sunyata Posted July 13, 2014 Share Posted July 13, 2014 The website doesn't say this in the specs area but there is this graphic: and So I guess that's a confirmation, but only @ 24p. Quote Link to comment Share on other sites More sharing options...
blafarm Posted July 14, 2014 Share Posted July 14, 2014 Does any camera support Rec. 2020 yet? That's a much wider color gamut. Michael Resolve. Quote Link to comment Share on other sites More sharing options...
Chris Santucci Posted July 14, 2014 Share Posted July 14, 2014 Ohhh... proof positive that colour is in the eye of the beholder (and their monitor) Yours, on my monitor and to my eye looks over saturated and like you've put it through a tv's "cinema" mode. I find the original (and I share some peoples concerns about the A7s colour rendering) much more natural, much more pleasing and far less Michael Bay. But please don't take that as criticism, I'm almost certain if I looked at it on your, doubtlessly scrupulously calibrated monitor (as is mine) I would share your opinion, it's just the difference in rendering and taste. I never touched saturation just so you know. All I did was remove all that GREEN and add a tad bit of blackness. ALL the still frames associated with this post look excessively green (and a bit flat) to me. When I download the doggy image and open it in photoshop, the big reflected highlight under the Beagle shows a pronounced amount of green. And I keep my 32 bit monitor calibrated and do all my (considerable amount of) grading on it. Imaginate 1 Quote Link to comment Share on other sites More sharing options...
sunyata Posted July 14, 2014 Share Posted July 14, 2014 Want to qualify by saying the image looks very nice as a static in RGB, color grade preferences aside, but this is what a moderate 2d histogram test shows on the blue channel: Quote Link to comment Share on other sites More sharing options...
Luke Mason Posted July 14, 2014 Share Posted July 14, 2014 The gamma issue between Mac and PC has been a problem in the film industry for decades -- especially in terms of the QuickTime 7 system framework, which has been deprecated. Unfortunately, media applications on these two disparate computing platforms *do not* read the file-based gamma data and compensate accordingly. And aside from file-based gamma differences, you also have issues surrounding the calibration (or not) of the user's display. Color grading is very definitely a subjective art, but I can tell you that I would never let the image at the top of this thread out my door -- unless of course, it was an intentional stylistic decision. On a somewhat related topic, it is interesting to note the number of comments on the Internet questioning the color science of the A7s. Interestingly, when that color science has been called into question, I have found myself in general agreement after watching the clips on my calibrated monitor. However, it's hard to know if these issues are related to computing platform gamma differences -- or users posting S-Log2 footage on Vimeo (or an alternate picture profile) -- without having pulled it back down to Rec. 709 or Rec. 2020. S-Log2 and S-Gamut on A7S use standard BT.709 colour primary, same as F5. Quote Link to comment Share on other sites More sharing options...
Luke Mason Posted July 14, 2014 Share Posted July 14, 2014 Does any camera support Rec. 2020 yet? That's a much wider color gamut. Michael C500 RAW and F55/F65 RAW can be processed to support Rec.2020. Quote Link to comment Share on other sites More sharing options...
Jacek Posted July 14, 2014 Share Posted July 14, 2014 Next video from James: Quote Link to comment Share on other sites More sharing options...
SleepyWill Posted July 14, 2014 Share Posted July 14, 2014 I never touched saturation just so you know. All I did was remove all that GREEN and add a tad bit of blackness. ALL the still frames associated with this post look excessively green (and a bit flat) to me. When I download the doggy image and open it in photoshop, the big reflected highlight under the Beagle shows a pronounced amount of green. And I keep my 32 bit monitor calibrated and do all my (considerable amount of) grading on it. Oh sure - I choose my words very carefully! What's interesting is that, and bear in mind ALL these monitors are for professional use and calibrated by people who know what they are doing! When viewed on a Viewsonic PLS panel with the AG coating removed driven by a Quadro, I really like the original best. When viewed on a Dell IPS panel with reasonably aggressive AG coating left on driven by a Quadro, the original looks flat, I prefer yours. When viewed on an ASUS IPS panel with the best AG I have even encountered, driven by a Quadro, I like both equally. When viewed on a Viewsonic PLS panel with the AG coating removed driven by a Firepro, I really like the original best. When viewed on a Dell IPS panel with reasonably aggressive AG coating left on driven by a Firepro, the original looks flat, I prefer yours. When viewed on an ASUS IPS panel with the best AG I have even encountered, driven by a Firepro, I like the original best, the colors on yours look way too much. When the same monitors were driven by both Geforce/Radeon, the results are the same as above and predictably when viewed on a TN panel, they both look muted. And on my TV, I prefer the original, but yours matches most programs! So in conclusion, I think the AG treatment on monitors has a massive effect but mostly it's all in the eye of the beholder! Quote Link to comment Share on other sites More sharing options...
