OzNimbus Posted October 17, 2013 Share Posted October 17, 2013 Shot this in 3:2 on the 50d running magic lantern raw with the Bolex anamorphic lens. The 50d was a real pain to work with, the firmware is still fairly unstable & would usually take several tries on each shot to get the camera recording "continuous." There have been a few firmware updates since this was shot & that seems to have stabilized things a bit, but it's not rock-solid reliable yet, IMO. Anyway, the raw video was nice to work with in post: Tons of latitude & just plain good looking. The 3:2 aspect worked perfect with the Bolex as it's a 1.5X squeeze. Enjoy! http://youtu.be/cCERCFJBKCE JohnBarlow 1 Link to comment Share on other sites More sharing options...
enny Posted October 17, 2013 Share Posted October 17, 2013 super awsome Link to comment Share on other sites More sharing options...
Rudolf Posted October 18, 2013 Share Posted October 18, 2013 Impressive work! Although it was hard to shoot with the 50D as you described it was really worth the work! Maybe you know this zombie-music-video from 2007: http://www.youtube.com/watch?v=YIo2LkBlGXQ (more on the funny side but was a big success) Link to comment Share on other sites More sharing options...
Tito Ferradans Posted October 19, 2013 Share Posted October 19, 2013 I just shot with a LOMO Foton A last weekend, also raw, and also 50D, and had A LOT of trouble as well. Just a few times I had problems with continuous, but the camera crashed every now and then, and took a little while to get it running again. I was using a build from mid September Even with all the problems, I didn't get any pink or corrupted frames. As soon as the short is ready, I'll post it here too. :) Tim McC 1 Link to comment Share on other sites More sharing options...
OzNimbus Posted October 21, 2013 Author Share Posted October 21, 2013 So I grabbed a pocket cam... my next music video will most definitely be shot on it. It's rock-solid stable & blows the 50d out of the water in terms of low light performance..... and it'll to a full 1080 resolution as well. I'll get to shooting some anamorphic stuff on it soon, I'm still learning the damn thing :) Link to comment Share on other sites More sharing options...
enny Posted October 21, 2013 Share Posted October 21, 2013 When it comes to 50d and raw for how long can you shoot for? and at what resolution what would be the difference between mar 3 and 50d raw i am thinking of buying 1 or the other Link to comment Share on other sites More sharing options...
Tito Ferradans Posted October 22, 2013 Share Posted October 22, 2013 I can shoot continuous at 1344x1008px, on the 50D, the Mk3 can shoot continuous 1920x1280px, which is goddamn huge and eats through tons of cards. :P Link to comment Share on other sites More sharing options...
OzNimbus Posted October 23, 2013 Author Share Posted October 23, 2013 Can shoot continuous on the 50d when it feels like it. Highly recommend the bmpc Link to comment Share on other sites More sharing options...
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