 @Sage Seems like I will be buying your LUT:s after all 🙂 With regards to Fuji, is there a pre to convert eterna footage like the one you've made for cine d? Quote Link to comment Share on other sites More sharing options...
Sage Posted December 9, 2020 Author Share Posted December 9, 2020 On 12/8/2020 at 3:46 AM, Attila Bakos said: Yeah, it's pretty far from being accurate. I wonder how they do their conversions on the fly, and what precision they use. When I build my camera matching LUTs it takes 1-2 minutes with all cores used to the maximum to build a size 65 LUT, they do it in a second or so. It must be pre-baked data sets of some sort ('assemble on site'). What Cpu are you rockin'? On 12/8/2020 at 4:02 AM, Simon Young said: @Sage Seems like I will be buying your LUT:s after all 🙂 With regards to Fuji, is there a pre to convert eterna footage like the one you've made for cine d? Yes, with default settings, except set to DR400 (for photos), FLog is preferable for widest gamut Simon Young 1 Quote Link to comment Share on other sites More sharing options...
zerocool22 Posted December 9, 2020 Share Posted December 9, 2020 Hello @Sage how does the lut compare to Resolves color transform tool? Does it have any benefits over the color transform tool? Isnt the color transform tool less destructive cause it isn't a lut(not sure, not a pro colorist)? thanks, Quote Link to comment Share on other sites More sharing options...
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