mercer Posted December 10, 2019 Share Posted December 10, 2019 2 minutes ago, Emanuel said: A shaky shot can be unusable so start to think on a tripod or buy a gimbal :- D Yeah, I use a mixture of tripods and monopods. I'd rather sit on the pointy end of my monopod than use a gimbal. Emanuel 1 Quote Link to comment Share on other sites More sharing options...
Emanuel Posted December 10, 2019 Share Posted December 10, 2019 @mercer Reminds me those drone shots... People expect high quality from bad camera usage going along speedy movements, here's an example in the 1st video there: Before demanding from the device, what about the way and how fast the operator moves it? Quote Link to comment Share on other sites More sharing options...
cam1982 Posted December 11, 2019 Share Posted December 11, 2019 Yup, every bad operation will put a cam to garbage. Expensive will look like cheap. ? Quote Link to comment Share on other sites More sharing options...
shooter Posted December 11, 2019 Share Posted December 11, 2019 cam1982 1 Quote Link to comment Share on other sites More sharing options...
Lux Shots Posted December 11, 2019 Share Posted December 11, 2019 S1H IBIS Performance. Shot in very windy conditions, all hand-held. Video Hummus and thebrothersthre3 2 Quote Link to comment Share on other sites More sharing options...
thebrothersthre3 Posted December 11, 2019 Share Posted December 11, 2019 Very nice. I was shooting at 70mm in S35 mode and getting good results and that was without dual IS as it was an adapted lens. Lux Shots 1 Quote Link to comment Share on other sites More sharing options...
Dude_ger Posted December 16, 2019 Share Posted December 16, 2019 Some night shots widescreen leslie and Video Hummus 1 1 Quote Link to comment Share on other sites More sharing options...
Video Hummus Posted December 16, 2019 Share Posted December 16, 2019 On 12/11/2019 at 2:31 PM, Lux Shots said: S1H IBIS Performance. Shot in very windy conditions, all hand-held. Thanks for sharing. I cant wait for your "Shooting Style: Reckless" tests ? 6 minutes ago, Dude_ger said: Some night shots widescreen Wow! This is some of the best footage I've seen from the S1H. Dude_ger 1 Quote Link to comment Share on other sites More sharing options...
AaronChicago Posted December 18, 2019 Share Posted December 18, 2019 Some 6K frames from Chinatown in San Fransisco. Leica R’s. billdoubleu, Adept, Rinad Amir and 5 others 8 Quote Link to comment Share on other sites More sharing options...
ade towell Posted December 19, 2019 Share Posted December 19, 2019 Some lovely stuff here from Filippo Chiesa Lux Shots and leslie 2 Quote Link to comment Share on other sites More sharing options...
ac6000cw Posted December 19, 2019 Share Posted December 19, 2019 Apologies if this has already been mentioned, but I was just looking at the Lumix firmware update page and noticed an update for the S1H was added on 10th December (version 1.1) - https://av.jpn.support.panasonic.com/support/global/cs/dsc/download/index4.html# The change log: Quote Expanded compatibility with Profoto wireless transmitters - Profoto wireless transmitters "Air Remote TTL-O/P" and "Profoto Connect-O/P" can be used. * All functions may not be available depending on the situation. Performance improvement - There were cases where block noise increases depending on the subject in HFR (High Frame Rate) mode. This bug has been fixed. Quote Link to comment Share on other sites More sharing options...
Lux Shots Posted December 20, 2019 Share Posted December 20, 2019 2 hours ago, ac6000cw said: Apologies if this has already been mentioned, but I was just looking at the Lumix firmware update page and noticed an update for the S1H was added on 10th December (version 1.1) - https://av.jpn.support.panasonic.com/support/global/cs/dsc/download/index4.html# The change log: Yeah, I got it; and they broke some stuff too. Now you can't enable tally lights if you have the camera in Silent mode. I wonder what else was busted with this update as they tried to merge in the changes from the S1 codeline. Goes to show just how separate the code branches are between the S1 and the S1H for regressions like this to happen and not get caught. Of course I'm sensitive to this because I do this for a living at the day job, and it gets under my skin to see someone fumble product update with so much on the line. Quote Link to comment Share on other sites More sharing options...
