Administrators Andrew Reid Posted June 3, 2021 Administrators Share Posted June 3, 2021 ] You can now shoot Pro Color on the latest Sony Cameras such as the A7S III and it has been comprehensively updated for all existing models. This is a universal release, so no need to download a certain version of Pro Color to match your model any more. This one works on all cameras even those without Picture Profiles like the A9. Hope you enjoy it, looking forward to seeing your footage. Any thoughts or feedback, please feel free to comment! https://www.eoshd.com/eoshd-pro-color-5/ Quote Link to comment Share on other sites More sharing options...
bjohn Posted June 5, 2021 Share Posted June 5, 2021 I'm considering this; I have an A7ii but have never shot video with it because I have better cameras for that job. But it would be nice to have a simple option for the occasional times when I want to/need to use it. My main question/concern is that I want to be sure this won't affect my raw shots in any way. I have heard (though I don't understand why) that applying some of the picture profiles can actually have an effect on raw images (perhaps because it can cause you to misjudge exposure, that's the only thing I can think of logically, but maybe there's more to it than that?). I use my A7iii for stills and always shoot in raw. Quote Link to comment Share on other sites More sharing options...
Administrators Andrew Reid Posted June 5, 2021 Author Administrators Share Posted June 5, 2021 Some picture profiles like S-LOG have a high minimum ISO - say 1600 on some cameras. But that isn't the case with Pro Color and you exposure it as normal. It won't affect the RAW stills, just video and JPEGs. I am working on a version for RAWs, as Sony's RAW presets in Adobe Camera Raw and the Adobe ones don't bring out the best results either a lot of the time! bjohn 1 Quote Link to comment Share on other sites More sharing options...
H2videoNL Posted June 8, 2021 Share Posted June 8, 2021 Hi Andrew, Just got the v5 upgrade, but ran in some challenges implementing it on my A7Rm2 and RX10M2 (4k versions with picture profiles). Your descriptions mentions under GAMMA (choise 1!) (and then CINE 4) but the RX10m2 only has CIne 1 and 2) Further there is nog S-Gamut3.cine (just S-Gamut) No changes to the A7M2 camera's... So what do you recommend? Cheers Stefan Quote Link to comment Share on other sites More sharing options...
Administrators Andrew Reid Posted June 8, 2021 Author Administrators Share Posted June 8, 2021 Yes you can just substitute with Cine2 and S-Gamut on that camera. Cheers! Quote Link to comment Share on other sites More sharing options...
Dude_ger Posted June 19, 2021 Share Posted June 19, 2021 Or just learn to grade, then you don ´t need to pay money for luts that you can make on your own within 5 mins 🤣🤣 Quote Link to comment Share on other sites More sharing options...
Dave Del Real Posted June 19, 2021 Share Posted June 19, 2021 Dude…. Bought Pro Color 5 for my A73 and must say that I really like PP3. Yeah, PP1 has more dynamic range but in a controlled setting PP3 just has that feel that’s indescribable. Looks fantastic. Thanks for your hard work, it’s really appreciated. Andrew Reid 1 Quote Link to comment Share on other sites More sharing options...
scultive Posted June 27, 2021 Share Posted June 27, 2021 On 6/19/2021 at 12:33 PM, Dave Del Real said: Dude…. Bought Pro Color 5 for my A73 and must say that I really like PP3. Yeah, PP1 has more dynamic range but in a controlled setting PP3 just has that feel that’s indescribable. Looks fantastic. Thanks for your hard work, it’s really appreciated. Care to share footage samples with it? Quote Link to comment Share on other sites More sharing options...
Dave Del Real Posted July 4, 2021 Share Posted July 4, 2021 Oops, I meant PP2. Quote Link to comment Share on other sites More sharing options...
SpanishForJorge Posted July 4, 2021 Share Posted July 4, 2021 I bought V5 a week and have yet to fiddle with it in A7S3. Had V4 on my previous A73 and loved the colors! I do have a question though…probably a silly one but here goes: in S-Log 3 I can shoot incredibly clean footage in low light at 12,800 ISO. I’m curious which of these new profiles Andrew created are best in low light, and are any of them able to output clean footage at 12,800 ISO? thanks! Belle 1 Quote Link to comment Share on other sites More sharing options...
Administrators Andrew Reid Posted July 4, 2021 Author Administrators Share Posted July 4, 2021 A7S III at 12,800 is very clean because this is when the dual gain ISO kicks in for S-LOG 3. It comes in earlier for Pro Color. Try the Venice profile and see how much cleaner it is than S-LOG 3 at ISO 10,000 for instance 🙂 Quote Link to comment Share on other sites More sharing options...
Toma Paunovic Posted August 24, 2021 Share Posted August 24, 2021 I really like colors from EOS Pro Color 5, but WB settings are a bit confusing for me, because most of those have green bias. At least on my A7R III (and it was the same on A7 III) AWB white was often giving me yellow/greenish results, and I think that's something @Andrew Reid mentioned on several thread. So when I use PP2 settings with suggested AWB settings, I'm getting visibly green results. Any advice which AWB settings to use on A7R III? Quote Link to comment Share on other sites More sharing options...
Leonard Aweidah Posted November 10, 2021 Share Posted November 10, 2021 I have purchased the EOSHD Pro Color and Pro LOG Premium Bundle For my Sony A6500 in 2019 it works and its great . I still work with the A6500 Is there any benefit from purchasing the EOSHD Pro Color 5 Quote Link to comment Share on other sites More sharing options...
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