Jump to content

4K timeline


shorthairs
 Share

Recommended Posts

When editing 4K for 1080 output in FCPX should the timeline be 4K or 1080?

 

It would seem to me that to take full advantages of 4K, i.e. pan/zoom etc. that one should use a 4K timeline and convert to 1080 on export via Compressor?

 

I am new to 4K and would be interested in any articles written about the nuances of working with it.

 

 

Thanks

 

Kent

Link to comment
Share on other sites

EOSHD Pro Color 5 for Sony cameras EOSHD Z LOG for Nikon CamerasEOSHD C-LOG and Film Profiles for All Canon DSLRs

I found it a bit confusing myself, but here are some answers to a similar question posted in the forums:

 

'?do=embed' frameborder='0' data-embedContent>>

 

I googled to see if there was any other useful workflow advice, but I didn't come up with much.

 

Here is one:

http://www.eduardoangel.com/2014/02/13/7-things-we-discovered-after-shooting-4k-with-the-gh4/

 

I'm in the same boat, as I'll be picking up my GH4 next Thursday.

Link to comment
Share on other sites

This guy also recommends just dropping the 4K file into the 1080p timeline.

 

 

This guy = Dave Dugdale

 

/edit/ at around 6:00" (sorry, I'm still in the middle of watching the tutorial), Dave addresses accusations that he is being paid by Panasonic.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
 Share

  • EOSHD Pro Color 5 for All Sony cameras
    EOSHD C-LOG and Film Profiles for All Canon DSLRs
    EOSHD Dynamic Range Enhancer for H.264/H.265
×
×
  • Create New...