Rikoshet Posted April 27, 2019 Share Posted April 27, 2019 Hello guys! Need an advice and your experience here. Looking for sharpest setup. As I understand to shoot anamorphic we need: 1. taking lens. I will choose a modern one, maybe sigma art o maybe a vintage one it depends on anamorphic adapter. I'll be using it on Pocket 4k so I need to start with 50mm equivalent like 25mm m4/3 lens. 2. anamorphic adapter. Better 16mm or 35mm? 3. single focus adapter. As I understand from the big Tito Ferradans review, the rectilux is the sharpest, ok. Which anamorphic adapter is sharpest, is there a list somewhere? Thank you! Quote Link to comment Share on other sites More sharing options...
Laurier Posted April 28, 2019 Share Posted April 28, 2019 1. modern glass, so native high quality M4/3 glass from Panasonic or Olympus or veydra. 2. cinelux ES 3. Rectilux HCDNA You will get oval bokeh and some corner distortion ,that will be very sharp but sterile . You should rather consider vintage primes as taking lenses, you will get less sharp results but something with more live in it. Rikoshet and heart0less 1 1 Quote Link to comment Share on other sites More sharing options...
heart0less Posted April 28, 2019 Share Posted April 28, 2019 On 4/27/2019 at 12:58 PM, Rikoshet said: 1. taking lens. I will choose a modern one, maybe sigma art o maybe a vintage one it depends on anamorphic adapter. I'll be using it on Pocket 4k so I need to start with 50mm equivalent like 25mm m4/3 lens. Just a reminder: You'll get a massive vignette if you use 25 mm M4/3 lens with a 2x anamorphic adapter. The widest you you could go is 42.5 mm Tim McC 1 Quote Link to comment Share on other sites More sharing options...
Laurier Posted April 29, 2019 Share Posted April 29, 2019 14 hours ago, heart0less said: Just a reminder: You'll get a massive vignette if you use 25 mm M4/3 lens with a 2x anamorphic adapter. The widest you you could go is 42.5 mm I don t think that true, I can go 55mm with a cinelux 2x + rectilux on full frame . You should be able to use a 28mm if you don t use a speedbooster. Rikoshet 1 Quote Link to comment Share on other sites More sharing options...
heart0less Posted April 29, 2019 Share Posted April 29, 2019 1 hour ago, Laurier said: I don t think that true, I can go 55mm with a cinelux 2x + rectilux on full frame . Even in photo mode? Or in video (after cropping out the sides in order to finally deliver in 2.35:1) ? That'd be quite a feat, though everything is possible. Especially in anamorphic world. Meanwhile, OP mentions M4/3 camera, which most likely means GH5 and therefore - 4:3 open gate mode. Rikoshet 1 Quote Link to comment Share on other sites More sharing options...
leslie Posted April 30, 2019 Share Posted April 30, 2019 18 hours ago, heart0less said: Even in photo mode? Or in video (after cropping out the sides in order to finally deliver in 2.35:1) ? That'd be quite a feat, though everything is possible. Especially in anamorphic world. Meanwhile, OP mentions M4/3 camera, which most likely means GH5 and therefore - 4:3 open gate mode. actually he states pocket 4k On 4/27/2019 at 8:58 PM, Rikoshet said: 1. I'll be using it on Pocket 4k so I need to start with 50mm equivalent like 25mm m4/3 lens. i am also wondering with the 2x crop on the p4k how wide one could go before vignetting ? the only rule i know of is about 85mm for full frame. How things work on m4/3 is a mystery i have yet to delve into. Quote Link to comment Share on other sites More sharing options...
Julien416 Posted April 30, 2019 Share Posted April 30, 2019 With a rectilux HCDNA, the widest you can go in S35 is 50mm in 1:2.39. So one should probably be fine with a 35mm in micro 4/3 Quote Link to comment Share on other sites More sharing options...
Laurier Posted April 30, 2019 Share Posted April 30, 2019 On 4/29/2019 at 2:16 PM, heart0less said: Even in photo mode? Or in video (after cropping out the sides in order to finally deliver in 2.35:1) ? That'd be quite a feat, though everything is possible. Especially in anamorphic world. Meanwhile, OP mentions M4/3 camera, which most likely means GH5 and therefore - 4:3 open gate mode. in video mode with extraction for 2.39, I quickly tested in photo mode and I should also be able to extract 2.39 from it . Basically the cinelux cover up to 42.5mm for 35mm, 4 perf anamorphic ( that a larger area than most super 35mm sensors), once you add a single focus solution in from you mostly cover up to 45mm . https://www.pointsinfocus.com/tools/depth-of-field-and-equivalent-lens-calculator/#{"c":[{"av":"2","fl":42.5,"d":3048,"cm":"0"}],"m":0} I did a data input there so you can see the equivalency per format. That still theoretical as the lens design of the taking prime influence the values as well, but that a good ballpark. Rikoshet 1 Quote Link to comment Share on other sites More sharing options...
Rikoshet Posted May 2, 2019 Author Share Posted May 2, 2019 On 4/29/2019 at 1:44 PM, Laurier said: I don t think that true, I can go 55mm with a cinelux 2x + rectilux on full frame . You should be able to use a 28mm if you don t use a speedbooster. Thank you Laurier! There some options for that focal lenght, what do you suggest? Zeiss, canon fd, russian lenses? Thank you! On 4/29/2019 at 3:16 PM, heart0less said: Even in photo mode? Or in video (after cropping out the sides in order to finally deliver in 2.35:1) ? That'd be quite a feat, though everything is possible. Especially in anamorphic world. Meanwhile, OP mentions M4/3 camera, which most likely means GH5 and therefore - 4:3 open gate mode. No, I said Pocket 4k camera so no open gate there. Thank you anyway for your time! Quote Link to comment Share on other sites More sharing options...
Laurier Posted May 3, 2019 Share Posted May 3, 2019 13 hours ago, Rikoshet said: Thank you Laurier! There some options for that focal lenght, what do you suggest? Zeiss, canon fd, russian lenses? Thank you! No, I said Pocket 4k camera so no open gate there. Thank you anyway for your time! If you want something sharp I will go zeiss I think, the russian 28mm is slow , and I did not try the FD. Rikoshet 1 Quote Link to comment Share on other sites More sharing options...
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