Geoff CB Posted March 13, 2020 Share Posted March 13, 2020 On 3/11/2020 at 7:21 AM, mercer said: It looks like that Voigt 40mm and the F3 is a winning combo. What strength ProMist did you use? It looks gorgeous! It's a promist 1/4. A little strong for me usually but has an incredible look if you get the sun the frame. mercer 1 Quote Link to comment Share on other sites More sharing options...
kye Posted March 13, 2020 Share Posted March 13, 2020 Mark loves his Takumars but just got some CZ lenses, so I'm looking forward to seeing how they compare. I think the Takumars might not be too far away from the CZs TBH. Quote Link to comment Share on other sites More sharing options...
Zach Goodwin2 Posted March 15, 2020 Share Posted March 15, 2020 New photo I took with the Edmika 35-105 F/3.5 Canon T2i. noone and mercer 2 Quote Link to comment Share on other sites More sharing options...
kye Posted March 16, 2020 Share Posted March 16, 2020 Tom Antos on shooting with a single lens... Geoff CB 1 Quote Link to comment Share on other sites More sharing options...
Zach Goodwin2 Posted March 27, 2020 Share Posted March 27, 2020 New photo that I took with the Canon T2i Edmika FD 35-105 F/3.5 PannySVHS 1 Quote Link to comment Share on other sites More sharing options...
PannySVHS Posted March 29, 2020 Share Posted March 29, 2020 @Zach Goodwin2 Hallo Zach, you might like the Tokina 25-50mm F4 zoom. One of the fun finds by Andy Lee, who started this thread long time ago. You could get it in Pentax or Nikon mount and adapt it to your EF mount camera. You can get them for less than 15 dollars or even less than ten! Great 2x range and quality. Nice haptic quality and great size. Got mine for less than 15 bucks with shipping included! Zach Goodwin2 1 Quote Link to comment Share on other sites More sharing options...
Matt Kieley Posted April 6, 2020 Share Posted April 6, 2020 Anyone know of a good adhesive for repairing a lens? The front filter thread/hood part of my Canon TV-16 25mm is slightly loose (and can be easily unscrewed). This wouldn't really bother me if I were using the lens as is, but I want to use it as a taking lens for Anamorphic, and a slight focus turn skews it out of alignment. Anyone have any experience repairing lenses who can recommend an adhesive that's safe to use with a lens? Quote Link to comment Share on other sites More sharing options...
Matt Kieley Posted April 7, 2020 Share Posted April 7, 2020 BMMCC (ProRes LT), Sankor 16c, VidAtlantic Clamp, Cosmicar 25mm f/1.9 c-mount lens, Tiffen +1, +2, +4 diopters, Tiffen +1/2 Split Diopter, Firecrest IRND I really love this camera/lens combination, and I'm happy to be shooting anamorphic again after selling my previous lenses 6 years ago. The BMMCC's Super 16 sensor goes well with anamorphic because you can still get a shallow enough DOF, but deep enough wide open to be usable/practical. You get sharp, low light anamorphic that's actually in focus (this whole video was shot wide open at f/1.9. I can get similarly sharp/usable results at f/1.4 with my Canon TV-16 25mm, which is why I need to fix it). meudig, heart0less and PannySVHS 3 Quote Link to comment Share on other sites More sharing options...
Zach Goodwin2 Posted April 7, 2020 Share Posted April 7, 2020 I'm getting nikkor lenses from now on, either that or Olympus lenses. Maybe I would get m42 mount lenses. I understand the quality of Edmika mount FD lenses look great, but at the moment the lens mount chipped apart from my camera and it fell on the floor. The rear of the lens is made from undurable plastic. Another complaint I have is that it takes too long to get it perfectly just right to mount the Edmika mount requiring a screwdriver with the right amount of precision and timing on a lens. The guy who sells the mounts takes too long to ship the lens mounts as well. The Edmika mounts are only good if you are using them for a short amount of time as over time they wear out. I do not recommend Edmika any more. Quote Link to comment Share on other sites More sharing options...
heart0less Posted April 8, 2020 Share Posted April 8, 2020 @Andrew Reid - one of your favorite YouTubers is back. ( : Beware: this video is 50 minutes long. PannySVHS, noone, Andrew Reid and 1 other 4 Quote Link to comment Share on other sites More sharing options...
PannySVHS Posted April 9, 2020 Share Posted April 9, 2020 @heart0less tasty treat, relaxing, educating, great visual presentation. Lens entertainment for all of us! Thank you! "..remove the senso out of the camera", entertainment that late time of the day should be recommended for any corona household. What a happy presentation of that cute german accent.:) noone and heart0less 2 Quote Link to comment Share on other sites More sharing options...
