Anaconda_ Posted April 24, 2018 Share Posted April 24, 2018 I freakin' loved the VX1k! I had it for about 5 years when I first started filming, mostly skateboarding. Then, like many, I upgraded to the DVX100 when that came out. That was a game changer back in the day haha. To add to this thread, I recently did some work for a company that had a bunch of Sony PD170s in back of an old cupboard. I asked about them and was given one with a power chord. I'm planning on digging out my old DV tapes and capturing them all, but also want to give it to my kids to play with when they get a little older. I figure it'll be like if my dad gave me a super8 camera. tweak 1 Quote Link to comment Share on other sites More sharing options...
Matt Kieley Posted April 24, 2018 Share Posted April 24, 2018 I've always loved the DVX100. It was the BMCC of it's day. I shot many things on it for about 5 years, including my first feature: Before the DVX, my first "big boy" camera was the Canon GL2. Here's a short I shot with that camera: These cameras are definitely "retro" now, which is weird to think of. Trek of Joy and kidzrevil 2 Quote Link to comment Share on other sites More sharing options...
webrunner5 Posted April 25, 2018 Share Posted April 25, 2018 Out of likes. Cool Beans. Quote Link to comment Share on other sites More sharing options...
Matt Kieley Posted April 25, 2018 Share Posted April 25, 2018 I was going to post this earlier, but I forgot until now. This is the "movie-within-the-movie" from my first feature. I shot it on the Panasonic GS-90 to give it more of an amateur look and feel. It was a little MiniDV palmcorder I bought to use as a deck for capturing footage. I still have it, though the heads need a cleaning. I might fix it up for a fun little video experiment. Quote Link to comment Share on other sites More sharing options...
capitanazo Posted April 25, 2018 Share Posted April 25, 2018 one of my favourite setups are mini dv camcorder + 35mm dof, i watched a short film about a kids playing baseball years ago shoot with a a 35mm dof adapter, its looks perfect, just like a 35mm movie record from tv cable. Quote Link to comment Share on other sites More sharing options...
Django Posted April 25, 2018 Share Posted April 25, 2018 CCD sensors definitely got that "classic digital" mojo and better yet are mostly global shutter. it's kind of a shame no one recently aside from digital bolex has done either still/video cams using a CCD in favor of CMOS due to the race in DR & high ISO performance. I'd love to pick up an old CCD cam just for fun but problem is theyr'e usually SD resolution & using obsolete formats like DV/Firewire etc.. I did find the Panasonic AG-HMC150 which is actually built around the aforementioned cult DVX100 but shoots in 1080p (upscaled) and records to SD: IQ looks amazing imo & nails that vibe, but sadly camera seems real hard to find if not impossible here in europe capitanazo 1 Quote Link to comment Share on other sites More sharing options...
kidzrevil Posted April 26, 2018 Share Posted April 26, 2018 On 4/25/2018 at 12:08 AM, Matt Kieley said: I was going to post this earlier, but I forgot until now. This is the "movie-within-the-movie" from my first feature. I shot it on the Panasonic GS-90 to give it more of an amateur look and feel. It was a little MiniDV palmcorder I bought to use as a deck for capturing footage. I still have it, though the heads need a cleaning. I might fix it up for a fun little video experiment. This would look SICK as a horror short. Wow ! Great composition man Quote Link to comment Share on other sites More sharing options...
Matt Kieley Posted April 26, 2018 Share Posted April 26, 2018 4 hours ago, kidzrevil said: This would look SICK as a horror short. Wow ! Great composition man Thanks! A lo-fi horror movie sounds like a fun thing to make. I just need to come up with the right concept where it would work. Quote Link to comment Share on other sites More sharing options...
Chrad Posted April 26, 2018 Share Posted April 26, 2018 I recommend David Lynch's Inland Empire. Shot on Sony PD-150s with noise and blown highlights everywhere, but it works for the surreal horror vibe of the film and shows that the ugly imperfections of DV can make for a pretty special look. kidzrevil 1 Quote Link to comment Share on other sites More sharing options...
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