Julien416 Posted December 22, 2019 Share Posted December 22, 2019 Hi, A question to s1h owners. Disclaimer : it's going to be a tedious one. I havent' been able to find what is the anamorphic crop factor. I believe you can shoot anamorphic in either s35 and FF modes. But what are the windows size? I guess in FF it justs removes the sides to create a 31,7x23,8 window. That is pretty good and unheard of. Now the tricky part. It's not that clear for S35. Is it a 4/3 window cropped into the 16/9 S35 modes (24.89x14mm) ? In that case it would make a 18,66x14mm s35 anamorphic mode. For instance academy anamorphic mode window is 24.89x18.66mm. If that's the case we'd have two modes that do not correspond to the legacy anamorphic size. That would be a bummer. I like a 50mm to be used a 50mm. Or I am completely wrong and the s35 anamorphic mode is more of less the academy size window and in that case Panasonic deserves to be worshipped until the end of times ? I'd be delighted to know. If someone can clear this for me, he'd be the real winner here. Thanks. Quote Link to comment Share on other sites More sharing options...
androidlad Posted December 22, 2019 Share Posted December 22, 2019 1 hour ago, Julien416 said: Hi, A question to s1h owners. Disclaimer : it's going to be a tedious one. I havent' been able to find what is the anamorphic crop factor. I believe you can shoot anamorphic in either s35 and FF modes. But what are the windows size? I guess in FF it justs removes the sides to create a 31,7x23,8 window. That is pretty good and unheard of. Now the tricky part. It's not that clear for S35. Is it a 4/3 window cropped into the 16/9 S35 modes (24.89x14mm) ? In that case it would make a 18,66x14mm s35 anamorphic mode. For instance academy anamorphic mode window is 24.89x18.66mm. If that's the case we'd have two modes that do not correspond to the legacy anamorphic size. That would be a bummer. I like a 50mm to be used a 50mm. Or I am completely wrong and the s35 anamorphic mode is more of less the academy size window and in that case Panasonic deserves to be worshipped until the end of times ? I'd be delighted to know. If someone can clear this for me, he'd be the real winner here. Thanks. It's really easy to find out using the published specs. In FF 6K 3:2 mode there's almost no crop, at 5952 x 3968. In S35 mode it's all 1:1 readout, including the 4:3 mode, which is 3328 x 2496, or 19.67 x 14.79mm window. Quote Link to comment Share on other sites More sharing options...
Julien416 Posted December 22, 2019 Share Posted December 22, 2019 21 minutes ago, androidlad said: It's really easy to find out using the published specs. I guess I didn't try enough ? Thank you for you answer though. 21 minutes ago, androidlad said: In S35 mode it's all 1:1 readout, including the 4:3 mode, which is 3328 x 2496, or 19.67 x 14.79mm window. Beware because I believe S35 and 1:1 readout are different ! However, if the anamorphic S35 mode is indeed a 1:1 readout, my take is that it's most unfortunate. It's a 20% crop compared to the academy size or even the Alexa. A 40 becomes roughly a 50, etc. I can't make up my mind reading the specs on the panasonic site, it isn't crystal clear, really. I can still use the FF anamorphic mode and crop obviously but it would be a lot simpler to have a dedicated legacy mode to match it with academy anamorphic size or even the slighly cropped Alexa's 4/3 sensor size (23,76x17,82mm). Quote Link to comment Share on other sites More sharing options...
Lux Shots Posted December 23, 2019 Share Posted December 23, 2019 Anamorphic is S35 with various aspect ratios. Quote Link to comment Share on other sites More sharing options...
Video Hummus Posted December 24, 2019 Share Posted December 24, 2019 Lux Shots 1 Quote Link to comment Share on other sites More sharing options...
mercer Posted December 25, 2019 Share Posted December 25, 2019 Merry Christmas!!! I'm thinking about renting an S1H in the New Year and after looking at the specs, I was wondering... Can DCI 4K 10-Bit VFR be used in in 24hz mode? And can True 24p be used in 4K anamorphic mode? PannySVHS 1 Quote Link to comment Share on other sites More sharing options...
androidlad Posted December 25, 2019 Share Posted December 25, 2019 1 hour ago, mercer said: Merry Christmas!!! I'm thinking about renting an S1H in the New Year and after looking at the specs, I was wondering... Can DCI 4K 10-Bit VFR be used in in 24hz mode? And can True 24p be used in 4K anamorphic mode? Quote Link to comment Share on other sites More sharing options...
PannySVHS Posted December 28, 2019 Share Posted December 28, 2019 HD with 120 fps in 10bit and with 150mbit h265 data rate sounds nice. On 12/25/2019 at 7:09 PM, mercer said: Merry Christmas!!! I'm thinking about renting an S1H in the New Year and after looking at the specs, I was wondering... Can DCI 4K 10-Bit VFR be used in in 24hz mode? And can True 24p be used in 4K anamorphic mode? If you do that, I would love to grade the material you filmed with it! Just bought a S1 with the 24 - 105mm on ebay. Hopefully seller is not a fraud and will ship it to me:) Very curious to see if it lives up to the GH5´s promise. If not it will have to go back on ebay. mercer 1 Quote Link to comment Share on other sites More sharing options...
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