Zach Goodwin2 Posted April 13, 2020 Share Posted April 13, 2020 I wish the newer g2 tamron lenses were compatible with the Canon C series line of cameras. If the lenses were compatible, I can imagine the image stabilization helping out a lot with funky pan and tilt, odd crane movements, and the difficulties of using a shoulder rig all being helped out with this lens. I can especially imagine when someone would be getting their muscles a bit stiff and vibration-reduction would help out. Quote Link to comment Share on other sites More sharing options...
Zach Goodwin2 Posted April 13, 2020 Share Posted April 13, 2020 Well then, the Sigma Art series of lenses and some of their other lenses will do fine as a replacement of tamron, since all I would need to do would be to use in body stabilization for the prime lenses and optical stabilization for the zoom lenses. Good, so now there would be less worrying about messing up with certain movements and I can still get good auto-focus. Now, the amount of takes would be less and so there would be a great film made in less time with less stress placed on the actors. Quote Link to comment Share on other sites More sharing options...
Geoff CB Posted April 23, 2020 Share Posted April 23, 2020 Taking a deep breath. Nikon 16-35 F4G on the Sony F3 PannySVHS, Adept, BrunoCH and 1 other 4 Quote Link to comment Share on other sites More sharing options...
Nikkor Posted April 24, 2020 Share Posted April 24, 2020 Mamiya Sekor N 35mm 3,5 heart0less, BTM_Pix, meudig and 4 others 7 Quote Link to comment Share on other sites More sharing options...
JordanWright Posted April 24, 2020 Share Posted April 24, 2020 More Tokina 28-70 2.6-2.8 BTM_Pix, noone, meudig and 5 others 8 Quote Link to comment Share on other sites More sharing options...
PannySVHS Posted April 27, 2020 Share Posted April 27, 2020 @JordanWright Hallo, a few words from you about the Tokina would be cool. I know, a lot has been written about it. But I can never get enough of some beautiful lens reports. I even own one myself but never got around to buy a better adapter for it and get beyond 8 metres of distance. JordanWright, homestar_kevin and heart0less 3 Quote Link to comment Share on other sites More sharing options...
Geoff CB Posted April 27, 2020 Share Posted April 27, 2020 2 hours ago, PannySVHS said: @JordanWright Hallo, a few words from you about the Tokina would be cool. I know, a lot has been written about it. But I can never get enough of some beautiful lens reports. I even own one myself but never got around to buy a better adapter for it and get beyond 8 metres of distance. Best thing about that lens is how natural the falloff is and the lack of breathing. This is an older Test I did with it, jump to 4:12 to see samples and how "smooth" it is. PannySVHS, heart0less, JordanWright and 1 other 3 1 Quote Link to comment Share on other sites More sharing options...
JordanWright Posted April 27, 2020 Share Posted April 27, 2020 The Tokina is the lens I always seem to go back to. I think this is my 3rd copy, I'll probably never let it go again. I paid much less than £200 each time. I sold the Sigma zooms because I rarely used them after my most recent copy. Mechanically it's a dream at its price point. The lens doesn't extend and the focus ring has hard stops. It would make a great cine-mod lens. It also has a short throw, good for handheld pulling. The zoom ring is quite stiff, you won't be zooming mid shot. It feels well built, it'll survive a few knocks. The AF system seems to be broken on every one of these I've used, but that usually means they sell at a cheaper price. Optically, it's not the sharpest lens in the world but also not noticeably soft even wide open on a SB. This is where I sort of miss the sigma zooms. It also doesn't focus very close (0.7m) 28mm on the lens really sings when filming people, really wish I could get a bit closer. The lens also isn't par focal, but its not far off, it only needs minor adjustments. Breathing is very well controlled. On the wide end, the lens distorts a touch more than a modern lens, but I quite how it falls off. The lens flares really change through the focal length, I always experiment with the zoom when there's flares. Around 35mm if one of my favourites, you get some cool thin red rings. The lens flares very easily, I like it for narrative stuff but always have some black wrap or gaff tape on hand for corporate shoots. It's such an all rounder zoom lens to have in the bag, just enough character for narrative work but can also clean up when it needs to. heart0less, PannySVHS, homestar_kevin and 1 other 3 1 Quote Link to comment Share on other sites More sharing options...
homestar_kevin Posted April 28, 2020 Share Posted April 28, 2020 The tokina 2.6-2.8 is definitely one of my favorites and probably one of the lenses I've had the longest. I have no intention of selling mine, it's just so great. I'm still very happy with it. I have gotten other zooms that I use a bit more regularly these days (Nikon 28-70 2.8 and Samsung 16-50 2-2.8), but that tokina is just epic. JordanWright and PannySVHS 2 Quote Link to comment Share on other sites More sharing options...
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