jonpais Posted September 7, 2018 Share Posted September 7, 2018 However, most of us won't be strapping the X-T3 to a dune buggy. Quote Link to comment Share on other sites More sharing options...
AlexTrinder96 Posted September 7, 2018 Share Posted September 7, 2018 ungraded version from Cinema5D Quote Link to comment Share on other sites More sharing options...
Luke Mason Posted September 7, 2018 Share Posted September 7, 2018 1 hour ago, AlexTrinder96 said: ungraded version from Cinema5D It was shot on a rainy overcast day with a variable ND filter smeared in rain drops - most of the shots were fogged up. Quote Link to comment Share on other sites More sharing options...
CyclingBen Posted September 7, 2018 Share Posted September 7, 2018 13 hours ago, jhnkng said: I've been thinking on that too. I just got an X-H1 thinking the X-T3 would be announced but won't be on sale for a couple of months and I needed something earlier, but now I wonder if maybe I should've held off. I can't see most of those headline features coming to the X-H1, maybe zebras and some of the smaller features. 4k60p would be amazing but I can't see how it can happen since it's so hardware dependant, but I wonder if 10bit external is a possibility? The 1080/60p looks great though, and easily a match for the 4k downsampled so at least on a 1080 timeline there shouldn't be any problems mixing and matching. For me though I'd be happy if they fix the aliasing in the 120p mode -- I haven't done proper tests but it looks worse than the X-T2, on some surfaces it looks like it was recording the peaking. I think you might be onto something... We don't see this on the X-T2 120p only on the X-H1. I wonder if the "high" peaking setting only available on that cam is the reason. Off to do some testing, I'll report back. jhnkng 1 Quote Link to comment Share on other sites More sharing options...
mkabi Posted September 7, 2018 Share Posted September 7, 2018 Given that its the same size and look... do you think the booster grip from the XT2 will fit this? Quote Link to comment Share on other sites More sharing options...
CyclingBen Posted September 7, 2018 Share Posted September 7, 2018 Quick follow up. I shot some 120p video on the X-H1 using a Fuji 35mm 2.0 with all of the different peaking settings (Off, Low and High) and all different colors (Yellow, Red, Blue, White) and i saw no difference in the aliasing / ghosting. Then I thought maybe a non-fuji lens would make a difference so tried the same test with a Rokkor 45mm. No difference. The odd thing is, it almost seems like the processor is sending the peaking data to the recording some how even if it's not turned on. Could be my eyes, or it could be confirmation bias... Maybe the software coding is sloppy, maybe it's the IBIS, maybe I suck as a cinematographer... TL:DR Turning the peaking on or off made no difference jhnkng 1 Quote Link to comment Share on other sites More sharing options...
DBounce Posted September 7, 2018 Share Posted September 7, 2018 10 hours ago, IronFilm said: Let's play "spot the camera"! We'll start with an easy one: Then move on up to a trickier challenge: Jesus! Quote Link to comment Share on other sites More sharing options...
Thomas Hill Posted September 7, 2018 Share Posted September 7, 2018 Speaking of no IBIS, has anyone watched Wind River? Holy shitballs that is one shaky big budget movie. And just to make sure this post is on topic...my X-T3 preorder is in. Quote Link to comment Share on other sites More sharing options...
MacMurphy Posted September 7, 2018 Share Posted September 7, 2018 Anyone care to hazard a guess whether the Fuji X-E4 will have the same video features. Doesn't seem much smaller than this: Or is the X-Pro3 a more realistic option to handle the heat for us left viewfider lovers? Or are these cameras unlikely to get these awesome video specs, with them being so popular for street photography? Quote Link to comment Share on other sites More sharing options...
IronFilm Posted September 7, 2018 Share Posted September 7, 2018 3 hours ago, DBounce said: Jesus! But yet, that doesn't feel unreasonable to me! I've worked on many shoots like that DBounce 1 Quote Link to comment Share on other sites More sharing options...
deezid Posted September 7, 2018 Share Posted September 7, 2018 Just realized that F-Log footage basically just is nothing else than Rec2020 gamut with a LOG gamma - kinda similar to what HLG does. Makes it perfectly compatible with ACES colorspace. Just need to apply a curve and have filmic looking footage with some great color. Now I'm even less sure which camera to choose (BMP4K or X-T3)... BMP4K footage doesn't work in ACES at all. The red channel oversaturates way too much and I don't think any IDT (CTL) developed by Blackmagic in the future can help - unless they change their color science... frontfocus, IronFilm, lucabutera and 1 other 3 1 Quote Link to comment Share on other sites More sharing options...
jhnkng Posted September 8, 2018 Share Posted September 8, 2018 13 hours ago, CyclingBen said: Quick follow up. I shot some 120p video on the X-H1 using a Fuji 35mm 2.0 with all of the different peaking settings (Off, Low and High) and all different colors (Yellow, Red, Blue, White) and i saw no difference in the aliasing / ghosting. Then I thought maybe a non-fuji lens would make a difference so tried the same test with a Rokkor 45mm. No difference. The odd thing is, it almost seems like the processor is sending the peaking data to the recording some how even if it's not turned on. Could be my eyes, or it could be confirmation bias... Maybe the software coding is sloppy, maybe it's the IBIS, maybe I suck as a cinematographer... TL:DR Turning the peaking on or off made no difference Thanks mate, I'm going to have a look at this as well -- I've noticed that I'm seeing moire and aliasing at 4k and FHD that I didn't see in the XT2... I wonder if Eterna is doing something weird? Anyway I'll give it a go and see what I find. Quote Link to comment Share on other sites More sharing options...
lucabutera Posted September 8, 2018 Share Posted September 8, 2018 Simon Young and meudig 2 Quote Link to comment Share on other sites More sharing options...
lucabutera Posted September 8, 2018 Share Posted September 8, 2018 like say @deezid, can work the F-log like the Red camera files, the result is very similar. Quote Link to comment Share on other sites More sharing options...
jonpais Posted September 8, 2018 Share Posted September 8, 2018 I'm not feeling it. Quote Link to comment Share on other sites More sharing options...
mercer Posted September 8, 2018 Share Posted September 8, 2018 BREAKING X-T3 NEWS: Fujifilm has decided to axe their upcoming X-T3 release because Jon is “not feeling it.” MORE TO COME Ingerson, jjj, jonpais and 7 others 3 6 1 Quote Link to comment Share on other sites More sharing options...
DBounce Posted September 8, 2018 Share Posted September 8, 2018 I like it... but I can't justify buying everything. There's just soooooo much hitting this month. I need to wait to see all the options. Quote Link to comment Share on other sites More sharing options...
jonpais Posted September 8, 2018 Share Posted September 8, 2018 I never said I didn’t like the camera. Quote Link to comment Share on other sites More sharing options...
mercer Posted September 8, 2018 Share Posted September 8, 2018 6 minutes ago, jonpais said: I never said I didn’t like the camera. Sorry that’s what I thought you were saying but either way, my response was a joke. Good to know downvotes are fair game though... ?? Btw, I’m just joking around with the middle finger emoji. Quote Link to comment Share on other sites More sharing options...
Emanuel Posted September 8, 2018 Share Posted September 8, 2018 25 minutes ago, mercer said: Good to know downvotes are fair game though... ?? Either way and side of feedback, vote count is still vote count... LOL : -) Quote Link to comment Share on other sites More sharing options...
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