Anaconda_ Posted August 29, 2018 Share Posted August 29, 2018 The main problem I find with this camera is the workflow. Resolve doesn't recognise the files if you shoot in 422 and Premiere does this funky thing where it only plays the top corner of the frame when I try to play the timeline. When I pause I can see the whole frame again. Image on the left is the same frame (give or take) as the frame on the right. Left is paused, right is playing. I seem to remember both BMD and Adobe saying they have no plans to support JVC's codec because so few people require it. Quote Link to comment Share on other sites More sharing options...
anonim Posted September 16, 2018 Share Posted September 16, 2018 Alt Shoo, newfoundmass and Prandi 2 1 Quote Link to comment Share on other sites More sharing options...
IronFilm Posted October 11, 2018 Share Posted October 11, 2018 I wonder if JVC can get their hands on the popular GH5S/E2/BMPCC4K/Terra4K sensor to stick it inside the LS300 mk2? I'm sure that would make many people very happy! Quote Link to comment Share on other sites More sharing options...
Timotheus Posted October 11, 2018 Share Posted October 11, 2018 1 hour ago, IronFilm said: I wonder if JVC can get their hands on the popular GH5S/E2/BMPCC4K/Terra4K sensor to stick it inside the LS300 mk2? I'm sure that would make many people very happy! Yeah and just bring a smaller / hybrid variant as well. The specs of this thing are (still) fantastic...they should be able to put this tech in a smaller package by now. But I guess the hybrid market isn't their focus... Quote Link to comment Share on other sites More sharing options...
IronFilm Posted October 11, 2018 Share Posted October 11, 2018 It is already quite small though? Compare it to a FS7 or UMP! But sure, if it was made 33% shorter that would be nice Quote Link to comment Share on other sites More sharing options...
Super Members Mattias Burling Posted October 11, 2018 Super Members Share Posted October 11, 2018 I would have loved a design with the handle moved forward since I kept adapting quite heavy glass on the front. Quote Link to comment Share on other sites More sharing options...
Alt Shoo Posted October 12, 2018 Share Posted October 12, 2018 Even though their sensor manufacturing company is defunct, I’d rather them use a more refined version of their AltaSens sensor. Its image is really beautiful! Quote Link to comment Share on other sites More sharing options...
IronFilm Posted March 13, 2019 Share Posted March 13, 2019 Someone said this: Quote A S35 sensor can fit inside the throat diameter of a MFT but it's not recommended because of microlens designs. Is that true? Microlenses are on the sensor, so I can't see why this matters at all. Quote Link to comment Share on other sites More sharing options...
thebrothersthre3 Posted March 13, 2019 Share Posted March 13, 2019 I'd be tempted if they did a MK2 with a GH5S type sensor. Especially if its got 4k 120p 10 bit like the E2. Something in that form factor with built in ND's would be a killer. Plus their color science seems pretty pleasing. IronFilm and Kisaha 2 Quote Link to comment Share on other sites More sharing options...
KnightsFan Posted March 13, 2019 Share Posted March 13, 2019 53 minutes ago, IronFilm said: Someone said this: Is that true? Microlenses are on the sensor, so I can't see why this matters at all. It is true that MFT specifies a thicker sensor stack than most other formats, which means that adapting, say, an EF lens straight to MFT will not result in optimal performance, especially wide angle lenses wide open. It is similar to how the prism in bolex 16mm reflex made non-r lenses look soft. Its also the reason Metabones made a special speed booster for blackmagic cameras, because BM used a stack that was not the standard MFT thickness. Not sure about microlenses though, if they are part of that stack thickness or what. Quote Link to comment Share on other sites More sharing options...
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