Attila Bakos Posted May 2, 2018 Share Posted May 2, 2018 11 hours ago, DaveAltizer said: Lol. Ive seen her before. I need to look away :P In case you change your mind, she's on pornhub. Or so I've heard... jonpais 1 Quote Link to comment Share on other sites More sharing options...
salim Posted May 3, 2018 Share Posted May 3, 2018 @DaveAltizer - have you checked out this guy who is comparing HLG vs SLOG? He thinks HLG might be giving him better results. Was curious what your thoughts were. I'm not sure if he knows 100% what he is doing, but it's an interesting approach to explore. Robert Collins 1 Quote Link to comment Share on other sites More sharing options...
Don Kotlos Posted May 3, 2018 Share Posted May 3, 2018 Anyone using the HLG should be aware that the Rec2020 is skewed the same way the sgamut2/3 are. So unless you intend to feed the footage into a HDR monitor that supports the rec2020 space, then a proper LUT has to be used, and at least I could not get the footage to look good straight out of the camera into a normal monitor. Even Scott from the videos above admits that shooting with HLG requires a good amount of grading. Unfortunately, if you are using any of the HLG you almost have to use the rec2020. I wish Sony would allow us to use the sgamut3.cine which is far easier to grade. So again, unless people are using a HDR monitor I would advise them to use either the Cine profiles or slog2 with Pro/Cinema/Sgamut3.cine colors. Definitely avoid slog3, since it is the worse gamma for skin tones. An easy way to check for balanced colors in camera is to shift exposure from -3 to +3 and see how colors change. Kisaha, salim and jonpais 3 Quote Link to comment Share on other sites More sharing options...
Attila Bakos Posted May 3, 2018 Share Posted May 3, 2018 Resolve makes it very easy to convert the color space from Rec.2020 to Rec.709, using the built-in color space transform plugin. In case you are using another NLE, I generated a LUT using 3D LUT Creator that does the same conversion: Rec.2020_to_Rec.709.cube I couldn't test it, but it should be fine. salim and Vladimir 2 Quote Link to comment Share on other sites More sharing options...
Inazuma Posted May 3, 2018 Share Posted May 3, 2018 I should apparently have my A73 soon. HLG is quite a big draw for me so I'm hoping for the best Quote Link to comment Share on other sites More sharing options...
Don Kotlos Posted May 3, 2018 Share Posted May 3, 2018 It looks like A7sIII will have the color science of Venice: Quote Link to comment Share on other sites More sharing options...
Dave Maze Posted May 3, 2018 Share Posted May 3, 2018 1 hour ago, Don Kotlos said: It looks like A7sIII will have the color science of Venice: Hey! He used my likeness in that thumbnail! I need to demand royalties! webrunner5 and Don Kotlos 2 Quote Link to comment Share on other sites More sharing options...
Jordan Drake Posted May 4, 2018 Share Posted May 4, 2018 On 4/28/2018 at 1:02 PM, Don Kotlos said: Ok back to the subject here is a review from Chris and Jordan for DPReview! DPReview is lucky to have them. Congrats to @Jordan Drake Thanks Don! It's an exciting time for Chris and I! salim, Trek of Joy, TheRenaissanceMan and 5 others 8 Quote Link to comment Share on other sites More sharing options...
salim Posted May 4, 2018 Share Posted May 4, 2018 5 minutes ago, Jordan Drake said: It's an exciting time for Chris and @Jordan Drake I’m hoping you guys spend more time with reviewing the video aspects of these cameras. Low light AF, high iso, grading, banding, etc. Quote Link to comment Share on other sites More sharing options...
webrunner5 Posted May 6, 2018 Share Posted May 6, 2018 On 5/4/2018 at 2:45 AM, salim said: @Jordan Drake I’m hoping you guys spend more time with reviewing the video aspects of these cameras. Low light AF, high iso, grading, banding, etc. Yeah DPR is a little bit weak on video stuff. Having those two on there will be a big boost to it. salim 1 Quote Link to comment Share on other sites More sharing options...
