Emanuel Posted October 7, 2022 Author Share Posted October 7, 2022 Don't pay attention to this tester conclusions but take a look on such comparative bitrate-wise coupled to bit depth at that night footage there: Link to comment Share on other sites More sharing options...
Emanuel Posted October 7, 2022 Author Share Posted October 7, 2022 Colour depth is a major upgrade. Link to comment Share on other sites More sharing options...
kye Posted October 7, 2022 Share Posted October 7, 2022 1 hour ago, Emanuel said: Don't pay attention to this tester conclusions but take a look on such comparative bitrate-wise coupled to bit depth at that night footage there: It's better, but it's still really scraping the bottom of the barrel... In that example it's mostly that there are slightly less colour shifts. Link to comment Share on other sites More sharing options...
Emanuel Posted October 7, 2022 Author Share Posted October 7, 2022 Hard to improve with that tiny sensor size form factor and current processing power coupled to obvious physical limitations but, any real increment such as this one is so sweet similar "je ne sais quoi", which looks like to me huge though. Anyways, not for everyone just for those cases you had unusuable outcome and now not anymore. Just sold my never unused units of the previous model to replace them with the 10-bit offer for further use this time :- ) Link to comment Share on other sites More sharing options...
Emanuel Posted October 9, 2022 Author Share Posted October 9, 2022 Forget the Mini if you somehow will need manual exposure as myself practically all the time: source You can double check for more info here. Link to comment Share on other sites More sharing options...
Emanuel Posted October 9, 2022 Author Share Posted October 9, 2022 No clue what that "Because" (?) is going on there in that third paragraph... Seems to me clear enough the remaining portion anyway: Link to comment Share on other sites More sharing options...
Emanuel Posted October 9, 2022 Author Share Posted October 9, 2022 No idea why they don't introduce the feature on the app... Link to comment Share on other sites More sharing options...
markr041 Posted October 12, 2022 Share Posted October 12, 2022 I experienced another "overheating" test: I recorded an organ recital at 5.3K 10bit color for one straight hour in a hot church with no airflow, with the camera inert. The camera never shut down (of course, the screen turned off after a few minutes). Here is an excerpt: Link to comment Share on other sites More sharing options...
Emanuel Posted October 14, 2022 Author Share Posted October 14, 2022 Thanks for still reporting it : ) Are we able to set and switch off BOTH screens in the front and rear too? No overheating on 4K 120fps end either? Link to comment Share on other sites More sharing options...
markr041 Posted October 14, 2022 Share Posted October 14, 2022 14 hours ago, Emanuel said: Thanks for still reporting it : ) Are we able to set and switch off BOTH screens in the front and rear too? No overheating on 4K 120fps end either? The front goes off as a setting - ie, never on. The back turning off interval can be set, like after one minute. I have not used 4K 120p for long intervals. For normal shooting 4K 120p did not overheat - short interval shots in a long session with the camera always on. Emanuel 1 Link to comment Share on other sites More sharing options...
Emanuel Posted October 14, 2022 Author Share Posted October 14, 2022 22 minutes ago, markr041 said: The front goes off as a setting - ie, never on. The back turning off interval can be set, like after one minute. What interval minimum? Seconds too? I am willing to buy a couple of units for 3D production, so 4K 120fps will be the normal shooting... : ) I am wondering about, that is, I'd love for some testing as viable as possible :- ) Link to comment Share on other sites More sharing options...
kye Posted October 15, 2022 Share Posted October 15, 2022 7 hours ago, Emanuel said: What interval minimum? Seconds too? I am willing to buy a couple of units for 3D production, so 4K 120fps will be the normal shooting... : ) I am wondering about, that is, I'd love for some testing as viable as possible :- ) Why is 120p the normal frame-rate for 3D production? Do you deliver in 120p? or is there some sort of processing going on in post? I'm curious. Link to comment Share on other sites More sharing options...
Emanuel Posted October 15, 2022 Author Share Posted October 15, 2022 2 hours ago, kye said: Why is 120p the normal frame-rate for 3D production? Do you deliver in 120p? or is there some sort of processing going on in post? I'm curious. Not exactly 120fps but anything faster than 100fps, when there's no genlock devices, does the trick... : ) Once synched can be conformed to 25fps @post. GoPro's small form factor coupled to 10-bit offers the remainder part of the quotient :- ) kye 1 Link to comment Share on other sites More sharing options...
sofiabelle Posted October 20, 2022 Share Posted October 20, 2022 There are a lot of new features and upgrades on the GoPro 11. The most significant upgrade is the increase in bitrate from 120Mbps to 240Mbps. This will allow for 10-bit color video and a smoother image, which is perfect for those who need to record high-quality videos. This new camera also has an improved lens, which will help with low-light performance, as well as an improved sensor that can produce better quality images. There are also some cool new features like TimeWarp Video and SuperPhoto that make it easier to capture amazing photos. Link to comment Share on other sites More sharing options...
markr041 Posted October 23, 2022 Share Posted October 23, 2022 Hero 11 + Anamorphic Lens + ReelSteady in 10bit color and 180 Mbps: The workflow: Shoot 5.3K 60P Wide 10bit color at 180 Mbps with 1.1 zoom, no stabilization. Then process in ReelSteady, which stretches and stabilizes. Then color grade and decompress more in Davinci Resolve. ReelSteady exports in Cineform 10bit 422 color in 5312x2320 at a very high bitrate so little loss. Link to comment Share on other sites More sharing options...
markr041 Posted November 3, 2022 Share Posted November 3, 2022 Native WB on the GoPro is supposed to give you more color information, but you have to white balance in post. So, I tried out this setting. With Native WB, Protune Flat, 10bit color, and the 180 Mbps bitrate, this is the best the camera can do. Oh, it is 5.3K at 60 fps also. Linear mode, so no fisheye. Emanuel 1 Link to comment Share on other sites More sharing options...
Emanuel Posted November 3, 2022 Author Share Posted November 3, 2022 Linear mode is-really-the deal :- ) Link to comment Share on other sites More sharing options...
Emanuel Posted November 3, 2022 Author Share Posted November 3, 2022 (I thought I had added) Still no glitches on 180Mbps at all? No lock up for every recording modes? On 10/20/2022 at 7:50 PM, sofiabelle said: There are a lot of new features and upgrades on the GoPro 11. The most significant upgrade is the increase in bitrate from 120Mbps to 240Mbps. 240 Mbps? Link to comment Share on other sites More sharing options...
markr041 Posted November 4, 2022 Share Posted November 4, 2022 On 11/3/2022 at 12:26 AM, Emanuel said: (I thought I had added) Still no glitches on 180Mbps at all? No lock up for every recording modes? 240 Mbps? I have shot everything subsequent to making the shift to 180 Mbps, usually 5.3K 60 fps or 4K 120 fps, with zero glitches. Emanuel 1 Link to comment Share on other sites More sharing options...
markr041 Posted November 16, 2022 Share Posted November 16, 2022 Linear, with widescreen (2:35:1) aspect ratio: Emanuel 1 Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now