Caleb Genheimer Posted June 15, 2013 Share Posted June 15, 2013 http://vimeo.com/68443110 This is my new graphic, in animated form. I created and animated it in PowerPoint (I've been animating in PowerPoint since elementary school). I then played the animation on my Dell 30" monitor and recorded the monitor with my GH2, Kowa anamorphic, Konica AR 40mm and Tokina diopter all on a tripod. Then I moved the monitor out of the scene and recorded various flares with a flashlight. Brought it all together in Final Cut Pro, set the flares as additive layers, and added some grain overlay effect. I think the outcome is something clean-cut but with a dash of organic mojo that is difficult to achieve with an all-digital animation. There's no faking those real flares! Zmu, Tim McC and Tito Ferradans 3 Quote Link to comment Share on other sites More sharing options...
Tito Ferradans Posted June 15, 2013 Share Posted June 15, 2013 Dude, POWERPOINT?! That's freaking awesome! The whole animation is great, and the flares are incredible. I think the outcome is something clean-cut but with a dash of organic mojo that is difficult to achieve with an all-digital animation. I definetely agree on that. Quote Link to comment Share on other sites More sharing options...
brucker Posted June 16, 2013 Share Posted June 16, 2013 fucking ace! Quote Link to comment Share on other sites More sharing options...
Zmu Posted June 16, 2013 Share Posted June 16, 2013 Nice one! & I love the approach - we shot studio floor monitors all the time in the good old analogue days [using feedback/Cam defocus] for fx patch back into analogue Grass Valley & Ampex vision switchers - before DVE's were even heard of : ) Quote Link to comment Share on other sites More sharing options...
Paulio Posted June 17, 2013 Share Posted June 17, 2013 Great stuff! Quote Link to comment Share on other sites More sharing options...
Rudolf Posted June 18, 2013 Share Posted June 18, 2013 Tasteful, great idea and very good executed! Sidenote: Again a 40mm Konica - it seems to be rather popular and therefor I tried it myself sometime ago but mine was awful nearly useless. So soft. Also the 50mm Konica was not good although both seemed to be in good shape. Sold them. Just interesting how different lenses from the same manufacturer can be... Quote Link to comment Share on other sites More sharing options...
Caleb Genheimer Posted June 18, 2013 Author Share Posted June 18, 2013 Yeah, I'm with you on the old lenses. I love my Konica but I can absolutely tell that it is a the type of lens that would certainly vary a lot from copy to copy. I almost never use it wide open, as at f1.8 it is very soft and hazy. But stopped down one click to f2.8 it is quite useable. Really, I don't have any other lenses that I like using it with at the moment. I have a slew of Tamron SP Adaptall II lenses that I picked up because I was gifted the hard-to-get 17mm, as well as an nFD 28mm, and a 37mm MIR-1B. It just doesn't jive well with the others. I'd like to get a set of matched primes or a fast zoom that it plays nice with. I've been eyeing the Tokina ATX 28-80 f2.8, but have not found anyone who has tried it with a Kowa. Quote Link to comment Share on other sites More sharing options...
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