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Shooting Formula 1 at the Italian Grand Prix with the legendary Canon 200mm F1.8 and Blackmagic Pocket 6K


Andrew Reid
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While that lens is impressive, if I were doing editorial stills at an event like that, practicality would probably cause me to choose some sort of 70-200 2.8. the framing control of a solid zoom seems like I'd get more shots. I'd gran that 200 for fashion or editorial portraits every time though...

And the NX1. Damn, 6 years on and it's still kickass. The tiny 16-50 kit zoom (not the bigger "S") makes for a monster gimbal rig with reliable AF. You can literally run around a location with that thing and nail 95% of your shots. I do find the 8 bit pretty limiting though, and the low-light performance isn't stellar. There's a Z6 in my future. We'll see if I keep it though!

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EOSHD Pro Color 5 for Sony cameras EOSHD Z LOG for Nikon CamerasEOSHD C-LOG and Film Profiles for All Canon DSLRs

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  • EOSHD Pro Color 5 for All Sony cameras
    EOSHD C-LOG and Film Profiles for All Canon DSLRs
    EOSHD Dynamic Range Enhancer for H.264/H.265
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