hionhifi Posted July 14, 2014 Share Posted July 14, 2014 I spoke to the manufacturer of the SY-4KS, it's name in the US is CPRO-2E4KS and it's available from Dino Bozzi @ Globe Electronics, 295 Route 46 West, Fairfield, NJ 07004, (973) 882-9882, (973) 882-9886 - fax. Cost for the CPRO-2E4KS is $155 plus shipping from NJ. From the manufacturer. Hi Thomas, Please contact Mr. Dino Bozzi below. He will help. And, the model name in the US is CPRO-2E4KS. If you need further assistance, please let me know. Thank you, Chiungfang Hsu ------------------------------------------------------------------------------------ Cypress Technology Co., LTD. 6F-5,No.130, Jian Kang Rd., Chung Ho Dist., New Taipei City, 23585, Taiwan Tel: 886-2-2226-9586 ext. 238 Fax: 886-2-2226-9587 Email: chiungfang.hsu@cypress.com.tw Website: http://en.cypress.com.tw/ Quote Link to comment Share on other sites More sharing options...
hmcindie Posted July 14, 2014 Share Posted July 14, 2014 I never touched saturation just so you know. All I did was remove all that GREEN and add a tad bit of blackness. That "touch of blackness" obviously increased saturation. Using rgb curves or something that touches saturation too? I also prefer the original. But I - of course - have the best properly graded monitor. And I also happen to like green. Quote Link to comment Share on other sites More sharing options...
sunyata Posted July 14, 2014 Share Posted July 14, 2014 That "touch of blackness" obviously increased saturation. Using rgb curves or something that touches saturation too? I also prefer the original. But I - of course - have the best properly graded monitor. And I also happen to like green. It doesn't look that over-saturated to me, just more contrast. Quote Link to comment Share on other sites More sharing options...
Chris Santucci Posted July 15, 2014 Share Posted July 15, 2014 Oh sure - I choose my words very carefully! What's interesting is that, and bear in mind ALL these monitors are for professional use and calibrated by people who know what they are doing! When viewed on a Viewsonic PLS panel with the AG coating removed driven by a Quadro, I really like the original best. When viewed on a Dell IPS panel with reasonably aggressive AG coating left on driven by a Quadro, the original looks flat, I prefer yours. When viewed on an ASUS IPS panel with the best AG I have even encountered, driven by a Quadro, I like both equally. When viewed on a Viewsonic PLS panel with the AG coating removed driven by a Firepro, I really like the original best. When viewed on a Dell IPS panel with reasonably aggressive AG coating left on driven by a Firepro, the original looks flat, I prefer yours. When viewed on an ASUS IPS panel with the best AG I have even encountered, driven by a Firepro, I like the original best, the colors on yours look way too much. When the same monitors were driven by both Geforce/Radeon, the results are the same as above and predictably when viewed on a TN panel, they both look muted. And on my TV, I prefer the original, but yours matches most programs! So in conclusion, I think the AG treatment on monitors has a massive effect but mostly it's all in the eye of the beholder! Interesting... What does this file look like to you? Are the grays neutral? '> Quote Link to comment Share on other sites More sharing options...
Tim Naylor Posted July 15, 2014 Share Posted July 15, 2014 I think this downscaler is great news. Anyone have any pics of how the camera is rigged? I notice the downscaled has no 1/4" 30 holes. Curious to see how it's mounted and powered. Quote Link to comment Share on other sites More sharing options...
SleepyWill Posted July 15, 2014 Share Posted July 15, 2014 Deleted post, I'll post when I have access to those screens again, suffice to say, no colour cast from what I can see (under terrible conditions) Quote Link to comment Share on other sites More sharing options...
hmcindie Posted July 16, 2014 Share Posted July 16, 2014 What does this file look like to you? Are the grays neutral? '> Is that 4:2:2? Edges are starting to block. Damn, we can't even get 4:4:4 in a still image! Quote Link to comment Share on other sites More sharing options...
nigelbb Posted July 16, 2014 Share Posted July 16, 2014 Are we sure this is for real? Remember that this is the same James Miller who promulgated the nonsense that removing the OLPF of the Canon 5D3 improved the image. That piece of nonsense fooled quite a few people at the time before it was all revealed as the Emperor's New Clothes. Quote Link to comment Share on other sites More sharing options...
Garrett_Cinema Posted September 6, 2014 Share Posted September 6, 2014 I have an issue with this setup: A7s -> CYP Scaler -> Ninja Star. The problem is that there is no video feed when the CYP is in the chain. The screen on the A7s goes black and I can't see anything. What am I doing wrong here? Quote Link to comment Share on other sites More sharing options...
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