Guest RichST Posted December 6, 2011 Share Posted December 6, 2011 [html]Even by running a 3×3 binning pattern on their sensors would go a ways towards fixing most of the moire. They haven’t said exactly how they’re going to do it (do they ever?), I have heard someone speculate it might be 3×1 binning but it’s all just a guess right now. But long story short, yes the moire should get better, it’s been something of an embarrassment to Canon for a while now. Now higher resolution? Not so sure about that, at least on the 1Dx (the c300 should compare with the high-end Sonys and the cinema DSLR should exceed both)[/html] Quote Link to comment Share on other sites More sharing options...
Guest Andrew Reid Posted December 6, 2011 Share Posted December 6, 2011 [html]DIGIC5 in the 1D X will almost certainly be the same in the 5D Mark 3, even if it is a 1 chip version not DIGIC5 + it will still have the same scaling algorithms as the 1D X. I’m expecting good things.Sony did fix stuff on the NEX 5N and A77 Sandro, namely 1080/60p and less moire than on the previous cameras.[/html] Quote Link to comment Share on other sites More sharing options...
Guest RichST Posted December 6, 2011 Share Posted December 6, 2011 [html]Looks like it may be coming to an APS-C camera in February[/html] Quote Link to comment Share on other sites More sharing options...
Guest Sandro Posted December 6, 2011 Share Posted December 6, 2011 [html]Yes but the resolution is still low compared to the GH2 and the moiré is still there, I’m worried that the new EOS consumers line will be on par with the NEX5N. IF it will be on par with the GH2 then well. it’s gonna be a hell of a product and a real revolution, but will they do it considering what they announced? Othe other side could they afford to re-direct video users to much more expensive cameras to get a real 1080p in 2012 (Panasonic was able to do it with the GH1)? I’m dying to know, it would be such a bummer to wait all these months and get a copy of the new Sonys![/html] Quote Link to comment Share on other sites More sharing options...
Guest amband Posted December 6, 2011 Share Posted December 6, 2011 [html]just get the deliverables from the TV station before you shoot. That will tell you camera for best workflow. Can’t go wrong[/html] Quote Link to comment Share on other sites More sharing options...
Guest amband Posted December 6, 2011 Share Posted December 6, 2011 [html]the reason is mirrorless cameras outselling DSLRs in Japan at a great rate of knots due to efficient new technologyIn a couple of years it could be the DSLR as we know it will be no more. I understand the aim is to go mirrorless as standard, and that is why I’m staying with the 5D and buying 2 GH2sNo way will I replace the 5D or buy the 1DX or a top Nikon if they are out of production in the near futureRemember how expensive SLRs weren’t worth two bob when we went digital? Same thing, or rather, same result[/html] Quote Link to comment Share on other sites More sharing options...
Guest amband Posted December 6, 2011 Share Posted December 6, 2011 [html]why would the companies do anything else?[/html] Quote Link to comment Share on other sites More sharing options...
Guest amband Posted December 6, 2011 Share Posted December 6, 2011 [html]well saidI think FCP X removes rolling shutter[/html] Quote Link to comment Share on other sites More sharing options...
Guest charleslim Posted December 6, 2011 Share Posted December 6, 2011 [html]I have 2 cameras – RED epic and GH2. I kind of miss shooting on the GH2, the GH2 for it’s price and weight , the camera becomes an extension of your body it’s almost like wearing specs. it’s just something at the end of your arm, you can forget the camera, and live, experience, shoot the moment. NO way you can do that with RED EPIC – it’s smallish but the weight of the camera makes it’s pressence know. espeically the PRICE! shooting in fear.[/html] Quote Link to comment Share on other sites More sharing options...
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