Nikkor Posted October 10, 2018 Share Posted October 10, 2018 41 minutes ago, docmoore said: Short silent clip looking at skin tones with the Z 7 and 50 1.2 AIS at F2 ... looks a bit washed out here and a little less red than out of Resolve ... thanks again Vimeo. https://vimeo.com/294423609 Password : daysend Bob Thanks bob, but that was a little bit out of focus and in the shade. I wonder what it looks at 1.2 with some contrasty scene. Quote Link to comment Share on other sites More sharing options...
docmoore Posted October 10, 2018 Share Posted October 10, 2018 Here is a short silent clip looking at blown highlight recovery in N Log. https://vimeo.com/294437709 Password : daysend Bob Quote Link to comment Share on other sites More sharing options...
docmoore Posted October 10, 2018 Share Posted October 10, 2018 A look at the OOF rendering of the 50 1.2 AIS ... internal 8 bit 4:2:2 Flat Profile on Z 7 https://vimeo.com/294442312 Password : daysend Bob Here is a focus pull on the 50 1.2 https://vimeo.com/294444889 Password : daysend Bob Nikkor 1 Quote Link to comment Share on other sites More sharing options...
jonpais Posted October 11, 2018 Share Posted October 11, 2018 Chinese adapters galore Quote Link to comment Share on other sites More sharing options...
Yurolov Posted October 11, 2018 Share Posted October 11, 2018 8 hours ago, docmoore said: Here is a short silent clip looking at blown highlight recovery in N Log. https://vimeo.com/294437709 Password : daysend Bob Link not working for me?? Quote Link to comment Share on other sites More sharing options...
docmoore Posted October 11, 2018 Share Posted October 11, 2018 was closed ... open now for a day. Same password. Thanks, Bob Quote Link to comment Share on other sites More sharing options...
docmoore Posted October 11, 2018 Share Posted October 11, 2018 Couple of shorts with the Nikon 50 1.2 AIS ... an acquired taste ... and it does not work for every situation. https://vimeo.com/294668175 https://vimeo.com/294668239 Both have Password : daysend Because they will be pulled within a day or two. Just wanted to share Z 7 and the 50 1.2 ... all manual focus and exposure. Lens has a fair amount of chromatic aberration and really is sharp from 2.8 on. But occasionally it is stunning : Quote Link to comment Share on other sites More sharing options...
Yurolov Posted October 11, 2018 Share Posted October 11, 2018 Thanks, the images are looking great. Quote Link to comment Share on other sites More sharing options...
docmoore Posted October 11, 2018 Share Posted October 11, 2018 This reflects the potential of the lens ... this on the D810. Quote Link to comment Share on other sites More sharing options...
wolf33d Posted October 11, 2018 Share Posted October 11, 2018 I am afraid 120p looks poor. Geoff CB 1 Quote Link to comment Share on other sites More sharing options...
jonpais Posted October 12, 2018 Share Posted October 12, 2018 Lloyd Chambers’ Z7 goes bonkers. Quote Link to comment Share on other sites More sharing options...
hansel Posted October 12, 2018 Share Posted October 12, 2018 4 hours ago, jonpais said: Lloyd Chambers’ Z7 goes bonkers. Ahhhrrrggghhh. The only thing I ever wanted was ff and peaking and 120p and Ibis and dpaf and not from a sony body ? @Andrew Reid my life will be constant nightmares until your salvation aka z7 review. ?? Quote Link to comment Share on other sites More sharing options...
jonpais Posted October 12, 2018 Share Posted October 12, 2018 The renowned factory in Sendai must've had Lloyd's number. Quote Link to comment Share on other sites More sharing options...
Danyyyel Posted October 12, 2018 Share Posted October 12, 2018 10 hours ago, wolf33d said: I am afraid 120p looks poor. I don't know if we can qualify this as poor, I also think I read that it does the video through hdmi, which means higer bitrate, Quote Link to comment Share on other sites More sharing options...
hansel Posted October 12, 2018 Share Posted October 12, 2018 Foxconn suicides will be peanuts against this. Quote Link to comment Share on other sites More sharing options...
BasiliskFilm Posted October 12, 2018 Share Posted October 12, 2018 I think for video it makes sense to wait for the Z6 as in theory full sensor readout must give it the edge - If the Z7 is reading only one pixel in 4 then you are losing, in theory, two stops of light. For slow motion, it is possible that the Z7 is reading only one pixel in 16. With the Z6 it is possible that the 1080p image is at least downsampled from a lineskipped 3K image with should give it better detail. Quote Link to comment Share on other sites More sharing options...
Danyyyel Posted October 12, 2018 Share Posted October 12, 2018 If someone speaks italian it would be cool as it seems very video centric. This guy is the first that I have seen that is doing V-log, can someone tell him to tone down the sharpening or Canon is right to limit its camera vlogging to 1080p lol. He uses some sigma long zoom and in some of the shot video autofocus of the plane looks very good. Quote Link to comment Share on other sites More sharing options...
BasiliskFilm Posted October 12, 2018 Share Posted October 12, 2018 1 hour ago, Danyyyel said: He uses some sigma long zoom and in some of the shot video autofocus of the plane looks very good. It would be nice if the budget long lenses (Sigma 150-600, Nikon 200-500) could be used as action/wildlife video lenses with AF. It would be interesting to compare the Sigma on the A7III (with MC11) and N6/7 with (with FTZ) Quote Link to comment Share on other sites More sharing options...
wolf33d Posted October 12, 2018 Share Posted October 12, 2018 4 hours ago, Danyyyel said: I don't know if we can qualify this as poor, I also think I read that it does the video through hdmi, which means higer bitrate, This is because this is shallow DoF. Any recent camera doing 120p (appart from the EOS R crap of course) looks great filming portraits with thin DoF. It makes it very easy for the codec and bitrate. In the video I sent earlier the whole scene is busy with movements and everything in focus. This is the most challenging scene for slow mo and the only true test to make. Until I do not see a similar scene with good quality, the 120p on Z7 looks poor to me. Quote Link to comment Share on other sites More sharing options...
webrunner5 Posted October 12, 2018 Share Posted October 12, 2018 Why is all of this Z7 footage look so Dark, and Horror Movie looking?? Kind of depressing. ? Quote Link to comment Share on other sites More sharing options...
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.