Matthew Hartman Posted January 9, 2018 Share Posted January 9, 2018 I've been following this guy for a couple weeks. He strictly uses the NX1. Thought it might interest this group. keessie65, kaylee and lucabutera 3 Link to comment Share on other sites More sharing options...
Marco Tecno Posted January 9, 2018 Share Posted January 9, 2018 very good resolution and framing, but the image is a bit "dull" on my monitor and TV Link to comment Share on other sites More sharing options...
Matthew Hartman Posted January 9, 2018 Author Share Posted January 9, 2018 8 hours ago, Marco Tecno said: very good resolution and framing, but the image is a bit "dull" on my monitor and TV The cinematographer prefers a flatter grade. He also lets darkness be dark, which I personally appreciate, as long as you can still read the frame. Link to comment Share on other sites More sharing options...
keessie65 Posted January 11, 2018 Share Posted January 11, 2018 Look at this awesome work from @Gerbert Floor Didn't know he filmed also with the NX1 Francesco Tasselli, BopBill, kaylee and 3 others 5 1 Link to comment Share on other sites More sharing options...
Matthew Hartman Posted January 12, 2018 Author Share Posted January 12, 2018 7 hours ago, keessie65 said: Look at this awesome work from @Gerbert Floor Didn't know he filmed also with the NX1 Someone knows what they're doing. ? Link to comment Share on other sites More sharing options...
Marco Tecno Posted January 12, 2018 Share Posted January 12, 2018 13 hours ago, keessie65 said: Look at this awesome work from @Gerbert Floor Didn't know he filmed also with the NX1 This is stunning. I'd like to know the settings and the grading. Link to comment Share on other sites More sharing options...
cojocaru27 Posted January 15, 2018 Share Posted January 15, 2018 hi guys, i have travelled to Patagonia a month ago and put this film together. Was also shot entirely on Samsung NX1. Would love to hear your thoughs : Francesco Tasselli, BopBill, lucabutera and 5 others 4 4 Link to comment Share on other sites More sharing options...
lucabutera Posted January 15, 2018 Share Posted January 15, 2018 11 hours ago, cojocaru27 said: hi guys, i have travelled to Patagonia a month ago and put this film together. Was also shot entirely on Samsung NX1. Would love to hear your thoughs : Wow! Link to comment Share on other sites More sharing options...
Juxx989 Posted January 16, 2018 Share Posted January 16, 2018 Fan Flippin TASTIC! Link to comment Share on other sites More sharing options...
kaylee Posted January 16, 2018 Share Posted January 16, 2018 theres some niiiice stuff here. nx1 is a dope camera guys. sucks theres not gonna be an nx2, BUT it makes you guys all the cooler for rockin it! Link to comment Share on other sites More sharing options...
keessie65 Posted January 16, 2018 Share Posted January 16, 2018 20 hours ago, cojocaru27 said: hi guys, i have travelled to Patagonia a month ago and put this film together. Was also shot entirely on Samsung NX1. Would love to hear your thoughs : Looks awesome! just wondering what your settings were. Link to comment Share on other sites More sharing options...
Marco Tecno Posted January 16, 2018 Share Posted January 16, 2018 On 15/1/2018 at 12:57 PM, cojocaru27 said: hi guys, i have travelled to Patagonia a month ago and put this film together. Was also shot entirely on Samsung NX1. Would love to hear your thoughs : Wow please share settings/grading! Link to comment Share on other sites More sharing options...
cojocaru27 Posted January 16, 2018 Share Posted January 16, 2018 hi guys, thanks for the appreciations. The settings are pretty step forward. Normal profile pic, sharpness -7, contrast -1 and master blacks around +8. And grading was done in Final Cut Pro using its newest grading tool, manual corrected, no LUT used. That's about it. Link to comment Share on other sites More sharing options...
shanebrutal Posted January 16, 2018 Share Posted January 16, 2018 Great work! What lenses did you use? And the choppy timelapse style was cool. Could you share how you achieved that? Link to comment Share on other sites More sharing options...
Francesco Tasselli Posted January 16, 2018 Share Posted January 16, 2018 Ehy, amazing footage! Thanks for sharing! Link to comment Share on other sites More sharing options...
Matthew Hartman Posted January 16, 2018 Author Share Posted January 16, 2018 6 hours ago, cojocaru27 said: hi guys, thanks for the appreciations. The settings are pretty step forward. Normal profile pic, sharpness -7, contrast -1 and master blacks around +8. And grading was done in Final Cut Pro using its newest grading tool, manual corrected, no LUT used. That's about it. Very nice man! Link to comment Share on other sites More sharing options...
lebigmac Posted January 17, 2018 Share Posted January 17, 2018 15 hours ago, cojocaru27 said: hi guys, thanks for the appreciations. The settings are pretty step forward. Normal profile pic, sharpness -7, contrast -1 and master blacks around +8. And grading was done in Final Cut Pro using its newest grading tool, manual corrected, no LUT used. That's about it. What saturation level did you use? Link to comment Share on other sites More sharing options...
cojocaru27 Posted January 17, 2018 Share Posted January 17, 2018 2 hours ago, lebigmac said: What saturation level did you use? saturation was left to 0. I was shooting photos in the same time, timelaps, and i used this profile as it give a good base for both video and stills. Link to comment Share on other sites More sharing options...
Matthew Hartman Posted January 17, 2018 Author Share Posted January 17, 2018 3 hours ago, cojocaru27 said: saturation was left to 0. I was shooting photos in the same time, timelaps, and i used this profile as it give a good base for both video and 3 hours ago, cojocaru27 said: saturation was left to 0. I was shooting photos in the same time, timelaps, and i used this profile as it give a good base for both video and stills. I'm seeing an emerging pattern here as it concerns the NX1 and the best looking footage I've seen this camera produce and that pattern is subtle changes to the camera's default settings. Although, I do turn my sharpness all the way to -10 and reccomend that if you want to get a softer, less digital look and help reduce aliasing and morie. But turn it to -8 when shooting 1080. The camera is not perfect and in the wrong hands and Youtube and Vimeo's compression can look like utter crap. It has a "thin" look (as does the GH5) which is hard to describe in words, and I've been experimenting with ways to "deepen" the character of the image. I think some of this is the difference between using stills lens' and proper cine lens'. Shaky footage in 4k does not compliment this camera as it's rolling shutter is pretty pronounced, even vertically. As my eye gets more acclimated to the character of this camera the more I see how bad it is. Global shutter is the way to go in this department. A lot of ppl rag on the camera's DR, but I challenge them to shoot high contrast scenes with any camera costing under $4,000 not see simlar issues. That being said, if you take control of your lighting, blown out highlights can be totally avoided. Here's a good video demonstrating those general techniques: Link to comment Share on other sites More sharing options...
Marco Tecno Posted January 18, 2018 Share Posted January 18, 2018 Very interesting. Of course if you haven't got a latitude of many stops in video, you need to use lights in such situations. The great thing is that, in still pictures, now you can get these results even w/o a fill in flash, thanks to the greatness of BSI sensor by samsung. Link to comment Share on other sites More sharing options...
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