Inazuma Posted May 9, 2018 Share Posted May 9, 2018 Just received mine yesterday. I have the Samyang 35mm f2.8. Sony FE 50mm f1.8 and Tamron 28-75mm f2.8 have been ordered too. Let me know if you guys have any questions Quote Link to comment Share on other sites More sharing options...
sanveer Posted May 9, 2018 Share Posted May 9, 2018 2 hours ago, Inazuma said: Just received mine yesterday. I have the Samyang 35mm f2.8. Sony FE 50mm f1.8 and Tamron 28-75mm f2.8 have been ordered too. Let me know if you guys have any questions I am looking at the Sony 7 iii too. So, I am curious why you didn't take the Sony 24-105mm f/4, because it has a very wide reach and it seems decent for most situations except very low light. I am also very curious about the new lenses from Sigma and Tamron for Sony, since most other Sony senses seem to be rather prohibitively priced. On 03/05/2018 at 1:21 PM, Inazuma said: I should apparently have my A73 soon. HLG is quite a big draw for me so I'm hoping for the best Sounds very exciting. Could you also please post some videos comparing SLog 2 and HLG. Thanks in advance. Quote Link to comment Share on other sites More sharing options...
Inazuma Posted May 9, 2018 Share Posted May 9, 2018 @sanveer I chose the Tamron over the 24-105 because it is lighter, cheaper and has a larger aperture. Also I am a person used to shooting primes so having a 28-75 is already more variety than I'm used to. I will test out the HLG Vs Slog. sanveer 1 Quote Link to comment Share on other sites More sharing options...
Attila Bakos Posted May 9, 2018 Share Posted May 9, 2018 3 hours ago, Inazuma said: Just received mine yesterday. I have the Samyang 35mm f2.8. Sony FE 50mm f1.8 and Tamron 28-75mm f2.8 have been ordered too. Let me know if you guys have any questions Do you still have the X-T2? I'd love to see a skintone comparison. Quote Link to comment Share on other sites More sharing options...
sanveer Posted May 9, 2018 Share Posted May 9, 2018 9 minutes ago, Inazuma said: @sanveer I chose the Tamron over the 24-105 because it is lighter, cheaper and has a larger aperture. Also I am a person used to shooting primes so having a 28-75 is already more variety than I'm used to. I will test out the HLG Vs Slog. Thanks for the reply. Looking forward to the HLG test. Quote Link to comment Share on other sites More sharing options...
Geoff CB Posted May 9, 2018 Share Posted May 9, 2018 Just got mine, the biggest advantage I have coming from the SONY A7r II is how much cleaner the image is in SLOG2/SLOG3, and at high- ISO. sanveer 1 Quote Link to comment Share on other sites More sharing options...
mojo43 Posted May 9, 2018 Share Posted May 9, 2018 I should have posted my review here... Quote Link to comment Share on other sites More sharing options...
Attila Bakos Posted May 9, 2018 Share Posted May 9, 2018 5 hours ago, Attila Bakos said: Do you still have the X-T2? I'd love to see a skintone comparison. Looks like I got what I wanted Quote Link to comment Share on other sites More sharing options...
Kisaha Posted May 9, 2018 Share Posted May 9, 2018 5 minutes ago, Attila Bakos said: Looks like I got what I wanted Great test video by the way, excellent job. Is it me, or the skin color of the Fuji is way off? I do not believe I am saying that, but color seems better on the Sony, skin tones especially. Does the A7iii have the same color science as the A7Riii? Are they much better than the A7 mk II series cameras? I will be working with Sony a lot this summer. Ibis, RS and codec goes to Fuji though. Quote Link to comment Share on other sites More sharing options...
jonpais Posted May 9, 2018 Share Posted May 9, 2018 You can get gorgeous skin tones with either camera. The test is really unflattering. I've never gotten such miserable colors from my X-T2, even without doing any work in post. Quote Link to comment Share on other sites More sharing options...
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