FilmMan Posted August 19, 2014 Share Posted August 19, 2014 The new Mad Max movie (coming in 2015) cameras: Arri Alexa M and Plus, Canon 5d II (some shots), Olympus P5 (some shots) Quote Link to comment Share on other sites More sharing options...
eoslover Posted August 19, 2014 Share Posted August 19, 2014 E-P5? for real? Quote Link to comment Share on other sites More sharing options...
ntblowz Posted August 19, 2014 Share Posted August 19, 2014 I remember Secretariat used E-PL1 for close up of horse racing. So E-P5 with 5 Axis IS might be used for some shots that is too big for normal rig. Quote Link to comment Share on other sites More sharing options...
FilmMan Posted August 19, 2014 Author Share Posted August 19, 2014 Eoslover, Look at Camera: http://www.imdb.com/title/tt1392190/technical?ref_=tt_dt_spec Trailer: Quote Link to comment Share on other sites More sharing options...
Inazuma Posted August 19, 2014 Share Posted August 19, 2014 Ep5 could be used for those type of shots you see in movies sometimes where the character is talking into a tablet of some kind. They need it stable but bad quality. Quote Link to comment Share on other sites More sharing options...
mtheory Posted August 20, 2014 Share Posted August 20, 2014 Damn, 5D2 is like a veteran who just keeps on fighting. Quote Link to comment Share on other sites More sharing options...
Chrad Posted August 20, 2014 Share Posted August 20, 2014 Damn, 5D2 is like a veteran who just keeps on fighting. The 5D3 was brand new when this was shot in mid 2012. I don't blame them for sticking with what they knew. Quote Link to comment Share on other sites More sharing options...
Penumbra Posted August 21, 2014 Share Posted August 21, 2014 There were more than 5x5D cameras. There are a number 16-35 lenses (more than 5) lost and still left in the desert. They replaced all the blue skyes displaying the trademark banding in post. Quote Link to comment Share on other sites More sharing options...
hmcindie Posted August 21, 2014 Share Posted August 21, 2014 They replaced all the blue skyes displaying the trademark banding in post. To be fair, they probably replaced the sky from every camera. It's mostly a grading/artistic choice, usually never because of "banding" or technical issues. I worked on a commercial shot on a red that had the sky replaced. Did the 5d actually display that much banding anyways? Quote Link to comment Share on other sites More sharing options...
Flynn Posted August 21, 2014 Share Posted August 21, 2014 There were more than 5x5D cameras. There are a number 16-35 lenses (more than 5) lost and still left in the desert. They replaced all the blue skyes displaying the trademark banding in post. Penumbra, do you know anything about how many EP5s were used and which lenses? Quote Link to comment Share on other sites More sharing options...
FilmMan Posted August 23, 2014 Author Share Posted August 23, 2014 More information - old article. http://www.bleedingcool.com/2012/06/29/mad-max-fury-road-to-be-shot-in-2d-after-all-then-converted-to-3d/ 4 ARRI ALEXA Plus cameras (for standard sound shooting) 3 ARRI ALEXA M cameras (for the interior of trucks) 6 Canon 5D cameras (for stunt situations) 7 Olympus P5 cameras (as pure “crash†cameras) Quote Link to comment Share on other sites More sharing options...
FilmMan Posted August 23, 2014 Author Share Posted August 23, 2014 7dde773dda838adef8fb6a12a8ee1834 Quote Link to comment Share on other sites More sharing options...
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