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Andrew Reid
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13 minutes ago, sandro said:

I'm interested more in the 28mm and zoom. Depends if the 28mm at f2.8 is decently sharp.

It is pretty sharp and contrasty at 2.8, especially if you have a clean copy. Don't underestimate the 50mm though. It is a HIGHLY regarded lens that gets better reviews than the 1.4. What is your fancy with zoom lenses? Sure they're more convenient, but since you are so worried about speed, I would think primes would be better for you. You will get a way better image with primes, in most cases, and you can always use the old fashioned zoom... Your legs. 

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the Pantax 28mm f2.8 is not that sharp fully wide open - the best cheap 28mm f2.8 is the canon fd version it blows the Pentax away for sharpness at 2.8 fully wide open

you can get one on ebay for $50 ish

the best 28mm f2.8 you can get this the Nikon AIS 28mm 2.8 and the Contax Carl Zeiss C/Y 28mm 2.8 - both are stunning lenses

 

another great option is the SIGMA 30mm f1.4 it has aspheric elements and is also stellar!!

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5 minutes ago, andy lee said:

the Pantax 28mm f2.8 is not that sharp fully wide open - the best cheap 28mm f2.8 is the canon fd version it blows the Pentax away for sharpness at 2.8 fully wide open

you can get one on ebay for $50 ish

I think my definition of sharp and other people's are different. I found the Pentax-M 28mm more than sharp enough wide open, but since we're taking wide open, does the metabones XL significantly sharpen lenses wide open or just a little? 

But, yeah that is why I suggested FD lenses to him the other day. He can get the 50mm 1.8, the 28mm 2.8 and the either the 35-70 or the 35-105 all for less than $200. Or if he wanted to spend twice that, he can pick up the 28mm f2 and the 50mm 1.4 and the 24mm f2 and have a nice little set of FD lenses. 

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I, personally, like the Pentax lenses better. I think they're the most overlooked vintage lenses around. And they are cheaper than FD lenses. Plus, a lot of people use FD lenses, not as many use Pentax, so your videos would have an inherently different look. But FDs are good too and cheap. 

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17 hours ago, sandro said:

How much do you think I should pay for the pentax I mentioned?

A pretty good price for exc + condition of the two prime lenses would be around $75. I have no idea about the zoom. 

On February 3, 2016 at 2:26 AM, TheRenaissanceMan said:

Hey guys! Is anyone here knowledgeable about the Olympus OM lens lineup? I'm looking to put together a budget set, but what little information I can find is vague and, in some cases, contradictory. 

Thanks in advance for any help. :)

I have been wondering the same question. I came across an old OM 50mm f1.8 that I bought a long time ago but never tested. Well today I threw it on the NX500, and it is a really nice lens... Wide open good.

So, I went online and encountered the same contradictions you did  

Then I went on eBay and found a 28mm f2 for a steal... About a third less than the going rate. So, I bought it now.

I really like that they made every prime focal length in a f2 version. 

Have you found out any more about them?

I also found 3 different zooms that look pretty interesting... The 35-70mm f3.5, the 35-70mm f4, and the 28-48mm f4.

Any info you, or anyone, might have would be greatly appreciated. 

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7 minutes ago, jase said:

I own the 85 f2, but it is totally not my focal length, so it is collecting dust.

I hear ya, I was thinking about this earlier and wondering what long lenses people use. I have the G7 and the NX500, they both have large crops, so I rarely use anything over 50mm and usually I use a 28mm or 35mm f2. Obviously, there's a need for long lenses, I just haven't come across one yet. That 85mm f2 does look nice though. 

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9 minutes ago, mercer said:

I hear ya, I was thinking about this earlier and wondering what long lenses people use. I have the G7 and the NX500, they both have large crops, so I rarely use anything over 50mm and usually I use a 28mm or 35mm f2. Obviously, there's a need for long lenses, I just haven't come across one yet. That 85mm f2 does look nice though. 

Agreed. I personally dont use anything above 50mm FF-equivalent. something a tad below like a 28mm for APS-C is next to perfect for my style of shooting.

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A couple weeks ago I ordered the RMC Tokina 35mm f2 in the M42 mount. It was the first time I had ever seen the lens for sale, and there is little written about it online. I did manage to find a couple photos where it was used. They looked so good, I had to have it. It came in the other day, so I took it out this morning for a few minutes...

 

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Canon FL 100mm 3.5 - 1960's era. LONG focus throw. This example looks like it had some fungus cleaned from an internal element, it's a little "scarred" looking when you shine a penlight down the barrel. Little metal tank, 48mm filter thread. $15. Love the colors, detail, and softness-where-you-want it. All from 4K grabs, shot wide open. Minor grade in Photoshop (just upped the blacks a bit) and a touch of sharpening, about what I'd normally do for non-people shots.

SAM_0019.jpg.73653b55b8e0b5d3ea9c9b91afb

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In particular, there's some really lovely stuff going on with greens and blues. I've played with the FL 35mm 2.5 ($20), 50mm 1.8 ($20) and 19mm 3.5 R ($200, a real legend of a lens, almost zero distortion and hard to find) and they all render similarly. Looking for an 85 next, but that's a highly regarded lens to find this cheap.

SAM_0018.jpg.285663db2d2aeb66a5a758ca607

I could really see doing something narrative-short, fashion-beauty or music video with these. You could build a full set of primes, including the $15 adapters, for a couple hundred bucks (minus the 19mm which usually goes for $350 and up). Lens range also includes a 28mm, 58mm, some of the normal glass in 1.4 and 1/2 variants I believe, a 135mm 2.5(?) and a 200mm f3.5 or f4.

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3 hours ago, mercer said:

A couple weeks ago I ordered the RMC Tokina 35mm f2 in the M42 mount. It was the first time I had ever seen the lens for sale, and there is little written about it online. I did manage to find a couple photos where it was used. They looked so good, I had to have it. It came in the other day, so I took it out this morning for a few minutes...

 

 

Hey Mercer,

 

Really like the colors you were able to pick up with the grade, last part seems a little bit dark compared to ungraded material.

Grade looks really filmic, rich colors, naturalistic, not LUT mud like:)

How did you manage to hold the lens so steady even with focusing? Did you use a speedbooster for a wider angle of view?

cheers

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